Re: [midi] [articulate] \stopTrillSpan, \staccatissimo, and \appoggiatura

> "Iain" == Iain Nicol writes: Iain> Hi, I've playing about with Peter Chubb's `Articulate' for Iain> improved MIDI output. (Thanks, Peter: I wrote a less ambitious Iain> file a bit back---and then accidentally deleted it.) Iain> Anyway, I've got a few suggested changes, with patches. The

Re: Chinese cadenza

On 9/30/09 5:29 PM, "hhpmu...@163.com" wrote: > Hello, > The attached picture is a Chinese character "san", having many meanings, > e.g., "distribute/discard", "disseminate", "come loose", "dispel", > "dispersal", "scattered", etc. The top "grass head" (a horizontal line > interrupted with t

Chinese cadenza

Hello, The attached picture is a Chinese character "san", having many meanings, e.g., "distribute/discard", "disseminate", "come loose", "dispel", "dispersal", "scattered", etc. The top "grass head" (a horizontal line interrupted with two vertical lines) is used in Chinese music to represent a

[midi] [articulate] \stopTrillSpan, \staccatissimo, and \appoggiatura

Hi, I've playing about with Peter Chubb's `Articulate' for improved MIDI output. (Thanks, Peter: I wrote a less ambitious file a bit back---and then accidentally deleted it.) Anyway, I've got a few suggested changes, with patches. The patches are against the copy of articulate linked to from

Re: adjusting first part of slur across system break

David Nalesnik wrote Wednesday, September 30, 2009 10:16 PM I've found information on how to alter the second half of slurs which span a line-break, but I can't find anything about adjusting the first half while keeping the cloned half at the default. I've constructed a simple example showi

Re: lilypond - bar numbers

-BEGIN PGP SIGNED MESSAGE- Hash: SHA1 [Forwarding private message to lilypond-user] Am Donnerstag, 1. Oktober 2009 00:23:05 schrieb stefano cucuzzella: > Hello, > > is it possible to remove the bar numbers just for a part of a piece, like a > long cadenza? and when the candenza ends put

The Drummer's Gigsaw: 2nd edition

The Drummer's Gigsaw: 2nd edition. There is a gap in the free world about to find pre-built drums patterns as a drum machine. As the novice as the song’s composer who wants to outline an arrangement, the assessment is: there’s still no consistent free database about drum patterns. The project "Le

Re: Problem with staffs and lyrics

2009/9/30 Jorge Pena : > Thanks, it solved the spacing problem, and I now understand the problem. > Also Francisco Vila helped me with that and the lyrics positioning part, so > I achieved my goal. That said, I only re-did it the way I know best, but don't really know why the lyrics insisted on st

adjusting first part of slur across system break

Dear LilyPonders, I've found information on how to alter the second half of slurs which span a line-break, but I can't find anything about adjusting the first half while keeping the cloned half at the default. I've constructed a simple example showing what happens when I break a certain slur. In

cueDuring DOWN with stems up?

Hi, I'm inserting piano cue notes into a violin part using \cueDuring #"piano" #DOWN { R1 } in the violin part. But I'd like the quoted part (i.e. "piano") to have stems UP instead of DOWN (while keeping the quoted part in the lower part of the Staff). Actually \cueDuring #DOWN is somewhat equi

Re: Problem with staffs and lyrics

> > I often use this approach, replace your score block with > > \score { > > \new ChoirStaff << >\new ChordNames { \harmoniesA \harmoniesB \harmoniesC } > \new Staff > { > <<\new Voice = "partA" { \melodyA } >\new Voice = "partAI" { \melodyAI } >

Re: Problem with staffs and lyrics

On Wed, Sep 30, 2009 at 4:51 PM, Xavier Scheuer wrote: > Xavier Scheuer a écrit : > > Removing "\key d \major" from "melodyBII" solves the problem. > > Oops, that removed the "strange spacing after the double bar in the > second line", but also the key signature in Staff "two" > (I saw it just af

Re: regression? [was Re: BeatLength and BeatGrouping]

On 9/29/09 7:25 PM, "luis jure" wrote: > > > thank you carl for your answer. i still think that 2.13.4 has some > beaming issues. > > >> We've had a serious discussion about whether eighth note beams should >> end on every beat or only on beats 2 and 4. >> >> We came down on the side of e

Re: another route from MIDI to lilypond (from NtEd developer)

> "Joerg" == Joerg Anders writes: >> >> The version I saved hadn't >> >> spelled the flats right, either, but I think I might have fixed that >> >> later. >> Joerg> Could you please tell us what is misspelled ? Is it really Joerg> the "bes" instead "Bb" ? >>

Re: Problem with staffs and lyrics

2009/9/30 Jorge Pena : > Hello, > > I'm converting a repository of music in abc format to lilypond (from my > local > church choir here in Portugal) and I'm liking lilypond very much. > > But I have still some problems even after reading carefully the docs. I have > this music piece outputed by abc

Re: Problem with staffs and lyrics

Xavier Scheuer a écrit : > Removing "\key d \major" from "melodyBII" solves the problem. Oops, that removed the "strange spacing after the double bar in the second line", but also the key signature in Staff "two" (I saw it just after having sent the mail). This should do the right trick : Replace

Re: Problem with staffs and lyrics

Jorge Pena a écrit : > Hello, > > I'm converting a repository of music in abc format to lilypond (from my > local > church choir here in Portugal) and I'm liking lilypond very much. > > But I have still some problems even after reading carefully the docs. I have > this music piece outputed by abc

Re: MY error, but wish the log was clearer.

Often, you don't have to explicitly write out any \score{...} block in your file, see http://lilypond.org/doc/v2.12/Documentation/user/lilypond-learning/Introduction-to-the-LilyPond-file-structure#Introduction-to-the-LilyPond-file-structure However, your feature request is certainly relevant, so

Problem with staffs and lyrics

Hello, I'm converting a repository of music in abc format to lilypond (from my local church choir here in Portugal) and I'm liking lilypond very much. But I have still some problems even after reading carefully the docs. I have this music piece outputed by abcm2ps ( http://coro.paroquiabaixadaban

Re: tieDown < -- > repeatTie

Hi David, You wrote: > Using \voiceTwo to set stems, ties and dots to go down/under works on > \repeatTie in 2.13.4. Interestingly, with \voiceTwo in force, \tieUp > affects everything but the \repeatTie. The solution would probably be notepitch^\repeatTie, according to the solution I've found

Re: tieDown < -- > repeatTie

David Stocker wrote: Hi Roland, Using \voiceTwo to set stems, ties and dots to go down/under works on \repeatTie in 2.13.4. Interestingly, with \voiceTwo in force, \tieUp affects everything but the \repeatTie. Of course, since \tieUp is a shorthand for \override Tie #'direction = #UP, where

Re: special markings for string players....

Over the years, there have been many different marks used for these kind of bowing indications. Unfortunately, it seems that it's almost only the usual upbow and downbow marks that are really standardized. On the other hand, the lack of standardization shouldn't prevent that well-designed font

Re: another route from MIDI to lilypond (from NtEd developer)

On Tue, 29 Sep 2009, Laura Conrad wrote: First of all: All you want is solved in actual version (1.8.1) thanks to appropriate requests even of members of this list. separate pages or separate staves. Even someone who was doing a piano reduction wouldn't want the lilypond to notate them as chor