Hi everyone,
It seems that the beam concaveness value is ignored when beaming over rests,
in the case of a single note with a single rest. This happens with and
without stemlet. See the code and score below, the groups marked with an
asterisk should have been flat (+inf.0 concaveness):
\version
Hi everyone,
It seems that the beam concaveness value is ignored when beaming over rests,
in the case of a single note with a single rest. This happens with and
without stemlet. See the code and score below, the groups marked with an
asterisk should have been flat (+inf.0 concaveness):
\version
On 1/23/20, 7:48 AM, "Gilberto Agostinho" wrote:
Hi everyone,
It seems that the beam concaveness value is ignored when beaming over rests,
in the case of a single note with a single rest. This happens with and
without stemlet. See the code and score below, the groups marke
Does anyone have any ideas for a workaround for Issue #5538 "bendAfter broken
by chords"? (https://sourceforge.net/p/testlilyissues/issues/5538/)
DR
Hi,
this is just a nonsense exercise for me to get to know LilyPond better!
I can't figure out why in the following the #(rnd-col) is evaluated only
once and not upon each compilation of my ly file? The first time i
compile this i will get the four colors displayed:
(0.5 0.5 0)
(0.5 0 1.0)
(0.5 0
Hi everyone,
please consider the following snippet:
\version "2.19.83"
melody = \relative c'' {
r2. r4. e | %T69
a,4. fis4.~ fis a | %T70
g1. }
words = \lyricmode {
Test Test, Test, Te -- st }
struct = {
\time
Amir Teymuri writes:
> Hi,
>
> this is just a nonsense exercise for me to get to know LilyPond better!
> I can't figure out why in the following the #(rnd-col) is evaluated only
> once and not upon each compilation of my ly file? The first time i
> compile this i will get the four colors displaye
Hi,
I intended to write about the same, but when I came back home to switch
the computer back on David had already replied, although in clearer
words than I would have done.
But let me take the opportunity to introduce you to Amir who I think
has never posted on the LilyPond lists so far. For tho
Urs Liska writes:
> Hi,
>
> I intended to write about the same, but when I came back home to switch
> the computer back on David had already replied, although in clearer
> words than I would have done.
Since I only quoted the Guile manual, any clarity has to be credited to
the people writing tha
Am Do., 23. Jan. 2020 um 22:47 Uhr schrieb Urs Liska :
> But let me take the opportunity to introduce you to Amir who I think
> has never posted on the LilyPond lists so far.
German Forum?
https://lilypondforum.de/index.php/topic,214.msg1333.html
Cheers,
Harm
Hi Carl,
Thank you so much for the reply, I will report this in the bugs subforum.
Also, thanks for the workaround, I will use it for the moment being.
Best,
Gilberto
--
Sent from: http://lilypond.1069038.n5.nabble.com/User-f3.html
On Thu 23 Jan 2020 at 21:03:40 (+0100), sir.teddy.the.fi...@gmail.com wrote:
> […]
> Test Test, Test, Te -- st }
> […]
> When I compile this, Lilypond outputs this weird double-hyphen as if it
> actually inserts an empty syllable where there should be none.
>
> Strangely, if I remove the "\brea
Hey there folks,
I’m trying to prepare a score and parts for a concerto using Lilypond,
and I can’t figure out how to make partcombine and killCues work nicely
together. My goal is to have individual parts for the orchestra, containing
cues for the solo instrument; and also to
On 2020-01-23 7:37 pm, Michael Seifert wrote:
However, I can’t seem to get killCues to work correctly in
combination with partcombine. It creates stray notation below the
system in the full score, which is both unsightly and causes the
systems in the full score to be over-compressed. A
>From Elaine Gould's "Behind Bars" (p. 9):
> Where an instrument rests for more than a system, it is usual to return it to
> its commonest clef... Place
> the clef change at the end of the system after the player has finished: this
> is the least disruptive position
> as regards spacing. It is b
On 2020-01-23 8:00 pm, Aaron Hill wrote:
\tag #'cueName <>_\markup \tiny \italic "Bsn."
\cueDuring #"bassoon" #DOWN { R1}
If you need to use instrumentCueName or would simply prefer not to use
text scripts, then you can do this:
\cueDuring #"bassoon" #DOWN {
\tag #'cueName \
16 matches
Mail list logo