Re: What can Premusic do that others can't?

On 3/21/17 4:35 AM, Malte Meyn wrote: Am 21.03.2017 um 06:46 schrieb have@anti.capital: A composer who uses an irrational tuplet is a composer who is going out of his way to exclude his music from comfortable notation. Oh, I think that these irrational tuplets are comfortable to write easy

Re: "In procedure list-tail in expression (list-tail input-file (- # 2)): value out of range"

On Tue, Mar 21, 2017 at 12:51 PM, Urs Liska wrote: > > Just to clarify before anyone is getting confused: This is most surely > not a general issue with LilyPond but with the module loading code in > the "scholarly" package. "input-file" here is a list split from the >

Re: "In procedure list-tail in expression (list-tail input-file (- # 2)): value out of range"

On Tue 21 Mar 2017 at 13:13:58 (-0400), Jeffery Shivers wrote: > On Tue, Mar 21, 2017 at 12:51 PM, Urs Liska wrote: > > > > Just to clarify before anyone is getting confused: This is most surely > > not a general issue with LilyPond but with the module loading code in > >

Re: What can Premusic do that others can't?

writes: > I think that I should append a disclaimer to my format: I don't > intend it to be more comfortably sight-read than sheet music is and > will be. I simply intend to create an analogue of .txt where there is > only .docx and .odt. It is perfectly legible for simple

Re: "In procedure list-tail in expression (list-tail input-file (- # 2)): value out of range"

On Tue, Mar 21, 2017 at 1:28 PM, Jeffery Shivers wrote: > On Tue, Mar 21, 2017 at 1:18 PM, Urs Liska wrote: >>>The problem was subtracting 2 from (length input-file) for `ctx`: >>> (input-file (string-split (car

Re: "In procedure list-tail in expression (list-tail input-file (- # 2)): value out of range"

On Tue, Mar 21, 2017 at 1:41 PM, Jeffery Shivers wrote: > On Tue, Mar 21, 2017 at 1:28 PM, Jeffery Shivers > wrote: >> On Tue, Mar 21, 2017 at 1:18 PM, Urs Liska wrote: The problem was subtracting 2 from (length

Re: "In procedure list-tail in expression (list-tail input-file (- # 2)): value out of range"

Am 21. März 2017 18:13:58 MEZ schrieb Jeffery Shivers : >On Tue, Mar 21, 2017 at 12:51 PM, Urs Liska wrote: >> >> Just to clarify before anyone is getting confused: This is most >surely >> not a general issue with LilyPond but with the module

Re: "In procedure list-tail in expression (list-tail input-file (- # 2)): value out of range"

On Tue, Mar 21, 2017 at 1:18 PM, Urs Liska wrote: >>The problem was subtracting 2 from (length input-file) for `ctx`: >> (input-file (string-split (car (ly:input-file-line-char-column >>(*location*))) #\/ )) >> (ctx (list-tail input-file (- (length input-file)

Re: "In procedure list-tail in expression (list-tail input-file (- # 2)): value out of range"

Am 21. März 2017 18:28:07 MEZ schrieb Jeffery Shivers : >On Tue, Mar 21, 2017 at 1:18 PM, Urs Liska wrote: >>>The problem was subtracting 2 from (length input-file) for `ctx`: >>> (input-file (string-split (car

Re: Accessing a grob from within a music function

Am 21.03.2017 um 17:08 schrieb Urs Liska: > Hey Harm, > > > Am 17.03.2017 um 00:34 schrieb Thomas Morley: >> Probably: >> >> { >> c'1( \break >> \override NoteColumn.after-line-breaking = >> #(lambda (nc) >> (ly:grob-translate-axis! (ly:grob-parent nc X) 5 X) >> ;; uncomment

Re: What can Premusic do that others can't?

On Tue 21 Mar 2017 at 09:21:43 (-0700), have@anti.capital wrote: > I think that I should append a disclaimer to my format: I don't intend it to > be more comfortably sight-read than sheet music is and will be. I simply > intend to create an analogue of .txt where there is only .docx and .odt.

Re: What can Premusic do that others can't?

Jacques Menu Muzhic writes: > Hello Have, > > I don’t understand what you mean by square characters: can you make that more > clear? Character pairs. TTY dimensions mean that they occupy an almost square area. In an old video game I wrote, I used this kind of

Re: (fwd)

Am 21.03.2017 um 08:40 schrieb Martin Tarenskeen: > > On Mon, 20 Mar 2017, Trevor wrote: > >> It's not hard to hit LilyBin from the command line, but the >> interface isn't >> great. Try curl -X POST -H "Content-Type:application/json" >> >>

Re: (fwd)

2017-03-21 9:40 GMT+02:00 Martin Tarenskeen : > Thanks. That's a good start. I have tried it, and it works. But yes, it > looks ugly :-) > > I am trying to put this idea in a working bash or python script now. > I am not really a virtuoso with grep and regular expressions,

Re: What can Premusic do that others can't?

Am 21.03.2017 um 06:46 schrieb have@anti.capital: > A composer who uses an irrational tuplet is a composer who is going out of > his way to exclude his music from comfortable notation. Oh, I think that these irrational tuplets are comfortable to write easy to understand if you use traditional

Re: (fwd)

On Mon, 20 Mar 2017, Trevor wrote: It's not hard to hit LilyBin from the command line, but the interface isn't great. Try curl -X POST -H "Content-Type:application/json" https://7icpm9qr6a.execute-api.us-west-2.amazonaws.com/prod/prepare_preview/stable -d '{"code": "%

Re: [Auto-Reply] Re: Re: What can Premusic do that others can't?

writes: >> On Mon, Mar 20, 2017 at 7:45 PM, have@anti.capital wrote: >> > Viral Anticapital will get back to you shortly. >> > >> > If this is a throwaway email account, that's fine if unnecessary - >> > please remember to keep checking it, though! >>

Re: (fwd)

On Tue, 21 Mar 2017, Urs Liska wrote: But this is a JSON string, so you'll be conveniently able to extract this with https://docs.python.org/2/library/json.html or https://docs.python.org/3/library/json.html Good, that will help. Also thanks Dmytro for pointing me to jq. -- MT

Re: What can Premusic do that others can't?

> On 21 Mar 2017, at 00:40, Werner LEMBERG wrote: > >> As an example of what David is mentioning, have a look at the attached >> png image (taken from Chopin's prelude op. 28/24) and try to notate >> this. > > Oops, wrong image. Here's the right one. The whole piece, with

Re: What can Premusic do that others can't?

Am 20.03.2017 um 22:48 schrieb have@anti.capital: > I have invented the perfect plaintext file format for premusic. I think the bottom line is that all text-based music notation systems have shortcomings when it comes to readability, writability, maintainability etc. From all imperfect systems

Re: Scaled grace

Am 21.03.2017 um 11:44 schrieb Malte Meyn: > Or if you don’t want variants for all \grace variants (i. e. \grace, > \slashedGrace, \appoggiatura, \acciaccatura, \afterGrace), just make a > function that takes a music expression and scales it to 1. Maybe this > could also be nice for cadenza-like

Re: Changing spacing for a fall

On Mon, Mar 20, 2017 at 7:13 PM, Urs Liska wrote: > > > Am 20.03.2017 um 23:31 schrieb Ralph Palmer: > > Greetings - > > I'm running LilyPond 2.19.50 under Windows 7 and Frescobaldi. > > I'd like to increase the spacing between two notes, to accommodate a fall. > I've

Re: Scaled grace

Am 21.03.2017 um 11:04 schrieb Urs Liska: > > > Am 21.03.2017 um 10:46 schrieb Malte Meyn: >> (By the way: I think that the way LilyPond handles it (using “grace” and >> “real time”) is pretty good but not perfect. \grace only needs grace >> time but \afterGrace needs real time for vertical

Re: What can Premusic do that others can't?

Am 21.03.2017 um 10:18 schrieb Hans Åberg: > >> On 21 Mar 2017, at 00:40, Werner LEMBERG wrote: >> >>> As an example of what David is mentioning, have a look at the attached >>> png image (taken from Chopin's prelude op. 28/24) and try to notate >>> this. >> >> Oops, wrong image.

Scaled grace (was: What can Premusic do that others can't?)

Am 21.03.2017 um 10:46 schrieb Malte Meyn: > (By the way: I think that the way LilyPond handles it (using “grace” and > “real time”) is pretty good but not perfect. \grace only needs grace > time but \afterGrace needs real time for vertical alignment (but not for > input of the notes)—it would

Re: Scaled grace

Am 21.03.2017 um 11:04 schrieb Urs Liska: > > Am 21.03.2017 um 10:46 schrieb Malte Meyn: >> (By the way: I think that the way LilyPond handles it (using “grace” and >> “real time”) is pretty good but not perfect. \grace only needs grace >> time but \afterGrace needs real time for vertical

Re: Scaled grace

Am 21.03.2017 um 12:05 schrieb Malte Meyn: > > Am 21.03.2017 um 11:44 schrieb Malte Meyn: >> Or if you don’t want variants for all \grace variants (i. e. \grace, >> \slashedGrace, \appoggiatura, \acciaccatura, \afterGrace), just make a >> function that takes a music expression and scales it to

Re: Changing spacing for a fall

On Mon, Mar 20, 2017 at 8:46 PM, Simon Albrecht wrote: > Am 20.03.2017 um 23:31 schrieb Ralph Palmer: > >> I'd like to increase the spacing between two notes, to accommodate a fall. >> > > Maybe you can use > \override BendAfter.springs-and-rods =

Re: state-of-the-art multi-instrumental/transposing mechanism

Hi Jan-Peter, > I am going to add key-sigs to the EE, so that they can be added as > editionMods. Thanks! Kieren. Kieren MacMillan, composer ‣ website: www.kierenmacmillan.info ‣ email: i...@kierenmacmillan.info ___

edition-engraver and polymetric music

Hi all (and especially Jan-Peter), Has anyone used the edition-engraver with polymetric music? I’m having difficulty figuring out how to “anchor” mods, since the measure numbers are non-synchronized across the various staves. Thanks, Kieren. Kieren MacMillan,

Re: What can Premusic do that others can't?

On Tue, 21 Mar 2017, Flaming Hakama by Elaine wrote: > The only time I've even seen an attempt at irrational durations was in the > one other thread on this list that was actually more annoying, more > aggressive and differently clueless.  I believe the intended durations were > 1/sqrt(71) or

RE: Re: Parallel Square Premusic

You're very wrong. I have considered all of those things. My Parallel Square format is perfectly vertically extensible. The examples already given show off the most important part of the premusic, but it is with little imagination that everything you mention is accounted for.

Re: What can Premusic do that others can't?

On 3/21/17 8:52 PM, msk...@ansuz.sooke.bc.ca wrote: FWIW, I've written algorithmically-generated music with irrational durations by a process described at http://ansuz.sooke.bc.ca/professional/music/notes-on-notes-on-the-plane.pdf and I think it came out pretty well. It's not deliberately

Re: Parallel Square Premusic

Please always reply to the messages you are actually quoting/referring to so mail clients and archives put the mails in the thread in correct order. Am 22.03.2017 um 02:10 schrieb have@anti.capital: > I'm not sure how the octave of a pitch is ambiguous?? Scientific pitch > notation is pretty

Re: tuplet full length at breaks with large time signatures

Yes, many thanks! I had to add a definition for item-gel-column as it is not defined in 2.18.2 I substituted with this (found on openlilylib) #(define (get-paper-column grob) "Return the paper column of a given grob. This property knows about the rhyhmic position in a score" (cond

Fwd: Decrease space between header and staff

-- Forwarded message -- From: Cal Date: Tue, Mar 21, 2017 at 9:25 PM Subject: Re: Decrease space between header and staff To: Kieren MacMillan Thank you! That helps LOTS more. I've looked through the //ly files, and I think

tuplet full length at breaks with large time signatures

Hello everyone, I’m working on a score with large time signatures. I’ve created a specific context for this purpose. However, overriding TimeSignature.break-align-symbol causes problems with full length tuplets at breaks. Please compare bars 3 and 4 in the following example. The bracket

Re: (fwd)

On Tue, 21 Mar 2017, Sven Axelsson wrote: Here's a simple solution in PHP to upload a Lilypond file to lilybin and download the result after execution. I am getting this error message: PHP Warning: getopt() expects at most 2 parameters, 3 given in lilybin on line 14 I really

Re: tuplet full length at breaks with large time signatures

2017-03-21 22:12 GMT+01:00 Juan Cristóbal Cerrillo : > Hello everyone, > > I’m working on a score with large time signatures. I’ve created a specific > context for this purpose. However, overriding > TimeSignature.break-align-symbol causes problems with full length

install lilypond v2.19.57

 I download and install lilypond v2.19.57; but when I try to make lilypond version to use in Lilypound Preference of Frecobaldi v3.0.0 and I got the following error. Is any one download lilypond v2.19.57 have any problem?  I am running with window 10

Re: What can Premusic do that others can't?

Subject: Re: What can Premusic do that others can't? > On 3/21/17 4:35 AM, Malte Meyn wrote: > >> >> Am 21.03.2017 um 06:46 schrieb have@anti.capital: >> >>> A composer who uses an irrational tuplet is a composer who is going out >>> of his way to exclude his music from comfortable notation. >>>

How do you align a TextSpanner with a RehearsalMark?

Hello everyone. The question is in the subject, example code: \version "2.19.53" \layout { \context { \Score \override RehearsalMark.self-alignment-X = #LEFT \override TextSpanner.to-barline = ##t } } \score { \new Staff { \relative c' { \override

Re: How do you align a TextSpanner with a RehearsalMark?

Hi Stefano, When you say aligned, do you mean having the baseline of the texts aligned? Andrew ___ lilypond-user mailing list lilypond-user@gnu.org https://lists.gnu.org/mailman/listinfo/lilypond-user

Re: Changing spacing for a fall

On Mon, Mar 20, 2017 at 6:31 PM, Ralph Palmer wrote: > I'd like to increase the spacing between two notes, to accommodate a fall. > I've checked "spacing" issues in the Notation Reference and in the snippet > repository, but can't find anything that will increase the

Re: (fwd)

Here's a simple solution in PHP to upload a Lilypond file to lilybin and download the result after execution. --->>> snip lilybin <<<--- #!/usr/bin/env php https://s3-us-west-2.amazonaws.com/lilybin-scores/' . $files[0]; $file = fopen($files[0], 'w'); do_curl($url, array(CURLOPT_FILE =>

Re: Scaled grace

> Cool. We should definitely discuss the proper set of options and > include that to LilyPond (or if that's for some reason not desired > to openLilyLib). Definitely! Werner ___ lilypond-user mailing list lilypond-user@gnu.org

Re: Accessing a grob from within a music function

Hey Harm, Am 17.03.2017 um 00:34 schrieb Thomas Morley: > Probably: > > { > c'1( \break > \override NoteColumn.after-line-breaking = > #(lambda (nc) > (ly:grob-translate-axis! (ly:grob-parent nc X) 5 X) > ;; uncomment for viewing > ;(ly:grob-set-property! > ;

Re: "In procedure list-tail in expression (list-tail input-file (- # 2)): value out of range"

Am 21.03.2017 um 17:33 schrieb Jeffery Shivers: > Hi, > > I am working compiling a document located at: > /Users/Jeffery/work/scholarly/doc/source/examples/annotate/min.ly > > I can cd all the way into `examples`, and run lily fine (and get all > the correct outputs) with: > lilypond -I

Re: Parallel Square Premusic

> > 1. Parallel Square Premusic (have@anti.capital) > > -- > > Date: Sun, 19 Mar 2017 18:11:42 -0700 > From: > To: lilypond-user@gnu.org > Subject: Parallel Square Premusic > Message-ID: > >

RE: Re: What can Premusic do that others can't?

I think that I should append a disclaimer to my format: I don't intend it to be more comfortably sight-read than sheet music is and will be. I simply intend to create an analogue of .txt where there is only .docx and .odt. It is perfectly legible for simple pieces, and perhaps an environment

"In procedure list-tail in expression (list-tail input-file (- # 2)): value out of range"

Hi, I am working compiling a document located at: /Users/Jeffery/work/scholarly/doc/source/examples/annotate/min.ly I can cd all the way into `examples`, and run lily fine (and get all the correct outputs) with: lilypond -I "/Users/Jeffery/work" -dclip-systems annotate/min.ly But if I go