OK, so the question is: Is there a way to create box that has height of total
font height? By total font height I mean the distance between bottom bearing
line and top bearing line (see
http://www.myfirstfont.com/images/glyphterms.gif). The idea is of course to
have constant height of box,
I'm having a bit of a struggle with the spacing of systems on the final
page of a 12-page score. With
\paper { ragged-last-bottom = ##t }
the final page has three systems crowded together, followed by a sea of
whitespace, then the copyright line. But with
\paper { ragged-last-bottom = ##f }
the
On Sun, 2014-03-30 at 09:37 +0100, Graham King wrote:
I'm having a bit of a struggle with the spacing of systems on the
final page of a 12-page score. With
\paper { ragged-last-bottom = ##t }
the final page has three systems crowded together, followed by a sea
of whitespace, then the
On Sun, 2014-03-30 at 09:46 +0100, Graham King wrote:
On Sun, 2014-03-30 at 09:37 +0100, Graham King wrote:
I'm having a bit of a struggle with the spacing of systems on the
final page of a 12-page score. With
\paper { ragged-last-bottom = ##t }
the final page has three systems
Hi Graham,
2014-03-30 11:23 GMT+02:00 Graham King graham.k...@tremagi.org.uk:
On Sun, 2014-03-30 at 09:46 +0100, Graham King wrote:
On Sun, 2014-03-30 at 09:37 +0100, Graham King wrote:
I'm having a bit of a struggle with the spacing of systems on the final page
of a 12-page score.
With
You can find it from this link below:
http://lilypond.org/doc/v2.18/Documentation/notation/arabic-music
On 03/29/2014 02:23 PM, Dirk Cushenbery wrote:
Hi
I am a new user. Does anyone have a template for Arabic music? I have watched
several tutorials and read parts of the manual. I am not
- Original Message -
From: Graham King
To: lilypond-user
Sent: Sunday, March 30, 2014 9:37 AM
Subject: Vertical spacing on final page of score
I'm having a bit of a struggle with the spacing of systems on the final
page of a 12-page score. With
\paper { ragged-last-bottom = ##t }
2014-03-30 0:35 GMT+01:00 Karol Majewski karo...@wp.pl:
According to:
http://www.lilypond.org/doc/v2.19/Documentation/notation/other
\strut Create a box of the same height as the space in the current font.
So
\markup { \strut \box . }
\markup { \strut \box bp }
should draw a box with
Very nice workaround! For Cental Europe languages it's better to replace fp
with, let's say, Śp.
2014-03-30 0:35 GMT+01:00 Karol Majewski karo...@wp.pl:
According to:
http://www.lilypond.org/doc/v2.19/Documentation/notation/other
\strut Create a box of the same height as the space in
On Sun, 2014-03-30 at 12:49 +0200, Thomas Morley wrote:
Hi Graham,
2014-03-30 11:23 GMT+02:00 Graham King graham.k...@tremagi.org.uk:
On Sun, 2014-03-30 at 09:46 +0100, Graham King wrote:
On Sun, 2014-03-30 at 09:37 +0100, Graham King wrote:
I'm having a bit of a struggle with the
On Sun, 2014-03-30 at 12:28 +0100, Phil Holmes wrote:
- Original Message -
From: Graham King
To: lilypond-user
Sent: Sunday, March 30, 2014 9:37 AM
Subject: Vertical spacing on final page of score
I'm having a bit of a struggle with the spacing of systems on the final
page
Hi all,
Very nice workaround!
+1
For Cental Europe languages it's better to replace fp with, let's say, Śp”.
When, oh when, will we get real text handling (e.g., leading) in Lilypond?
Cheers,
Kieren.
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David Kastrup d...@gnu.org writes:
test =
#(define-scheme-function (parser location num) (number?)
#{ \paper { top-margin =
$(* num (module-ref (current-module) 'paper-height)) } #})
\paper { \test 0.9 }
{ c'1 }
I am somewhat irritated that a plain
\test 0.9
On 29 March 2014 22:21, Pierre Perol-Schneider
pierre.schneider.pa...@gmail.com wrote:
Please provide compilable example.
See also : http://lsr.di.unimi.it/LSR/Search?q=ambitus
HTH
~Pierre
I got the version number wrong, and cleaned up the code a bit for this
example. Sorry about that.
I did reply, but you seem to have ignored that.
Anyway, making the following changes will give what you want:
melodyI = \relative c' {
s1*4 c4 d e f g a b c | b2 c | d1
}
(note the s1*4), and
\new Staff {
\new Voice = intro { \melodyIntro }
\new Voice = part one \with {\consists
On 30 March 2014 02:07, Thomas Morley thomasmorle...@gmail.com wrote:
%% You could insert
\override AmbitusNoteHead.break-visibility = ##(#f #f #t)
\override AmbitusLine.break-visibility = ##(#f #f #t)
HTH,
Harm
I get a syntax error with this. Do I have to replace anything for the
On 30 March 2014 23:31, Phil Holmes m...@philholmes.net wrote:
I did reply, but you seem to have ignored that.
I did see your reply but didn't know how to go about implementing it.
Anyway, making the following changes will give what you want:
melodyI = \relative c' {
s1*4 c4 d e f g a b c
- Original Message -
From: ayutheos
To: Phil Holmes
Cc: lilypond-user
Sent: Sunday, March 30, 2014 4:49 PM
Subject: Re: Ambitus on certain section only
Changing it to polyphonic and adding spacers for the introduction
gives a single ambitus at beginning of the introduction.
I
On 30 March 2014 23:58, Phil Holmes m...@philholmes.net wrote:
- Original Message - From: ayutheos To: Phil Holmes Cc:
lilypond-user Sent: Sunday, March 30, 2014 4:49 PM
Subject: Re: Ambitus on certain section only
Changing it to polyphonic and adding spacers for the introduction
In that case, just adopt Thomas's solution, but change the syntax because of
the old version you're using:
\override AmbitusNoteHead #'break-visibility = ##(#f #t #t)
\override AmbitusLine #'break-visibility = ##(#f #t #t)
--
Phil Holmes
- Original Message -
From: ayutheos
To:
ayutheos ayuth...@gmail.com writes:
On 30 March 2014 02:07, Thomas Morley thomasmorle...@gmail.com wrote:
%% You could insert
\override AmbitusNoteHead.break-visibility = ##(#f #f #t)
\override AmbitusLine.break-visibility = ##(#f #f #t)
HTH,
Harm
I get a syntax error with this. Do
Consider the example below:
\version 2.19.3
\new Staff
\new Voice \relative c'' { \voiceOne c4~ c d, c }
\new Voice \relative c' { \voiceTwo c d8 q }
How can I tie the lower voice's c d to the upper voice's c d, c?
DR
___
lilypond-user
On Thu, 27 Mar 2014 19:14:55 +0100
Urs Liska u...@openlilylib.org wrote:
Thanks, that's clarifying. Abs confirming that my model's
notation is correct.
David Stephen Grant da...@davidgrant.no schrieb am 27.03.2014:
Elaine Gould writes: Grace notes sounding on the beat should
always be
On 31/03/14 10:56, Daniel Rosen wrote:
Consider the example below:
\version 2.19.3
\new Staff
\new Voice \relative c'' { \voiceOne c4~ c d, c }
\new Voice \relative c' { \voiceTwo c d8 q
How can I tie the lower voice's c d to the upper voice's c d, c?
You could use a third hidden
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