Mfr. Payne,
Thank you for your response. Yes, the third measure was missing. It has been
restored to both examples that are attached. Hope this helps finding my
error.
Thank you for your kind attention.
Mark
From: lilypond-user-bounces+carsonmark=ca.rr@gnu.org
Hi list,
I have a problem understanding how to efficiently deal with horn parts
that change their transposition with the clef.
That is: In the treble clef the part is notated as \transpose f, c
while in the bass clef it is notated in concert pitch.
Is there a convenient way in LilyPond (or
Hi Urs,
I see a lot of action on the Fried-Crowd-Project :) ... it is great luck
to me but also a pity that I started my new job ...
well, I don't have a key-turn-solution, but just a hint on the
auto-transpose snippet in OLL
Am 09.09.2014 um 11:46 schrieb Urs Liska:
Hi list,
I have a problem understanding how to efficiently deal with horn parts
that change their transposition with the clef.
That is: In the treble clef the part is notated as \transpose f, c
while in the bass clef it is notated in concert pitch.
Am 09.09.2014 13:46, schrieb Simon Albrecht:
Am 09.09.2014 um 11:46 schrieb Urs Liska:
Hi list,
I have a problem understanding how to efficiently deal with horn
parts that change their transposition with the clef.
That is: In the treble clef the part is notated as \transpose f, c
while in
Ok, I've verified that *this* issue is no issue.
But I have another issue warranting the same thread:
What are the most straightforward approacges to dealing with instruments that
actually change transposition, e.g. clarinets in A and B or an oboe/englishhorn
part?
Thanks for any ideas
Urs
Hi Urs,
On 09.09.2014 14:29, Urs Liska wrote:
What are the most straightforward approacges to dealing with
instruments that actually change transposition, e.g. clarinets in A
and B or an oboe/englishhorn part?
may I again mention the auto-transpose snippet.
If music is either entered in
Hi Jan-Peter,
may I again mention the auto-transpose snippet.
Does the key signature get changed automatically, even if the key-signatures
are defined “externally” (i.e., in a variable) and change DURING THE TIME the
player is on the second (or third) instrument?
If so, this would solve a
Hi Urs,
What are the most straightforward approacges to dealing with instruments that
actually change transposition, e.g. clarinets in A and B or an
oboe/englishhorn part?
There are no “straightforward” approaches, unfortunately… =(
See, for example, the thread
Hi Kieren,
On 09.09.2014 14:55, Kieren MacMillan wrote:
Hi Jan-Peter,
may I again mention the auto-transpose snippet.
Does the key signature get changed automatically, even if the key-signatures
are defined “externally” (i.e., in a variable) and change DURING THE TIME the
player is on the
Greetings Mark,
A quick look at your code reveals that you are still using the \times
command, which I believe has been replaced. In your longer run of
tuplets, you might change the code to
\tuplet 3/2 8 { ... }
Hwaen Ch'uqi
On 9/9/14, Mark Stephen Mrotek carsonm...@ca.rr.com wrote:
Mfr.
I tried out the example file, and I have the impression this could be a
solution.
Unfortunately it does not seem to compile with current LilyPond. 2.19.11 seems
to work.
Would somebody mind to check if that's an issue with the function or with my
build?
TIA
Urs
On 9. September 2014 14:42:37
Hi Mark,
2014-09-09 9:10 GMT+02:00 Mark Stephen Mrotek carsonm...@ca.rr.com:
Hope this helps finding my error.
As already mentioned here :
http://lilypond.1069038.n5.nabble.com/increased-space-between-piano-staves-td166190.html
problem comes from the tuplet brackets.
Putting \tweak
Thank you, David! That makes sense. And thanks to all who aim at
improving the description.
Joram
Am 06.09.2014 um 09:52 schrieb David Nalesnik:
On Sat, Sep 6, 2014 at 1:52 PM, Joram noeck.marb...@gmx.de
mailto:noeck.marb...@gmx.de wrote:
And I can add a question: What is the
Pierre,
Perfect! Thank you!
Mark
From: Pierre Perol-Schneider [mailto:pierre.schneider.pa...@gmail.com]
Sent: Tuesday, September 09, 2014 7:35 AM
To: Mark Stephen Mrotek
Cc: Nick Payne; lilypond-user
Subject: Re: overlapping staves
Hi Mark,
2014-09-09 9:10 GMT+02:00 Mark
Hi,
2014-09-08 12:51 GMT+00:00 Johan Vromans jvrom...@squirrel.nl:
Hi,
Often when processing music imported from Sibelius I have the problem
that Sibelius doesn't seem to care whether a tie connects notes of the
same pitch. As a consequence, some Sibelius users have become lazy and
always
Well, I now include an image; I usually write a long underscore when there
is something that lasts in a next syllable; like in the example, Sa -- cra
-- men __ tum (here you can see what i mean in men __ tum, or to
__que). I do not give trace about the syllable to be sung after cer -- nu
-- i. The
Yes, there is a rule. All of the places where you have used underscore,
like er__go should be hyphens: er-go and the last words in both lines
(cernui and jubilatio) should both end with an underscore that goes
through the last note.
Larry in Tampa
On Tue, Sep 9, 2014 at 1:56 PM, Son_V
I'm wondering why I have gotten no responses. Did I frame the question
poorly? Did it get to the list?
Knute Snortum
(via Gmail)
On Mon, Sep 8, 2014 at 9:48 AM, Knute Snortum ksnor...@gmail.com wrote:
I know how to set a single custom dynamic:
#(define (myDynamics dynamic)
(if (equal?
Hi Kieren,
I modified the example for the auto-transpose engraver a bit, so it uses
a music and a global variable. I merged them in one Voice, so that the
cue names are not printed twice. But that is not necessary for the
transposition.
If the music is in concert-pitch and transposed to
Hello Knute,
perhaps its just an unusual topic few have experience with?
At least I don’t; yet after a look in the NR section on the topic I
think you’re on the right path with the cond approach. After all, you
want to define a single function to pass it on as
dynamicAbsoluteVolumeFunction.
Dear LilyPond Community,
The new website where you can download alternative music fonts is now
live! Head on over to fonts.openlilylib.org and try them out! If there
are any broken links, please let me know so I can fix them. If any
instructions are unclear, please let me know so I can
This is fantastic, many thanks, Abraham and everybody else involved!
By the way, the link to the Gutenberg1939 font sampler contains a small
typo, it should be:
http://fonts.openlilylib.org/gutenberg1939/font-sampler-Gutenberg1939.pdf
--
Peter Crighton | Musician Music Engraver based in Mainz,
I'm trying to get stanzas to work for a song that has two verses. What
am I doing wrong?
text = \lyricmode {
\set stanza = #1.
here are | %m1
the words | %m2
}
\lyricmode {
\set stanza = #2.
here are | %m1
more words
Colin Campbell c...@shaw.ca writes:
On 14-09-09 06:35 PM, Steven Arntson wrote:
I'm trying to get stanzas to work for a song that has two verses. What
am I doing wrong?
text = \lyricmode {
\set stanza = #1.
here are | %m1
the words | %m2
}
Peter Crighton-4 wrote
This is fantastic, many thanks, Abraham and everybody else involved!
By the way, the link to the Gutenberg1939 font sampler contains a small
typo, it should be:
http://fonts.openlilylib.org/gutenberg1939/font-sampler-Gutenberg1939.pdf
--
Peter Crighton | Musician
No one's calling you an idiot.
In your example, you create a variable called text and then define it as
the first stanza. However, the second stanza is sort of just-- hanging out
there. Try renaming your first variable textOne and then before the second
\lyricmode add textTwo = , then in your
Samuel Speer samuelsp...@gmail.com writes:
No one's calling you an idiot.
In your example, you create a variable called text and then define it
as the first stanza. However, the second stanza is sort of just--
hanging out there. Try renaming your first variable textOne and then
before the
On Tue, Sep 9, 2014 at 10:01 PM, Steven Arntson
ste...@stevenarntson.com wrote:
Thanks for this, it helps. I'm struggling to understand this program
with very little background, and it is like spelunking without a
headlamp. Consequently, I fear asking questions that are not worth
answering.
I
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