Re: Multiple slurs on chord

On 20/03/16 22:22, David Kastrup wrote: Thomas Morley writes: Directly on-topic, we have the `doubleSlurs'-context-property, why not use it here? This requires some shaping of them, though. Thus I wrote a first sketch of a `shapeDoubleSlurs'-function, although I'm

Re: align-on-syllable.ly and 2.19.36

2016-03-01 0:27 GMT+01:00 Thomas Morley : > 2016-03-01 0:11 GMT+01:00 Thomas Morley : >> 2016-02-29 5:42 GMT+01:00 David Wright : >>> Hi, I think I've got the latest version of align-on-syllable.ly >>> (3049 Dec 4

A big advantage to lilypond

Hi all, I’m converting from Sibelius. Not a simple, quick project. I have probably more than a hundred scores in Sibelius. So I’m looking for reasons to do this, aside from the difficulty of their licensing scheme. One thing I love about lilypond: when I find a file on IMSLP with the source.

Re: A big advantage to lilypond

Maybe, but then putting them on IMSLP? I suppose. -d > On Mar 21, 2016, at 5:54 PM, David Kastrup wrote: > > "Redwood (Daniel)" writes: > >> Hi all, >> >> I’m converting from Sibelius. Not a simple, quick project. I have >> probably more than a hundred

Re: A big advantage to lilypond

Hi Abraham, Now you’re talking. I knew I was missing on out something… Thanks. -d > On Mar 21, 2016, at 6:00 PM, Abraham Lee wrote: > > Check out: www.mutopiaproject.org > > Best, > Abraham > > On Monday, March 21, 2016, Redwood

Re: A big advantage to lilypond

Check out: www.mutopiaproject.org Best, Abraham On Monday, March 21, 2016, Redwood (Daniel) wrote: > Maybe, but then putting them on IMSLP? > > I suppose. > > -d > > On Mar 21, 2016, at 5:54 PM, David Kastrup > > wrote: > > > > "Redwood

Re: A big advantage to lilypond

"Redwood (Daniel)" writes: > Hi all, > > I’m converting from Sibelius. Not a simple, quick project. I have > probably more than a hundred scores in Sibelius. So I’m looking for > reasons to do this, aside from the difficulty of their licensing > scheme. > > One thing I

Re: Chord Glissando Individual Voice right bound tweaking

2016-03-21 13:36 GMT+01:00 Thomas Morley-2 : > Furthermore I noticed some bugs, ... Because we're fighting some bugs I only have a manual solution, most of the glissando-properties are reset for each of the broken glissandi. A major hassle and fragile like hell. Also,

Re: Chord Glissando Individual Voice right bound tweaking

dtsmarin wrote > Thank you but the gliss. goes downwards whereas it should go upwards. The code of my recent post wasn't meant to fix anything. It is supposed to demonstrate the problem with a small (not even tiny) code-example. Though you may have noticed: (1) Some aspects of the weird output

RE: Use a straight tick (single straight quote) for a breath mark

Thanks, Thomas. This works. Joe Srednicki -Original Message- From: Thomas Morley [mailto:thomasmorle...@gmail.com] Sent: Monday, March 21, 2016 11:06 AM To: Joseph N. Srednicki Cc: lilypond-user Subject: Re: Use a straight tick (single

Re: mute percussion notation

2016-03-21 17:33 GMT+01:00 Bernard : > Hi Thomas, > > Thanks, but on the pages you mentioned I search for the word "mute" and did > not find it. > > Cheers, > > Bernard > > > On 21-03-16 17:15, Thomas Morley wrote: >> >> >> >> >> The link you posted points to

Re: mute percussion notation

2016-03-21 16:59 GMT+01:00 Bernard : > I would like to use mute percussion notation for Djembé. > As reference I look to conga in > http://www.lilypond.org/doc/v2.19/Documentation/notation/percussion-notes > > I see hiconga (chg) and mutehiconga (cghm) but visualy I do

Re: mute percussion notation

Hi Thomas, Thanks, but on the pages you mentioned I search for the word "mute" and did not find it. Cheers, Bernard On 21-03-16 17:15, Thomas Morley wrote: The link you posted points to default-percussion. Maybe congas-style is more what you want. It's in here:

Re: Use a straight tick (single straight quote) for a breath mark

2016-03-21 15:53 GMT+01:00 Joseph N. Srednicki : > Hello: > > > > I found the snippet that shows how to change symbol for the \breathe > command. See http://lsr.di.unimi.it/LSR/Snippet?id=195 > > > > Can someone tell me how to change the script value to a straight tick, >

Re: Use a straight tick (single straight quote) for a breath mark

On 21.03.2016 16:06, Thomas Morley wrote: 2016-03-21 15:53 GMT+01:00 Joseph N. Srednicki : Hello: I found the snippet that shows how to change symbol for the \breathe command. See http://lsr.di.unimi.it/LSR/Snippet?id=195 Can someone tell me how to change the script

Use a straight tick (single straight quote) for a breath mark

Hello: I found the snippet that shows how to change symbol for the \breathe command. See http://lsr.di.unimi.it/LSR/Snippet?id=195 Can someone tell me how to change the script value to a straight tick, similar to the straight single-quote character? Would it also be possible to make this

mute percussion notation

I would like to use mute percussion notation for Djembé. As reference I look to conga in http://www.lilypond.org/doc/v2.19/Documentation/notation/percussion-notes I see hiconga (chg) and mutehiconga (cghm) but visualy I do not see any difference between these notations. I would expect to

Re: Use a straight tick (single straight quote) for a breath mark

On Mon 21 Mar 2016 at 10:53:59 (-0400), Joseph N. Srednicki wrote: > I found the snippet that shows how to change symbol for the \breathe > command. See http://lsr.di.unimi.it/LSR/Snippet?id=195 > > Can someone tell me how to change the script value to a straight tick, > similar to the straight

creating sheet music

I have been working with Sibelius to add a piano part to vocal music. I can get all the notes on the music. My problem is that I need to line up a piano part with the vocal parts, and I don't want to transcribe the vocal parts. I can get the right number of measures per line, but Sibelius does

Re: mute percussion notation

On 21-03-16 17:43, Thomas Morley wrote: 2016-03-21 17:33 GMT+01:00 Bernard : Look for congas-style and click on the example. p.e. cghm is the shortcut for mutehiconga Cheers, Harm Yes, I have seen that. But I do not see a visual difference between cghm and

Re: mute percussion notation

2016-03-21 18:05 GMT+01:00 Bernard : > On 21-03-16 17:43, Thomas Morley wrote: >> >> 2016-03-21 17:33 GMT+01:00 Bernard : >>> >>> >> Look for congas-style and click on the example. >> p.e. cghm is the shortcut for mutehiconga >> >> Cheers, >>

Re: mute percussion notation

On 21-03-16 18:56, Thomas Morley wrote: 2016-03-21 18:05 GMT+01:00 Bernard : On 21-03-16 17:43, Thomas Morley wrote: Really? I see different articulation-signs. For me cgh in deep link http://www.lilypond.org/doc/v2.19/Documentation/ff/lily-6bb651bc.ly [image of

Re: mute percussion notation

Bernard writes: > On 21-03-16 18:56, Thomas Morley wrote: >> 2016-03-21 18:05 GMT+01:00 Bernard : >>> On 21-03-16 17:43, Thomas Morley wrote: >>> Look for congas-style and click on the example. p.e. cghm is the shortcut for

Re: creating sheet music

Stephen Haase writes: > I have been working with Sibelius to add a piano part to vocal music. I > can get all the notes on the music. My problem is that I need to line up a > piano part with the vocal parts, and I don't want to transcribe the vocal > parts. I can get the

Re: mute percussion notation

On 21-03-16 19:50, David Kastrup wrote: Bernard writes: Harm was _explicitly_ talking about congas-style, namely , in section

Re: mute percussion notation

On 16-03-21 12:50 PM, David Kastrup wrote: Bernard writes: For me cgh in deep link http://www.lilypond.org/doc/v2.19/Documentation/ff/lily-6bb651bc.ly [image of music] And cghm in in deep link http://www.lilypond.org/doc/v2.19/Documentation/80/lily-6aae8ef4.ly