This worked for me:
%-- SNIP -
#(append! default-script-alist
(list
`(mon-articulation
. (
(text . ,#{ \markup \essai #})
(stencil . ,ly:text-interface::print)
; any other properties
(toward-stem-shift-in-column .
Am 06.04.2015 um 19:40 schrieb tisimst:
Daniel,
Sorry for my late reply. I'll send you the source files later today for
those scores. Hopefully they won't be too hard to follow :-)
There will be usage-example files for most (or hopefully all) fonts
available in openLilyLib soon, then
However, in version 2.18.2, I discovered that I had to change the markup
definition of essai slightly:
%-- SNIP -
\version 2.18.2
%% Nothing realistic here, 'essai' is just to show something:
essai =
\markup
*\center-align % --- not needed in latest unstable*
\scale
Daniel,
Sorry for my late reply. I'll send you the source files later today for
those scores. Hopefully they won't be too hard to follow :-)
Regards,
Abraham
On Sat, Apr 4, 2015 at 1:35 PM, Daniel Contreras [via Lilypond]
ml-node+s1069038n174065...@n5.nabble.com wrote:
Hello everyone,
I am
Hi all,
It's been quite a while since I last used LilyPond, and I finally
decided to wrap up the last, huge edition I was working on for quite a
while.
Here is the first issue I'm running into:
If I end a piece with a \bar || and after that only want to indicate a
key/clef/time change, the
Hi Jacques,
Actually the aim here was more to understand how to modify the articulation
script than to find a workaround.
Thanks for trying though!
Cheers,
Pierre
2015-04-06 18:21 GMT+02:00 Jacques Menu imj-muz...@bluewin.ch:
Hello Pierre,
Not sure I got what you’re after, can this help?
Hi Abraham,
2015-04-06 19:34 GMT+02:00 Abraham Lee tisimst.lilyp...@gmail.com:
However, in version 2.18.2, I discovered that I had to change the markup
definition of essai slightly:
Good point, thanks !!
%-- SNIP -
\version 2.18.2
%% Nothing realistic here,
Reinhold,
I have done it under 2.18 with and without the clef change and the staff lines
continue.
Your snippet compiles correctly under 2.18.
Mark
-Original Message-
From: lilypond-user-bounces+carsonmark=ca.rr@gnu.org
[mailto:lilypond-user-bounces+carsonmark=ca.rr@gnu.org]
On Apr 6, 2015, at 2:04 PM, lilypond-user-requ...@gnu.org wrote:
Message: 3
Date: Mon, 06 Apr 2015 21:04:22 +0200
From: Reinhold Kainhofer reinh...@kainhofer.com
Subject: Staff ends before \clef, \time and \key
Hi all,
It's been quite a while since I last used LilyPond, and I finally
BTW, regarding the smiley up on the last rest, did you see this:
http://lsr.di.unimi.it/LSR/Item?id=904
JFYI, Cheers
Pierre
2015-04-07 0:04 GMT+02:00 Pierre Perol-Schneider
pierre.schneider.pa...@gmail.com:
Nice work Klaus, thanks for sharing.
Cheers,
Pierre
2015-04-06 23:55 GMT+02:00
2015-04-06 21:18 GMT+02:00 Mark Stephen Mrotek carsonm...@ca.rr.com:
Reinhold,
I have done it under 2.18 with and without the clef change and the staff
lines continue.
Your snippet compiles correctly under 2.18.
Mark
-Original Message-
From:
Hi list,
Here's something which I think will be useful to Schemers.
Public functions written in Scheme aren't documented (except in the
source). (The list of Scheme functions in the Internals Reference
consists of functions defined in C++ which are available in Scheme.) The
attached will
On Mon, Apr 6, 2015 at 6:53 PM, David Nalesnik david.nales...@gmail.com
wrote:
Also, pure-unpure-containers ...
unpure-pure...
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Hi everybody,
here is an updated version where a small problem has been resolved (see
attachment).
I hope this can be useful for some people. If you have any suggestions,
please go ahead. Maybe I'll do some cleanup and turn it into a snippet...
Cheers,
Klaus
ColorSpan-Showcase.ly
Hi David,
here's my first attempt to apply my drawing function to your project. Thanks
again for sharing this really cool tool!
I've played around with some settings, and I also experimented with the
messed up dynamics problem when taking the engravers out of the score
context.
It works if you
Nice work Klaus, thanks for sharing.
Cheers,
Pierre
2015-04-06 23:55 GMT+02:00 Klaus Blum benbigno...@gmx.de:
Hi David,
here's my first attempt to apply my drawing function to your project.
Thanks
again for sharing this really cool tool!
I've played around with some settings, and I also
Am 07.04.2015 um 00:07 schrieb Pierre Perol-Schneider:
BTW, regarding the smiley up on the last rest, did you see this:
http://lsr.di.unimi.it/LSR/Item?id=904
What’s your reason to not code that one with smiley =
#(define-markup-function …)?
Just asking, it might be irrelevant to the output.
On Mon, Apr 6, 2015 at 6:53 PM, David Nalesnik david.nales...@gmail.com
wrote:
Hi list,
Here's something which I think will be useful to Schemers.
Public functions written in Scheme aren't documented (except in the
source). (The list of Scheme functions in the Internals Reference
consists
Hi Simon,
Hmm interesting question...
Well, actually I don't remember, it's quite old now.
What I can imagine is that I didn't want to have to add '\markup'-s, e.g.:
title = \markup\smiley #size
instead of:
title = \smiley #size
But to be honest, there must be a reason, I simply don't remember it
Hi David,
Simply thank you very, very much!!
Cheers,
Pierre
2015-04-07 3:39 GMT+02:00 David Nalesnik david.nales...@gmail.com:
On Mon, Apr 6, 2015 at 6:53 PM, David Nalesnik david.nales...@gmail.com
wrote:
Hi list,
Here's something which I think will be useful to Schemers.
Public
I've add it as a markup, just in case.
Cheers
Pierre
2015-04-07 6:08 GMT+02:00 Pierre Perol-Schneider
pierre.schneider.pa...@gmail.com:
Hi Simon,
Hmm interesting question...
Well, actually I don't remember, it's quite old now.
What I can imagine is that I didn't want to have to add
On 06/04/2015 00:23, Urs Liska wrote:
I don't know enough about your setup, but if you'd write
\hide MultiMeasureRest
it should make the rests invisible but still act as rests.
Maybe this helps?
Urs
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Good morning,
I've been tasked with preparing the score of what will be a critical
edition of some liturgical works of a lesser-known 18th-century composer.
Because of the nature of the source (the composer was writing at a
monastery), the originals are engraved using single-press typesetting
On 06/04/2015 11:48, Simon Albrecht wrote:
Yes: \undo\hide MultiMeasureRest.
Yours, Simon
Very well.
Thanks to all of you!
Anton Curl
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I want to say big 'Thank You' to Masamichi Hosoda, who managed to fix this
nasty bug! Issues 2656 and 2657 can be marked as 'Fixed' now :)
- Karol
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Am 06.04.2015 um 09:59 schrieb Anton Curl:
On 06/04/2015 00:23, Urs Liska wrote:
I don't know enough about your setup, but if you'd write
\hide MultiMeasureRest
it should make the rests invisible but still act as rests.
Maybe this helps?
Urs
___
oh, heavens! I'm sorry, I didn't mean I was trying to reproduce them (and
yes, that's what I meant about the score: it looks like that, though with
oval noteheads. Just figuring out what printing technology they were using
would be interesting to me. I wonder if they were deliberately using older
Hi All,
I've followed this conversation with a lot of interest:
http://lilypond.1069038.n5.nabble.com/Creating-new-articulation-adding-to-an-internal-alist-td172689.html
However, there's something I'm missing.
I'm trying to put my own glyph into a new articulation script without
success: I still
Where you refer to:
the originals are engraved using single-press typesetting (ie, each note is
its own block, so staff-lines and whatnot aren't continuous), so it's an
interesting exercise in historical scores.”
Andrew
On 6 April 2015 at 22:44:15, N. Andrew Walsh (n.andrew.wa...@gmail.com)
At 14:43 on 06 Apr 2015, N. Andrew Walsh wrote:
Thanks for the snippet. Do you know of any way to set that
*generally*? At the least, a way to set the difference between the
first and last Beam.positions values to be less than some maximum?
Try experimenting with different values of Beam.damping.
On Mon, Apr 6, 2015 at 8:22 AM, Phil Holmes m...@philholmes.net wrote:
Perhaps something like the attached image? FWIW when I set these, under
_no circumstances_ do I try to replicate the non-continuous staff lines.
--
Phil Holmes
- Original Message -
*From:* Andrew Bernard
Hi Urs,
Tanks for the tip but I'm afraid not. Actually it says:
Some extensions that have been made possible through extra glyphs in the
Arnold font.
What I'd like is to avoid using any of the existing or extra glyph, just a
custom path drawing.
Cheers,
Pierre
2015-04-06 15:24 GMT+02:00 Urs
Re beaming positions control:
An example snippet:
\version 2.19.17
treble = \relative c'' {
\once \override Beam.positions = #'(-3 . -3)
c8 e g a
\once \override Beam.positions = #'(3 . 3)
c, g e c
}
\score {
\new Staff { \treble }
}
You seem to have jumped in the deep end! Welcome
I don't know this out of my hat.
But you may look into my file in openlilylib. It's ly/stylesheets
/fonts/arnold-extensions.ily (I think).
Good luck
Urs
Am 6. April 2015 15:12:49 MESZ, schrieb Pierre Perol-Schneider
pierre.schneider.pa...@gmail.com:
Hi All,
I've followed this conversation
On Mon, Apr 6, 2015 at 8:38 AM, David Nalesnik david.nales...@gmail.com
wrote:
On Mon, Apr 6, 2015 at 8:22 AM, Phil Holmes m...@philholmes.net wrote:
Perhaps something like the attached image? FWIW when I set these,
under _no circumstances_ do I try to replicate the non-continuous staff
Thanks for the snippet. Do you know of any way to set that *generally*? At
the least, a way to set the difference between the first and last
Beam.positions values to be less than some maximum?
I'm unsure what you mean by trying to engrave the gaps in the staff lines
between the type sorts.
Also,
Perhaps something like the attached image? FWIW when I set these, under _no
circumstances_ do I try to replicate the non-continuous staff lines.
--
Phil Holmes
- Original Message -
From: Andrew Bernard
To: N. Andrew Walsh
Cc: lilypond-user@gnu.org
Sent: Monday, April 06,
N. Andrew Walsh wrote
3) Lastly, is there a general way to increase space between systems on a
page? I only have room for two to a page, but there looks like about .5cm
free along the bottom margin. I'd prefer to spread the systems out from
one
another a bit more; how can I do this?
You want
Am 06.04.2015 um 15:50 schrieb N. Andrew Walsh:
oh, heavens! I'm sorry, I didn't mean I was trying to reproduce them
(and yes, that's what I meant about the score: it looks like that,
though with oval noteheads. Just figuring out what printing technology
they were using would be interesting to
Hello Pierre,
Not sure I got what you’re after, can this help? Would need to be offset to the
right, though:
\version 2.19.17
myArticulationPath =
#'((moveto0.58 0.91)
(curveto 0.58 0.83 0.63 0.80 0.70 0.80)
(curveto 0.90 0.80 0.87 1.15 1.11
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