Le 12/04/2022 à 11:35, Thomas Morley a écrit :
Hi Jean,
this one is about codings
Am Mo., 11. Apr. 2022 um 18:04 Uhr schrieb Jean Abou Samra :
How about adding a Scheme interface for Axis_group_interface::staff_extent
from lily/axis-group-interface.cc and using it in duration-line::print?
Hi Jean,
thanks for all your work and explanations.
I'll split my answer into different mails.
This one is about the design
Am Mo., 11. Apr. 2022 um 18:04 Uhr schrieb Jean Abou Samra :
>
> Le 11/04/2022 à 17:20, Thomas Morley a écrit :
> > Well, your example prints as I would wish it should.
> >
Le 12/04/2022 à 11:16, Thomas Morley a écrit :
Hi Jean,
thanks for all your work and explanations.
I'll split my answer into different mails.
This one is about the design
Am Mo., 11. Apr. 2022 um 18:04 Uhr schrieb Jean Abou Samra :
Le 11/04/2022 à 17:20, Thomas Morley a écrit :
Well, your
Am Di., 12. Apr. 2022 um 12:34 Uhr schrieb Jean Abou Samra :
>
> Le 12/04/2022 à 11:35, Thomas Morley a écrit :
> > Hi Jean,
> >
> > this one is about codings
> >
> > Am Mo., 11. Apr. 2022 um 18:04 Uhr schrieb Jean Abou Samra
> > :
> >
> How about adding a Scheme interface for
>
Hi Jean,
this one is about codings
Am Mo., 11. Apr. 2022 um 18:04 Uhr schrieb Jean Abou Samra :
> >> How about adding a Scheme interface for Axis_group_interface::staff_extent
> >> from lily/axis-group-interface.cc and using it in duration-line::print?
> > Please remember I don't know C++, thus
Ah, good to know - many thanks! M
> On 11 Apr 2022, at 15:26, Knute Snortum wrote:
>
> Just a minor point. but there's no reason to write R1*3/4. R2. works
> just fine.
>
> --
> Knute Snortum
Thanks Simon!
JM
> Le 11 avr. 2022 à 17:31, Simon Albrecht a écrit :
>
> Hi Jacques,
>
> On 11/04/2022 16:16, Jacques Menu wrote:
>> Also, what is the musical meaning of the ligatures above the staff?
>
>
> these are not standard notation and it’s impossible to tell. Maybe the larger
>
Hi Jean,
On 11/04/2022 18:04, Jean Abou Samra wrote:
Well, maybe it doesn't make sense anyway -- I don't think I've
ever seen a breathing sign in one staff and not another.
It definitely happens and is perfectly valid musically.
Breathing_sign_engraver sits in Voice (and similar) by
Hi Kenneth,
Le 11/04/2022 à 12:43, Kenneth Flak a écrit :
Hi list,
First time poster here, just starting to get my head around using
lilypond together with scheme/guile! I use nvim, and I would love to be
able to use this together with the scheme-playground.
I guess you mean scheme-sandbox?
I think \tweak instead of the overrides does get the position change result
you're after
http://lilybin.com/vhf35h/17
> On 12 Apr 2022, at 23:02, Evan Driscoll wrote:
>
>
> Great, thanks! I tried something like that, but never had the space between
> the offset amount and following _,
Great, thanks! I tried something like that, but never had the space between
the offset amount and following _, which in retrospect makes sense but I
didn't think of at the time. I also agree in that context just the X-offset
version looks better and now I'm using that in one of the two places it
On 2022-04-12 12:25 pm, Evan Driscoll wrote:
http://lilybin.com/vhf35h/5 for example.
I have a note that has two text decorations on it, c^"pizz"_"marc", as
well
as a dynamic \f.
By default everything gets stacked (http://lilybin.com/vhf35h/6), but
that
gets really busy -- there's actually
Evan Driscoll writes:
> Great, thanks! I tried something like that, but never had the space between
> the offset amount and following _, which in retrospect makes sense but I
> didn't think of at the time. I also agree in that context just the X-offset
> version looks better and now I'm using
http://lilybin.com/vhf35h/5 for example.
I have a note that has two text decorations on it, c^"pizz"_"marc", as well
as a dynamic \f.
By default everything gets stacked (http://lilybin.com/vhf35h/6), but that
gets really busy -- there's actually a tempo marking and rehearsal mark at
that place
On Tue, Apr 12, 2022 at 7:15 PM David Kastrup wrote:
> Kevin Cole writes:
>
> > I think an example will make the question clearer: How do I merge the
> > B quarter-note with the B eighth-note following the D eighth-note
> > below?
> >
> > %%%
> > \version "2.20.0"
> > \language
I think an example will make the question clearer: How do I merge the
B quarter-note with the B eighth-note following the D eighth-note
below?
%%%
\version "2.20.0"
\language "english"
\layout {
\autoBeamOff
}
global = {
\time 4/4
\mergeDifferentlyHeadedOn
}
melody = {
Never mind. I see it appears to be a typo in the original. That's what
I get for not paying enough attention.
On Tue, Apr 12, 2022 at 7:39 PM Paul Hodges wrote:
I think that's a misprint in the source, and the upstem should have a
> flag. I presume that below there are two sets of words with different
> numbers of syllables which require different grouping of the notes.
>
> Paul
>
Yeah, that's what I
Kevin Cole writes:
> I think an example will make the question clearer: How do I merge the
> B quarter-note with the B eighth-note following the D eighth-note
> below?
>
> %%%
> \version "2.20.0"
> \language "english"
>
> \layout {
> \autoBeamOff
> }
>
> global = {
> \time
From: Kevin Cole
To: David Kastrup
Cc: lilypond-user mailinglist
Sent: 13/04/2022 0:20
Subject: Re: How do I merge a quarter-note with the second eighth-note of a
pair?
On Tue, Apr 12, 2022 at 7:15 PM David Kastrup wrote:
Kevin Cole writes:
> I think an
It is usual that most tweaks and adjustments are specified in staff-space units
by default, and so will scale automatically. Even postscript inserts can be
written that way. So I would suggest just trying it, and if it turns out that
any adjustments have been specified, change that to
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