David Raleigh Arnold wrote Wednesday, September 09, 2009 5:02 PM
I found that without paper-height, the page
was too long as displayed by gv or xpdf.
Is #(set-paper-size letter) correct? If
so, it doesn't work without stating the
paper-height. I think this is a bug in
ghostscript, not
On 10.09.2009, at 09:03, Hans Aberg wrote:
It seems to be that that staff indicates the Pythagorean tuning,
with accidentals to indicate offsets relative that. Right?
This uniform structure of the Helmholtz-Ellis and Sagittal notation
makes it possible to not only notate just intonation
On 10 Sep 2009, at 10:26, Torsten Anders wrote:
[Your mail does not cc to the list - added: seems relevant.]
t is part of the font
distribution itself at
http://music.calarts.edu/~msabat/ms/pdfs/HE-font-2009.zip
I also found
http://www.newmusicbox.org/72/HelmholtzEllisLegend.pdf
It seems to
On 10 Sep 2009, at 10:57, Torsten Anders wrote:
On 10.09.2009, at 09:03, Hans Aberg wrote:
It seems to be that that staff indicates the Pythagorean tuning,
with accidentals to indicate offsets relative that. Right?
This uniform structure of the Helmholtz-Ellis and Sagittal notation
makes
Hello. LM 3.6 Alternative methods of mixing text and music -
Inserting LilyPond output into other programs
says
To produce a useful ‘EPS’ file, use
lilypond -dbackend=eps -dno-gs-load-fonts -dinclude-eps-fonts myfile.ly
I am trying to understand what -dno-gs-load-fonts does, and what's
2009/9/10 Francisco Vila paconet@gmail.com:
git grep no-gs-load-fonts
gives no results apart from this page of Docs
Sorry. I've just realized that gs-load-fonts does appear in the
sources and this option is the same with a prefixed no-
--
Francisco Vila. Badajoz (Spain)
www.paconet.org
Dear Hans,
I understand you point about only 2 step sizes and your interested to
extend the number of steps available. I assume this approach is
particularly suitable for music that is primarily melodic (which is
the case for Persian and Turkish), and if you disregard ornamental
pitch
I need, for a 17th century piece, a bar that is constantly 2+2+2+3+3.
I would like to have dashed bar lines in the middle of each bar and a
normal | at the bar end.
Is it possible to have it automatically?
Thanks
stezano
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Dear Hans,
On 10.09.2009, at 10:13, Hans Aberg wrote:
[...] I tend to think that ETs and Pythagorean tuning, quarter-comma
meantone, and other diatonic pitch systems would be best notated by
departing from them, and then adding intermediate pitch accidentals
relative that.
A completely
On 10 Sep 2009, at 11:45, Torsten Anders wrote:
I understand you point about only 2 step sizes and your interested
to extend the number of steps available. I assume this approach is
particularly suitable for music that is primarily melodic (which is
the case for Persian and Turkish), and
On 10 Sep 2009, at 12:14, Torsten Anders wrote:
[...] I tend to think that ETs and Pythagorean tuning, quarter-
comma meantone, and other diatonic pitch systems would be best
notated by departing from them, and then adding intermediate pitch
accidentals relative that.
A completely
Hi Stezano,
I need, for a 17th century piece, a bar that is constantly 2+2+2+3+3.
I would like to have dashed bar lines in the middle of each bar
and a normal | at the bar end.
Is it possible to have it automatically?
Try something like
thebarlines = \repeat unfold 42 { s2*3 \bar dashed
On Wed, 9 Sep 2009 12:02:28 -0400
David Raleigh Arnold d...@openguitar.com wrote:
I am using the tarball 2.12.2 on a debian
stable system.
I found that without paper-height, the page
was too long as displayed by gv or xpdf.
Is #(set-paper-size letter) correct? If
so, it doesn't work
Am Donnerstag, 10. September 2009 18:27:04 schrieb Patrick Schmidt:
Hi all,
I'm having problems to build documentation (without compiling LilyPond) on
MacOS X 10.4.11. My www-out directory only contains the file dummy.dep. For
error messages see attached file.
You might also want to take a
When I open jedit I get an I/O Error and a lot of boxes in the window.
encoding UTF-8 another line says UTF-8, Cp1252
I guess I need lots of help with setup?
Thanks,
fg
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On Thu, Sep 10, 2009 at 07:06:13PM +0200, Reinhold Kainhofer wrote:
Am Donnerstag, 10. September 2009 18:27:04 schrieb Patrick Schmidt:
I'm having problems to build documentation (without compiling LilyPond) on
MacOS X 10.4.11. My www-out directory only contains the file dummy.dep. For
--- On Thu, 9/10/09, Kieren MacMillan kieren_macmil...@sympatico.ca wrote:
From: Kieren MacMillan kieren_macmil...@sympatico.ca
Subject: Re: Editing Process
To: Jonathan Wilkes jancs...@yahoo.com
Cc: lilypond-user@gnu.org
Date: Thursday, September 10, 2009, 9:04 PM
Hi Jonathan,
Any
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Hash: SHA1
Am Donnerstag, 10. September 2009 21:32:26 schrieb Graham Percival:
On Thu, Sep 10, 2009 at 07:06:13PM +0200, Reinhold Kainhofer wrote:
Am Donnerstag, 10. September 2009 18:27:04 schrieb Patrick Schmidt:
I'm having problems to build
Torsten Anders wrote:
Now, there is only a minor flaw now: the distance between a note and
the related accidentals is rather big. In fact, accidentals are more
close to the preceding note than the note they belong to.
I'm way out of my depth here,
but it looks like markup is appending
Don't forget to mention this publication where the Persian microtonal
accidentals were introduced,
which are the only ones that are standardized (and still absent in lilypond):
Vaziri, A. N., Dastur-e Tàr, Tehran, 1913.
Kees
- Original Message -
From: Joseph Wakeling
On 2009-09-09, at 08:59 , Kieren MacMillan wrote:
Hi Dan, Neil, et al.:
Does the following help?
SoloVoice is a kind of Voice. UpperVoice and LowerVoice are kinds
of SoloVoice.
That's [relatively] self-evident. What isn't crystal clear — either
in my mind, or (IMO) in the documentation
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