Am 26.07.2014 um 01:23 schrieb tisimst:
Oh and here's a single sheet showcasing some other elements of each font for
closer comparison:
Sampler of all current music fonts https://db.tt/vV9MuRWR
This is awesome! Great work!
Marc
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Looks promising, nice work Abraham.
Cheers,
Pierre
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Hi all,
I have been working on a new Pure Data external for music notation that is
probably ready for testing. I have been using this external for my own work and
thought other people might benefit from it too, so if there are any Pd users in
this list, you might want to try it.
The external
Am 26.07.2014 11:03, schrieb Jaime E Oliver:
Hi all,
I have been working on a new Pure Data external for music notation that is
probably ready for testing. I have been using this external for my own work and
thought other people might benefit from it too, so if there are any Pd users in
this
Hi,
Currently hairpin is always placed outside slurs. What controls their
vertial priority?
outside-staff-priority only covers spanners, marks and such, while
\override Hairpin.avoid-slur = #'inside
seems to have no effect here. The desired effect is in second system,
without using hard-coded
Hi,
WOW!! just... wow!
2014-07-26 1:14 GMT+02:00 tisimst tisimst.lilyp...@gmail.com:
All,
I couldn't wait any longer, so here's a formal announcement about the new
music fonts that I've been working on, by way of example. They are all 100%
LilyPond compatible for both PDF and SVG output.
On 26. Juli 2014 12:17:46 MESZ, Janek Warchoł janek.lilyp...@gmail.com
wrote:
Hi,
WOW!! just... wow!
2014-07-26 1:14 GMT+02:00 tisimst tisimst.lilyp...@gmail.com:
All,
I couldn't wait any longer, so here's a formal announcement about the
new
music fonts that I've been working on, by way
Il 26/07/2014 01:14, tisimst ha scritto:
All,
I couldn't wait any longer, so here's a formal announcement about the new
music fonts that I've been working on, by way of example. They are all 100%
LilyPond compatible for both PDF and SVG output. They all (except Gonville)
support the full
2014-07-26 12:54 GMT+02:00 Urs Liska u...@openlilylib.org:
We definitely should gather these in some visible place when all the
infrastructure for using these fonts is stable.
Right now there is a request to use another font at the german lilypond forum.
Second comment to this message:
Am 26.07.2014 12:17, schrieb Janek Warchoł:
Hi,
WOW!! just... wow!
2014-07-26 1:14 GMT+02:00 tisimst tisimst.lilyp...@gmail.com:
All,
I couldn't wait any longer, so here's a formal announcement about the new
music fonts that I've been working on, by way of
2014-07-26 12:02 GMT+02:00 Abel Cheung abelche...@gmail.com:
Hi,
Currently hairpin is always placed outside slurs. What controls their
vertial priority?
outside-staff-priority only covers spanners, marks and such, while
\override Hairpin.avoid-slur = #'inside
seems to have no effect
Janek,
You are right about Ross. I updated the Ross example PDF (same link as
before, so see the original message). See what you think with the thicker
lines now.
Regards,
Abraham
P.S. Anyone interested in using these should wait a little until we get the
distribution website up and running. It
On Sat, 26 Jul 2014 08:41:41 -0700, David Nalesnik david.nales...@gmail.com
wrote:
Thank you very much, Keith, for the explanations and the two snippets.
They cover the situations I've encountered so far. (The first when there
are no scripts present.)
I suggest using the simpler first
Abraham,
2014-07-26 19:30 GMT+02:00 Abraham Lee tisimst.lilyp...@gmail.com:
Janek,
You are right about Ross. I updated the Ross example PDF (same link as
before, so see the original message). See what you think with the thicker
lines now.
Yes, it's better now. Probably it could be adjusted
Fantastic work! It's going to be difficult waiting to use these.
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Sent from the User mailing list archive at Nabble.com.
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Hi all,
I am noticing that placing a double bar line at the end of a part
requires a separate \score {} for each part to get the desired results.
What I would like to know is how to write one \score {} that has all the
coding for a multi-part tune and shows the double bar lines at the
Thanks, Knute.
Love and peace,
Joe
Joe Dorocak
j_doro...@comcast.net
-Original Message-
From: Knute Snortum [mailto:ksnor...@gmail.com]
Sent: Friday, July 25, 2014 4:26 PM
To: Joe Dorocak
Cc: lilypond-user@gnu.org
Subject: Re: Thanks One question, Knute. Re: On Windows will
Trying to do Mozarts requiem:
http://turkos.aspodata.se/git/musik/WAMozart/requiem/
git clone git://turkos.aspodata.se/musik.git
http://turkos.aspodata.se/noter/WAMozart/requiem.pdf
http://imslp.org/wiki/Requiem_in_D_minor,_K.626_%28Mozart,_Wolfgang_Amadeus%29
Am 26.07.2014 19:52, schrieb Abraham Lee:
Urs,
I'm not familiar with Henle's font or the Universal Edition font (other
than the one sample I've seen from you, attached). If you (or someone)
could provide me with some example scores so I know what to look for, I
could give it a go when I've got
2014-07-26 21:51 GMT+02:00 Ben Beeson bwbe...@wavecable.com:
Hi all,
I am noticing that placing a double bar line at the end of a part requires a
separate \score {} for each part to get the desired results. What I would
like to know is how to write one \score {} that has all the coding for a
On Sat, Jul 26, 2014 at 11:54 PM, Thomas Morley
thomasmorle...@gmail.com wrote:
Currently hairpin is always placed outside slurs. What controls their
vertial priority?
\override DynamicLineSpanner #'outside-staff-priority = ##f
Silly me, I've been keep trying zero and negative values.
Hi Harm,
That is a very clever idea and it does exactly what I was looking to do!
Thanks for your help!
Ben
On 07/26/2014 01:16 PM, Thomas Morley wrote:
2014-07-26 21:51 GMT+02:00 Ben Beeson bwbe...@wavecable.com:
Hi all,
I am noticing that placing a double bar line at the end of a part
Hello LilyPonders,
I just want to share this video with you all, it was posted today in the
Pure Data mailing list:
https://www.youtube.com/watch?v=UE8l5k1SeWk
Regards,
Gilberto Agostinho
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PS: I forgot to add the thread from the Pd mailing list to my previous
message: http://www.mail-archive.com/lilypond-user@gnu.org/msg93951.html
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Sent from the User mailing list
Hi David all,
2014-07-25 21:34 GMT+02:00 David Kastrup d...@gnu.org:
Janek Warchoł janek.lilyp...@gmail.com writes:
2) i didn't manage to get midi stuff done inside the same function as
the layout stuff - but i think that i'll be able to solve that if i
have a solution to 1).
You
2014-07-19 14:59 GMT+02:00 John McWilliam jsmcwill...@gmail.com:
That works for me too. Thanks!
One last detail - I hope - when the difference between the first and
second time involves a whole bar the spanners cannot be seperated by a
transparent bar. In such cases is the following snippet
/
-- Forwarded message --
From: hyunju ArtCenter hyunju.artcen...@gmail.com
Date: Sat, Jul 26, 2014 at 9:14 AM
Subject: tx! and ...
To: Casey Anderson casey.thomas.ander...@gmail.com
hi Casey! tx again for the laser time this week and for being helpful with
strategies
On Jul 26, 2014, at 4:11 PM, Urs Liska u...@openlilylib.org wrote:
Am 26.07.2014 19:52, schrieb Abraham Lee:
P.P.S. You don't like Amadeus? I feel rejected :)
Well, it's not that I don't like it, it feels like a good name for a notation
font. But it's similarly unappropriate as
Would we dare call it Partita? This is a once-named font for Sibelius and
Finale that looked like SCORE notation. AFAIK, it doesn't exist anymore.
-Abraham
On Sat, Jul 26, 2014 at 8:00 PM, Conor Cook conor.p.c...@gmail.com wrote:
On Jul 26, 2014, at 4:11 PM, Urs Liska u...@openlilylib.org
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