one trick that Mats has given to us, for Lily 2.4 on XP (what is your version
?) is :
if you have :
\bar |.
c4\ff
you can do :
\bar |.
s8 c4*3/4 \ff (see 5.1.10 of the lily doc)
for the c and its ff is moved a bit on the right.
Hope that helps !
Hi all,
Still one question though.
I tried Score.BarLine #'transparent = ##t, but that worked too well.
The repeat sign I wanted to show, didn't show, even when I set it to
false before \bar.
So I changed it into Staff.BarLine and disabled it just before the
repeat sign and enabling it
On 27-Mar-05, at 5:37 AM, Luke Palmer wrote:
I'm transcribing a 15 part orchestral piece, and we've come to the
point
of putting in tempo markings. After doing it the obvious way for a few
parts (r1^\allegroMaNonTroppo), I decided it might be better to create
a
mock staff
Hi list!
In the following snippet I would like to tweak the appereance of the ties
in order to avoid collision. I want to ask your opinion: is it better to
move to the other direction the middle tie, or just move a bit to the left
the two upper ties?
And in both cases, wich parameter I have to
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Mats Bengtsson wrote on 29.03.2005 18:36:
| See
|
http://lilypond.org/doc/v2.5/Documentation/user/out-www/lilypond/Other-vocal-issues.html#Other-vocal-issues
|
|
| /Mats
| Roman Stckl-Schmidt wrote on 26.03.2005 00:04:
| In the piece I have an intro
Graham Percival wrote:
On 27-Mar-05, at 5:37 AM, Luke Palmer wrote:
I'm transcribing a 15 part orchestral piece, and we've come to the point
of putting in tempo markings. After doing it the obvious way for a few
parts (r1^\allegroMaNonTroppo), I decided it might be better to create a
mock staff
Dear list,
Looking at the archives, this seems to have come up before, but I can't
seem to get a working solution. What is the best way to get the titles
of movements centred? At the moment I am using \book \score \header
{ piece = piece1} as outlined in the manual to seperate movements,
but of
When using RhythmicStaff with StaffGroup, the vertical spacing has to be
enlarged (with: \set Staff.minimumVerticalExtent = #'(...)).
But in combination with \repeat volta and \alternative, the boxes/lines for the
alternative parts are to high above (see attachment: Klatschduett.ly).
Does
When including Lilypond files with \repeat and \alternative in lilypond-book,
the numbering of the alternative boxes is missed (in contrast to normal
lilypond output).
Is there a workaround for that problem?
Regards?
Sieghard Wagner
___
lilypond-user
Here is a bit more detail on the problem I have been having with fonts
on Lilypond-2.4.2 (on Mandrake 10.1)
The error is
warning: lily-guile: can't find tex256.enc
These are the relevant packages I have
glibc-devel-2.3.3-20mdk
lilypond-2.4.2-1thac
ec-fonts-mftraced-1.0.8-1
Jean-marc LEGRAND wrote:
you can do :
\bar |.
s8 c4*3/4 \ff (see 5.1.10 of the lily doc)
for the c and its ff is moved a bit on the right.
Thank you - this approach worked well in my situation.
David
___
lilypond-user mailing list
andrew Black writes:
Here is a bit more detail on the problem I have been having with fonts
on Lilypond-2.4.2 (on Mandrake 10.1)
The error is
warning: lily-guile: can't find tex256.enc
Where did you get your Mandrake package? The LilyPond package is
missing a dependency. Please report this
Jamie Bullock wrote:
Looking at the archives, this seems to have come up before, but I can't
seem to get a working solution. What is the best way to get the titles
of movements centred? At the moment I am using \book \score \header
{ piece = piece1} as outlined in the manual to seperate
David Rogers wrote:
A simple way is to use the subtitle (or even the subsubtitle) slot for
the piece name, assuming one of those slots is still free.
(snip)...
Obviously, that sentence is not true - I was not thinking clearly. Sorry
for any confusion. The rest of what I wrote is usable, I
On 30-Mar-05, at 10:22 PM, Jeffrey Philpott wrote:
Well, up to now I've been using your first way, with the result as can
be seen in the attached pdf.
I wanted to give a small example, but now I get the following errors:
(/usr/share/texmf/tex/lilypond/feta20.tex)) (./liederbuchtest.aux)
On 30-Mar-05, at 9:34 PM, David Rogers wrote:
In the piece I'm working on, the dynamic mark for the first note of a
bar is colliding with the bar line. I've searched the manual as
carefully as I can, and come up empty. Where can I learn how to add
some
extra space after this bar line?
I would
Paul Scott wrote:
Graham Percival wrote:
On 27-Mar-05, at 5:37 AM, Luke Palmer wrote:
I'm transcribing a 15 part orchestral piece, and we've come to the
point
of putting in tempo markings. After doing it the obvious way for a
few
parts (r1^\allegroMaNonTroppo), I decided it might be
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Hash: SHA1
andrew Black wrote on 29.03.2005 23:17:
| Hi
| I have installed LilyPond 2.4.2 from my Mandrake 10.1 disk. I am
| getting the error.
| warning: lily-guile: can't find tex256.enc
| How can I get round this.
On Debian the file you are looking for is
Graham Percival schrieb:
On 30-Mar-05, at 10:22 PM, Jeffrey Philpott wrote:
Well, up to now I've been using your first way, with the result as can
be seen in the attached pdf.
I wanted to give a small example, but now I get the following errors:
(/usr/share/texmf/tex/lilypond/feta20.tex))
Graham Percival schrieb:
On 30-Mar-05, at 10:22 PM, Jeffrey Philpott wrote:
Well, up to now I've been using your first way, with the result as can
be seen in the attached pdf.
I wanted to give a small example, but now I get the following errors:
(/usr/share/texmf/tex/lilypond/feta20.tex))
your version and OS ?
Jamie Bullock [EMAIL PROTECTED]
Lilypond 2.4.1
When using \partcombine Solo ,Solo 2,a2 is printed .
How to change this texts ? For example to I , II,
Vc or Vc e bass , like in a classical symphony score ?
The documentation show only how to disable this texts
(\set Staff.printPartCombineTexts = ##f)
Thanks.
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