Check out this recent thread on pretty much this exact topic:
http://lilypond.1069038.n5.nabble.com/cleanly-dealing-with-variables-and-reducing-code-duplication-in-multimovement-works-td161112.html#a161152
Unfortunately, the answer is basically, no, Lilypond does not support this.
The above thread
If I understand correctly, what Orm wants is to be able to write something
like this:
clarinet = \relative c' {
\transposing bf
c4 d e d |
\transposing a
c d e d
}
And get the output to show d e fs e ef f g f (using English spelling).
Currently, in order to enter music in concert
On 8 May 2014, at 05:57, Dennis Clason wrote:
> I’m using LilyPond 2.18.2
>
> I use it to prepare scores for brass quintets and quartets, but I can’t get
> it to open from the lilypond icon. It throws the errors that I noted
> previously.
[Please cc the list so that others can follow the iss
Shevek writes:
> If I understand correctly, what Orm wants is to be able to write something
> like this:
>
> clarinet = \relative c' {
> \transposing bf
> c4 d e d |
> \transposing a
> c d e d
> }
>
> And get the output to show d e fs e ef f g f (using English spelling).
> Current
Hi Jean-Charles !
Here's what I'm using for black mensural, adapted to your snippet :
\version "2.19.3"
mens = \once \override NoteHead #'style = #'neomensural
blackBrevis = {
\once \override NoteHead #'stencil = #ly:text-interface::print
\once \override NoteHead #'text = #(markup #:musicglyp
Naturally, but a music function like that misses the point. The current
way isn't cumbersome because it's verbose, it's cumbersome because it
requires breaking music into separate blocks using braces. What I'd like
to be able to do is change the transposition like a context property, so
that I
Saul Tobin writes:
> Naturally, but a music function like that misses the point. The
> current way isn't cumbersome because it's verbose, it's cumbersome
> because it requires breaking music into separate blocks using
> braces. What I'd like to be able to do is change the transposition
> like a c
Le 08/05/2014 10:18, Éditions IN NOMINE disait :
Hi Jean-Charles !
Here's what I'm using for black mensural, adapted to your snippet :
\version "2.19.3"
mens = \once \override NoteHead #'style = #'neomensural
blackBrevis = {
\once \override NoteHead #'stencil = #ly:text-interface::print
\onc
How do you get Lilypond to output SVG from Frescobaldi?
Thanks,
Gerard
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Am 08.05.2014 12:22, schrieb Gerard McConnell:
How do you get Lilypond to output SVG from Frescobaldi?
Thanks,
Gerard
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Use "Engrave (Custom)"
Hi,
I have this construct in a function that creates a combined time signature:
(grob-interpret-markup grob
(markup #:override '(baseline-skip . 0) #:number
(#:line ((#:column (numOne denOne))
(#:column (numTwo denTwo))
It creates two columns from the four giv
On Wed, 2014-05-07 at 19:59 +0200, Jean-Charles Malahieude wrote:
> Hi all!
>
> On my way to typeset a mass by Monteverdi, I'm blocked with some
> ligatures (see
> http://musicofyesterday.com/historical-music-theory/expanded-history-musical-notation-part-4/
>
> for examples)
> I can code the
Urs Liska writes:
> Hi,
>
> I have this construct in a function that creates a combined time signature:
>
>(grob-interpret-markup grob
> (markup #:override '(baseline-skip . 0) #:number
>(#:line ((#:column (numOne denOne))
> (#:column (numTwo denTwo))
>
> It c
On 8 May 2014, at 05:57, Dennis Clason wrote:
> I’m using LilyPond 2.18.2
It seems you are using the PPC version - it does not work in OS X 10.7 or later
(requires Rosetta). Try the x86 version, the first entry on this page [1], it
works.
1. http://www.lilypond.org/macos-x.html
___
Hello Simon,
Thanks, I was mixing style and stencil without noticing!
JM
Le 6 mai 2014 à 19:27:15, Simon Albrecht a écrit :
> Bonsoir Jacques,
>
> I don’t know why you altered the suggestion I sent you:
> Am 06.05.2014 17:06, schrieb Jacques Menu:
>> Hello Simon,
>>
>> Thanks for your answer
I have a problem with sequential trill spans. they seems to be just a
little too long and therefore they stagger vertically. I would think the
solution is to shorten the trill span but I'm not sure how to do this.
\version "2.18.2"
\relative c''' {
\time 2/4
| f2 \startTrillSpan \ppp
Dear list,
I just stumbled over a strange problem. I'm trying to use some of
my guile code from within Lilypond. When trying to import some of
my macros (when and unless) into Lilypond I get the following error:
, LilyPond RELP -
| guile> (load "syntactic-shuga
Is there an efficient way to change the style of every, say, third
barline?
Here's an example of what I'm trying to achieve, but I'd like to do it
without having to insert \bar "|" manually (and of course with real
music rather than \repeat unfold):
\version "2.19.2"
\relative c' {
\set Timing.
What about this?
\version "2.19.2"
barlines = \relative c' {
\set Timing.defaultBarType = ";"
\repeat unfold 4 {
\repeat unfold 3 { s s s s }
\bar "|"
}
}
music = \relative c' {
\repeat unfold 12 {c d e f}
}
\score {
\new Staff <<
\new Voice \music
\new Voice \barlines
2014-05-08 8:58 GMT+02:00 Federico Bruni :
> It's the LilyPond plugin for MediaWiki?
>
Yep, see :
http://www.imslpforums.org/viewtopic.php?f=3&t=7034&hilit=incipit
> BTW, in January I launched a "survey" about contributions to Mutopia:
> http://lists.gnu.org/archive/html/lilypond-user/2014-01
"R. Mattes" writes:
> Dear list,
>
> I just stumbled over a strange problem. I'm trying to use some of
> my guile code from within Lilypond. When trying to import some of
> my macros (when and unless) into Lilypond I get the following error:
>
> , LilyPond RELP ---
Hi David,
thanks for the assistance.
Am 08.05.2014 14:19, schrieb David Kastrup:
Urs Liska writes:
Hi,
I have this construct in a function that creates a combined time signature:
(grob-interpret-markup grob
(markup #:override '(baseline-skip . 0) #:number
(#:line ((#:colu
On Thu, 2014-05-08 at 07:44 -0700, Gilberto Agostinho wrote:
> What about this?
>
> \version "2.19.2"
>
> barlines = \relative c' {
> \set Timing.defaultBarType = ";"
> \repeat unfold 4 {
> \repeat unfold 3 { s s s s }
> \bar "|"
> }
> }
>
> music = \relative c' {
> \repeat unfo
2014-05-08 16:49 GMT+02:00 Pierre Perol-Schneider <
pierre.schneider.pa...@gmail.com>:
> Can I ask you why? It's because of the license restrictions
>> (NonCommercial clause is not accepted by Mutopia)?
>>
>
> Because I'm no Mutopia user.
>
> Now the right question would be why am I not a user ?
Oh, please discard the attachment of the previous email, this one is the
current one ...
Am 08.05.2014 17:25, schrieb Urs Liska:
Hi David,
thanks for the assistance.
Am 08.05.2014 14:19, schrieb David Kastrup:
Urs Liska writes:
Hi,
I have this construct in a function that creates a com
Hi David,
below is a minimal example. One of the disadvantages of this notation
is obvious, if you render the file: Both parts are in the wrong
octave. The "\relative c'" has to get moved inside the brackets of the
\bclarinet and \eb-clarinet calls in order to correct this. I'd much
prefer not ha
I'm glad this solves your problem, best regards!
--
View this message in context:
http://lilypond.1069038.n5.nabble.com/Make-every-n-th-barline-different-tp162164p162177.html
Sent from the User mailing list archive at Nabble.com.
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On Thu, 08 May 2014 17:12:04 +0200, David Kastrup wrote
>
> Yes. LilyPond defines a music function \void, and (ice-9 syncase) gets
> confused by that for whatever stupid reason (the bug is reported, but
> don't expect any 1.8 releases any more). Guile 2.0 works but of course
> that is of little c
Orm Finnendahl writes:
> Hi David,
>
> below is a minimal example. One of the disadvantages of this notation
> is obvious, if you render the file: Both parts are in the wrong
> octave. The "\relative c'" has to get moved inside the brackets of the
> \bclarinet and \eb-clarinet calls in order to
Hi David,
thanks, sorry for not noticing this in your previous mail...
--
Orm
Am Donnerstag, den 08. Mai 2014 um 17:50:15 Uhr (+0200) schrieb David Kastrup:
> Orm Finnendahl writes:
>
> > Hi David,
> >
> > below is a minimal example. One of the disadvantages of this notation
> > is obvious,
On Thu, 2014-05-08 at 17:35 +0200, Federico Bruni wrote:
>
> Yes, it does. IMSLP doesn't offer the (lilypond) source used to
> produce the PDF, so their users cannot modify the scores or re-adapt
> them in derivative works.
It does if you upload it; several scores are up there with LilyPond
sourc
Avez-vous Timidity ? Je l'ai du installer sur mon ordinateur.
On May 8, 2014 12:12 PM, "Éditions IN NOMINE"
wrote:
> Merci pour cette réponse rapide, mais hélas, j'avais déjà touché à tous
> les boutons avant de poster... bon ça ne fonctionne pas chez moi... Je n'ai
> que Midi Through Port-0 pour
On Thu, May 08, 2014 at 04:35:40PM +0100, Graham King wrote:
> Thanks Gilberto, that's simpler and better than anything I would have
> cooked up. And by simply using:
>
> \version "2.19.2"
> barlines = {
> \set Timing.defaultBarType = ";"
> \repeat unfold 3 { s1 }
> \bar "|"
> }
> \relative
Le 08/05/2014 17:35, Federico Bruni disait :
2014-05-08 16:49 GMT+02:00 Pierre Perol-Schneider:
Can I ask you why? It's because of the license restrictions
(NonCommercial clause is not accepted by Mutopia)?
Because I'm no Mutopia user.
Now the right question would be why am I not a user ?
Hi,
sorry, I seem to have missed the replies to the thread and just reread
them in the list archive.
David, could you provide me with a hint on how to get the suggested
masterToScore and masterToPart functions working? I guess this would
be the most suitable method for my purpose as I'm generati
On Thu, 2014-05-08 at 18:38 +0200, Toine Schreurs wrote:
> On Thu, May 08, 2014 at 04:35:40PM +0100, Graham King wrote:
> > Thanks Gilberto, that's simpler and better than anything I would have
> > cooked up. And by simply using:
> >
> > \version "2.19.2"
> > barlines = {
> > \set Timing.defau
Orm Finnendahl writes:
> Hi,
>
> sorry, I seem to have missed the replies to the thread and just reread
> them in the list archive.
>
> David, could you provide me with a hint on how to get the suggested
> masterToScore and masterToPart functions working? I guess this would
> be the most suitabl
I can't help it to be overwhelmed by LilyPond over and over again :-)
Look at that score:
http://lilypondblog.org/wp-content/uploads/2014/05/alternatingTimeSignatures.pdf
and wonder about the nested tuplets over crazy bar changes.
If you notice the lower voice spans less music than the upper,
2014-05-08 19:02 GMT+02:00 Urs Liska :
> Look at that score:
>
> http://lilypondblog.org/wp-content/uploads/2014/05/
> alternatingTimeSignatures.pdf
>
Thanks Urs, very nice.
The alignment seems a little weird though.
Try : #{ \markup \center-column #(map number->string x) #})
It looks much b
Il 08/mag/2014 18:07 "Richard Shann" ha scritto:
>
> On Thu, 2014-05-08 at 17:35 +0200, Federico Bruni wrote:
> >
> > Yes, it does. IMSLP doesn't offer the (lilypond) source used to
> > produce the PDF, so their users cannot modify the scores or re-adapt
> > them in derivative works.
> It does if
Pierre: (Why I'm not a Mutopia user.) I think many of your criticisms are
legitimate. I'd like to be part of making Mutopia a better site. Right
now I am just a contributor but at some point maybe I can help with making
the site better.
I don't think there is competition between IMSLP and Mutop
On 2014-05-08 16:22, Knute Snortum wrote:
I have a problem with sequential trill spans. they seems to be just a
little too long and therefore they stagger vertically. I would think
the solution is to shorten the trill span but I'm not sure how to do
this.
\version "2.18.2"
\relative c'''
Hello all,
Sorry I’m late to the party…
A critical feature of a proper and useable multi-instrumentalist framework
would be the ability to put in global variables which include the key
signature(s) for the work, and the part would present the correct transposition
of that key signature (as wel
Thanks very, very much, Hans.
I have no idea how I downloaded the PPC version, but obviously I must have. I
re-installed LP from your link and it runs again.
Dennis Clason
dennis.cla...@gmail.com
On May 8, 2014, at 7:23 AM, Hans Aberg wrote:
> On 8 May 2014, at 05:57, Dennis Clason wrote:
Jean-Charles Malahieude:
> On my way to typeset a mass by Monteverdi, I'm blocked with some
> ligatures (see
> http://musicofyesterday.com/historical-music-theory/expanded-history-musical-notation-part-4/
>
> for examples)
You seem to equate ligatures with legato, I'd be interested to hear
if
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