Yuji IMAI 今井雄治 wote Sunday, January 24, 2010 3:00 AM
I found a problem in polyphony.
In version 2.12.2 of lilypond-learning.pdf,
sample of page 51 (section 3.2.1 I’m hearing Voices)
tie connect properly.
But, page 52 of version 2.13.11
tie cannot connect, also voice style does not continue.
The following input results in two problems:
* The following message appears in the log file:
warning: already have a volta spanner, ending that one prematurely
I have no idea what that means, nor where to go to find out.
* The output pdf file is flawed. Each
In Scottish bagpipe music it is customary to have the beamlets in a
dotted/cut pair of notes to always point towards the dotted note.
However, the default Lilypond setup for something like
{ c8. c16 c16 c8. }
is to tie the beam for the short notes together. Can I change this behaviour
easily,
I can see that Lilypond uses the usual typographic ligatures fi, ffi, fl,
automatically. Is there a way how to enable also other typographic
ligatures, especially: ae, oe, st and ct, so that they would be used
AUTOMATICALLY (i.e. without the need to insert them manually into the
Unicode source
a workaround is to add a \grace note in the other staves, too:
T= {
…
…
{ \grace s 8 R1 }
{ \grace s 8 R1 }
hth
--
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http://old.nabble.com/Leading-grace-note-in-alternative-ending-tp27293415p27293980.html
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Graham Percival gra...@percival-music.ca writes:
On Sun, Jan 24, 2010 at 12:39:51AM +0100, Gilles Sadowski wrote:
IMHO, perfect would be to *attach* a complete lilypond file, so that
people
Well, IMO, it's better to have a short file in the body of the email.
Because that way I can
On 24.01.2010, at 10:51, Patrick Karl wrote:
* The output pdf file is flawed. Each alternative ending is
duplicated, with the grace note being placed into the first of the
duplications.
Note: The problem disappears if I eliminate the T music and
staff, or if I add a corresponding
(sorry, top-posted)
Well, i believe this mean that i use the same music fragment in several
different places.
If so, i believe that these warnings do not mean that i'm getting any
troubles with that piece(s).
If so... Sorry for the noise :O)
2.12 does not produce such warnings, that's why i
Hi.
With this example:
% --8
\header {
tagline =
}
\relative c'' {
c c c c
\override Score.RehearsalMark #'Y-offset = #3
\mark \default
c c c c
\override Score.RehearsalMark #'Y-offset = #0
\mark \default
c c c c
\override
Le dimanche 24 janvier 2010 à 18:36 +0200, Dmytro O. Redchuk a écrit :
Well, i believe this mean that i use the same music fragment in several
different places.
If so, i believe that these warnings do not mean that i'm getting any
troubles with that piece(s).
If so... Sorry for the noise
Hello
Anybody knows how to tweak LaTeX (mactex) raising the number of possible
open files?
I am getting:
use 83/lily-ed86b062-2.pdfpdflatex: 83/lily-ed86b062-3.pdf: Too many
open files
Thanks
Alberto
--
Alberto Simões
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Dmytro O. Redchuk wrote:
Hi.
With this example: [...]
\override Score.RehearsalMark #'Y-offset = #3
[...] 2.12.3 produces correct result (as expected) while 2.13.11 ---
really unexpected. Attached, please, have i missed something?
Hi, Dmytro,
correct me if I'm wrong, but this looks like
Hello
Is there any way to tweak lilypond-book in a way it doesn't put titles
in the bottom of pages, and the beginning of the score in the next page?
TIA
--
Alberto Simões
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У нд, 2010-01-24 у 18:27 +0100, Alexander Kobel пише:
Dmytro O. Redchuk wrote:
Hi.
With this example: [...]
\override Score.RehearsalMark #'Y-offset = #3
[...] 2.12.3 produces correct result (as expected) while 2.13.11 ---
really unexpected. Attached, please, have i missed
When I am using Lilypond the program assumes a different octave and no
matter what I do the the \relative c, it won't change the octave. See
the code below:
{
\clef treble
\time 4/4
\key g \major
\relative c
\partial 4 d8 d
d d g g g4 f8 g
a g c a
У нд, 2010-01-24 у 17:32 +, Alberto Simões пише:
Hello
Hi!
Is there any way to tweak lilypond-book in a way it doesn't put titles
in the bottom of pages, and the beginning of the score in the next page?
This is not lilypond-book, but latex's property to break document on
pages.
If i did
Hello
On 24/01/2010 20:08, Dmytro O. Redchuk wrote:
\def\betweenLilyPondSystem#1{
\ifnum##12\else\expandafter\endinput\fi
}
Thanks for the hint. By the way, if anybody maintaining the
documentation reads this, I think it should be #1 and not ##1 (at least
this last gave an error).
In any
JB == Josiah Boothby josi...@gmail.com writes:
Something like c2^⊕ should do the trick; it works in my little
test sample (using 2.12.3) without needing any tweaking.
In case it's necessary (or at least useful), the circled-plus
character appears to be coded as 2295 in
Hello.
When I am using Lilypond the program assumes a different octave and
no matter what I do the the \relative c, it won't change the octave.
See the code below:
{
\clef treble
\time 4/4
\key g \major
\relative c
\partial 4 d8 d
d d g g g4 f8 g
EB == Ezequiel Birman stormwa...@espiga4.com.ar writes:
How may I compare the ⊕ glyph among the installed fonts?
-- Ezequiel Birman
http://www.fontmatrix.net/ :)
--
Ezequiel Birman
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Greetings!
The following code gives the result I think you require!?!
I'm not sufficiently au fait with the subtleties of Lilypond's syntax to
say 'why' yours doesn't work!
Hope this helps
Regards
Bill
%%%
\version 2.13.10
{ \clef treble
\time 4/4
\key g
take \relative c 'outside' of the braces
\relative c
{
\clef treble
\time 4/4
\key g \major
\partial 4 d8 d
d d g g g4 f8 g
a g c a b2
d'4 a8 b c4 b8 c
d'4 e'8( c) b g a4
g1
}
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