Mats Bengtsson mats.bengts...@ee.kth.se writes:
Joe Neeman wrote:
On Sat, 2009-11-21 at 22:45 +, Graham Percival wrote:
On Sat, Nov 21, 2009 at 11:31:40PM +0100, David Kastrup wrote:
I don't see a good rationale why \set, \override, \revert, \tweak should
not work on the same
Please take a look at lilypond-book,
http://lilypond.org/doc/v2.12/Documentation/user/lilypond-program/LilyPond_002dbook#LilyPond_002dbook,
which solves exactly this problem in a very convenient way.
/Mats
Yohann Martineau wrote:
Hello,
I'm writing a manual for music beginners. I'm using
David Kastrup wrote:
We used to have the same command for setting both context and object
properties, see
http://lilypond.org/doc/v2.2/Documentation/topdocs/out-www/NEWS.html
I read
The syntax for setting properties has been simplified: the following
table lists the
Mats Bengtsson mats.bengts...@ee.kth.se writes:
David Kastrup wrote:
We used to have the same command for setting both context and object
properties, see
http://lilypond.org/doc/v2.2/Documentation/topdocs/out-www/NEWS.html
I read
The syntax for setting properties has been
Dear Gilles,
thanks very much!
It is great and works well now!
2009/11/22 Gilles THIBAULT gilles.thiba...@free.fr
Dear community,
is there a possibilitie to use the great macro for rhythms ( see:
http://lsr.dsi.unimi.it/LSR/Snippet?id=390http://lsr.dsi.unimi.it/LSR/Snippet?id=390
)
also
Hi all,
I'm engraving a song for voice and piano — the voice is swung (dotted
eighth plus sixteenth) while the piano is playing triplets.
I would like to [at least see what it looks like if I] set it so that
the dotted sixteenth in the voice lines up visually/vertically with
the third
On Mon, Nov 23, 2009 at 3:56 AM, David Kastrup d...@gnu.org wrote:
And I am arrogant enough to believe that if I don't understand a
design decision after a few days of trying, it is likely that
ultimately a lot of people other than myself will be better off if
the distinction gets abolished.
Han-Wen Nienhuys hanw...@gmail.com writes:
On Mon, Nov 23, 2009 at 3:56 AM, David Kastrup d...@gnu.org wrote:
Right now I don't have the necessary clue level. Merely a gut hunch.
Why dont you invest some time to find out how it really works,
What do you think I am doing? Reading
Kieren MacMillan wrote:
Hi all,
I'm engraving a song for voice and piano — the voice is swung (dotted
eighth plus sixteenth) while the piano is playing triplets.
I would like to [at least see what it looks like if I] set it so that
the dotted sixteenth in the voice lines up
Dear community,
I guess the file changePitch.ly is a great tool which can be very useful for
e.g. writing parts with the same rhythm, articulation, etc.
It should be part of the next documentation.
I would like to write something about it, or are there other plans?
2009/11/23 Stefan Thomas
Dear community,
I have a problem with the addquote-command.
In the below quoted snippet it doesn't work and I don't know why.
Here is the example
\version 2.12.2
oben = \new Staff \relative { c4 d e f g2 c g1 }
\addQuote oben { \oben }
unten = \new Staff { \quoteDuring oben {s1 } e'1 e'1 }
Thanks Mats--- sorry I hit reply and not reply all. The suggested code
works just as desired and it is always nice to rid myself of warning
messages!! Thanks again.
--hsm
On Mon, Nov 23, 2009 at 3:42 AM, Mats Bengtsson
mats.bengts...@ee.kth.se wrote:
Please always keep the discussion on the
Stefan Thomas wrote:
Dear community,
I have a problem with the addquote-command.
In the below quoted snippet it doesn't work and I don't know why.
Here is the example
\version 2.12.2
oben = \new Staff \relative { c4 d e f g2 c g1 }
\addQuote oben { \oben }
unten = \new Staff { \quoteDuring oben
Hi David,
David Kastrup wrote:
Han-Wen Nienhuys hanw...@gmail.com writes:
On Mon, Nov 23, 2009 at 3:56 AM, David Kastrup d...@gnu.org wrote:
Right now I don't have the necessary clue level. Merely a gut hunch.
Why dont you invest some time to find out how it really works,
What do you
Given:
eMinor = e b gis e b e,
I'd like to be able to do something like \eMinor' since I'm working in
relative mode. Is this possible. Same thing for chord length, i.e.
\eMinor2. etc.
--hsm
___
lilypond-user mailing list
lilypond-user@gnu.org
Hi Alexander,
I just took your question as a motivation to finally add the
functionality for *num/den suffixes in the following rhythm snippet.
This is fabulous… and *way* more than I was expecting. ;)
@ all:
The string-duration routine certainly is not production-stage or
well tested
p.s. I meant
applyRhythm = #(define-music-function (parser location rhythmA
rhythmB music)
…
On 2009-Nov-23, at 13:58, Kieren MacMillan wrote:
Hi Alexander,
I just took your question as a motivation to finally add the
functionality for *num/den suffixes in the following rhythm
Dear Alexander,
thanks for Your help.
I understand it now!
2009/11/23 Alexander Kobel n...@a-kobel.de
Stefan Thomas wrote:
Dear community,
I have a problem with the addquote-command.
In the below quoted snippet it doesn't work and I don't know why.
Here is the example
\version 2.12.2
Ian Hulin i...@hulin.org.uk writes:
David Kastrup wrote:
I will not doctor the documentation before I consider myself having a
clue. And I am nowhere near that yet.
From the bread-crumb trail of your posts on the various lists, it
looks like you're exploring a similar set of avenues I was
Kieren MacMillan wrote:
Hi Alexander,
I just took your question as a motivation to finally add the
functionality for *num/den suffixes in the following rhythm snippet.
This is fabulous… and *way* more than I was expecting. ;)
Well, that's not my fault... :-) Really, everything but the
Hi Alexander,
It's certainly easier for this special case, but the applyRhythm as
is gives far more freedom than your example.
If you have a rhythm like 4 4 8 8 4 in several voices, you can
just say
rhythmA = 4 4 8 8 4
sop = \applyRhythm #rhythmA { c d e f g | g f e d c }
alt =
Hi!
I'm working on a projekt more or less basede on the struktures and
models in the LSR snippet on anglican chant. My projekt is to create a
set of linked source- files and template- files to set texts for
Orthodox services (in Finish) to the fourpart melodic formulas
(eight tones with
Kieren MacMillan wrote:
Hi Alexander,
It's certainly easier for this special case, but the applyRhythm as is
gives far more freedom than your example.
If you have a rhythm like 4 4 8 8 4 in several voices, you can just say
rhythmA = 4 4 8 8 4
sop = \applyRhythm #rhythmA { c d e f g | g f
Correction:
Murphy's law. Still looks okay to me, but (sigh!) just the error message
for ill-formed duration strings missed the not in not a valid duration.
Cheers,
Alexander
%% applyRhythm
%%
%% 2009, Alexander Kobel
Hello,
is there a simple way to make a function that generate a repetead
pattern having just a note as input? I'm writing a Brahms' piano
score, and the left hand is doing the same rhythm, just changing the
notes:
%bar 1
{f8( f'4 f8)} \\
{f,2}
%bar 2
{g8( g'4 g8)} \\
On Mon, Nov 23, 2009 at 12:55 PM, David Kastrup d...@gnu.org wrote:
Han-Wen Nienhuys hanw...@gmail.com writes:
On Mon, Nov 23, 2009 at 3:56 AM, David Kastrup d...@gnu.org wrote:
Right now I don't have the necessary clue level. Merely a gut hunch.
Why dont you invest some time to find out
Am Montag, 23. November 2009 schrieb Hugh Myers:
Given:
eMinor = e b gis e b e,
I'd like to be able to do something like \eMinor' since I'm working in
relative mode. Is this possible. Same thing for chord length, i.e.
\eMinor2. etc.
AFAIK:
eMinor=\relative c { e b gis e b e, }
Francesco Petrogalli wrote:
Hello,
is there a simple way to make a function that generate a repetead
pattern having just a note as input?
Hi, Francesco,
you mean like this:
\include applyRhythm-1.1.ily
brahmsify =
#(define-music-function (parser location note) (ly:music?)
#{
Am Dienstag, 24. November 2009 schrieb Francesco Petrogalli:
Hello,
is there a simple way to make a function that generate a repetead
pattern having just a note as input? I'm writing a Brahms' piano
score, and the left hand is doing the same rhythm, just changing the
notes:
%bar 1
Han-Wen Nienhuys hanw...@gmail.com writes:
On Mon, Nov 23, 2009 at 12:55 PM, David Kastrup d...@gnu.org wrote:
Han-Wen Nienhuys hanw...@gmail.com writes:
On Mon, Nov 23, 2009 at 3:56 AM, David Kastrup d...@gnu.org wrote:
Right now I don't have the necessary clue level. Merely a gut hunch.
Frank Steinmetzger wrote:
You could try something like
basis=\relative c {
{ f8( f'4 f8) } \\
{ f,2 }
}
\basis
\transpose c d { \basis }
\transpose c e { \basis }
Oh, damn. Now how clever is this?! I suggest you use Frank's solution...
Kudos. :-)
A more complex, yet
On Mon, Nov 23, 2009 at 11:10 PM, David Kastrup d...@gnu.org wrote:
* \override and \revert manipulate the defaults stored in said context
property, pushing and popping values off the alist.
This concise hint is wagonloads clearer than what is in the \set vs
\override documentation node.
eMinor=\relative c { ... } does not allow either eMinor' or eMinor, etc.
--hsm
On Mon, Nov 23, 2009 at 6:02 PM, Frank Steinmetzger war...@gmx.de wrote:
Am Montag, 23. November 2009 schrieb Hugh Myers:
Given:
eMinor = e b gis e b e,
I'd like to be able to do something like \eMinor'
On this subject of set vs override, if I want rehearsal marks to be
boxed letters and also want to use the letter I as a rehearsal mark, how
can I do that. Each set command overwrites the previous value of the
context property, so if I use:
\set Score.markFormatter =
Hi!
On Nov 23, 2009, at 9:26 PM, Nick Payne wrote:
On this subject of set vs override, if I want rehearsal marks to be
boxed letters and also want to use the letter I as a rehearsal
mark, how can I do that. Each set command overwrites the previous
value of the context property, so if I
On 11/20/09 8:58 PM, Jesús Guillermo Andrade gandr...@usermail.com
wrote:
Got the prick little b... It was as Carl initially suggested. I made a minimal
example and found that there was a problem with the model for the string
tuning function.
Thanks a lot...
There was also a bug in the code
Han-Wen Nienhuys hanw...@gmail.com writes:
On Mon, Nov 23, 2009 at 11:10 PM, David Kastrup d...@gnu.org wrote:
* \override and \revert manipulate the defaults stored in said context
property, pushing and popping values off the alist.
This concise hint is wagonloads clearer than what is in
On 24.11.2009, at 02:02, Frank Steinmetzger wrote:
Am Montag, 23. November 2009 schrieb Hugh Myers:
Given:
eMinor = e b gis e b e,
I'd like to be able to do something like \eMinor' since I'm
working in
relative mode. Is this possible. Same thing for chord length, i.e.
\eMinor2.
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