I have a file (for a book) which includes several files (each piece of music).
point-and-click is enabled in each of the single files and I want to keep it.
But when I create the book I don't care for point-and-click.
I'd like to keep the pdf smaller and compile it faster..
There's a way to tell
Dear Community,
this snippet looks very interestin!
Could someone explain exactly the meaning of all the numbers of the
command:
\shapeSlur #'(0 -2.5 -1 3.5 0 0 0 -2.5)
It seems that you have looked at the snippet
http://lsr.dsi.unimi.it/LSR/Item?id=639
The command \shapeSlur which is used
Stefan Thomas wrote:
Dear Community,
this snippet looks very interestin!
Could someone explain exactly the meaning of all the numbers of the
command:
\shapeSlur #'(0 -2.5 -1 3.5 0 0 0 -2.5)
A shape consists of 4 control points, like
The shapeSlur doesn't set the position
On 5.3.2010, at 3:14, craigbakalian wrote:
I'd like to notate a crescendo on a single note or chord, ie, c4\\!
which by design does not seem to work.
Is there an easier way of doing that than using spacer rests?
regards,
Mika Kuuskankare
The easiest way to do this is c4 \expressivo
Ok, thanks!
2010/3/5 Bertalan Fodor (LilyPondTool) lilypondt...@organum.hu
Stefan Thomas wrote:
Dear Community,
this snippet looks very interestin!
Could someone explain exactly the meaning of all the numbers of the
command:
\shapeSlur #'(0 -2.5 -1 3.5 0 0 0 -2.5)
A shape
**
\version 2.12.3
flagOff = { \slurDown \autoBeamOff \override Stem #'flag-style = #'no-flag }
global = {
\time 4/4
\key f \major
}
OrganLHOne = \relative c { \clef bass f8 e g8 f a4 f4 e a d, g4 e ~ e
a4 a4~ a4 a2 e'4. d8 cis4 b8 cis d2 d c c c8 d c ees4 d8 e d4 d e4 e g8
f16 e d2 }
2010/3/5 Federico Bruni brunol...@gmx.com:
I have a file (for a book) which includes several files (each piece of
music).
point-and-click is enabled in each of the single files and I want to keep
it.
But when I create the book I don't care for point-and-click.
I'd like to keep the pdf
2010/3/5 Mika Kuuskankare mkuus...@siba.fi:
%%% SNIPPET STARTS %
scresc = #(define-music-function (parser location startDyn endDyn) (string?
string?)
What about
{ c2\fp\
\override DynamicText #'extra-spacing-width = #'(-30 . 0)
r\fz
c1 }
--
Francisco Vila. Badajoz
Il giorno Fri, 5 Mar 2010 12:28:51 +0100
Francisco Vila paconet@gmail.com ha scritto:
Does
lilypond -dno-point-and-click book.ly
work?
No it doesn't.
It was my first try...
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2010/3/5 Federico Bruni brunol...@gmx.com:
Il giorno Fri, 5 Mar 2010 12:28:51 +0100
Francisco Vila paconet@gmail.com ha scritto:
Does
lilypond -dno-point-and-click book.ly
work?
No it doesn't.
It was my first try...
Then it is a bug and there is nothing you can do with
Weird! Does it work when you try it on a single small file?
/Mats
yes, of course
the problem is just with the book.ly file, which is a list of \include
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Federico Bruni wrote:
Il giorno Fri, 5 Mar 2010 12:28:51 +0100
Francisco Vila paconet@gmail.com ha scritto:
Does
lilypond -dno-point-and-click book.ly
work?
No it doesn't.
It was my first try...
Weird! Does it work when you try it on a single small file?
/Mats
Hello,
I have a music function which simply outputs the durations of every note:
\version 2.13.13
#(define (test-apply m)
(if (eq? 'NoteEvent (ly:music-property Voice 'name))
(let ((dur (ly:music-property m 'duration)))
(display \nduration: )(display dur)(display
Federico Bruni wrote:
I have a file (for a book) which includes several files (each piece of
music).
point-and-click is enabled in each of the single files and I want to
keep it.
By default enabled or explicitly? That would override
-dno-point-and-click I think.
But when I create the
Federico Bruni wrote:
I have a file (for a book) which includes several files (each piece of
music).
point-and-click is enabled in each of the single files and I want to
keep it.
Do you mean that you explicitly have a line saying
#(ly:set-option 'point-and-click #t)
in every of the
Dear community,
I don't understand, why this snippet doesn't work:
\version 2.12.2
\layout {
\context { \override VerticalAlignment #'max-stretch =
#ly:align-interface::calc-max-stretch }
\context { \Voice \remove Text_spanner_engraver }
\context { \override TimeSignature
FFS everybody.
Federico: omit point-and-click from your music definition files. Then make
violin-score.ly
cello-score.ly
all-book.ly
which just include your point-and-click NETURAL music definition
files. In the -score files, put your \score and enable
point-and-click and the top of it.
Why not use \numericTimeSignature ? See the 2.12 doc page about Time signature.
Cheers,
- Graham
On Fri, Mar 5, 2010 at 1:51 PM, Stefan Thomas
kontrapunktste...@googlemail.com wrote:
Dear community,
I don't understand, why this snippet doesn't work:
\version 2.12.2
\layout {
Am Freitag, 5. März 2010 14:51:39 schrieb Stefan Thomas:
Dear community,
I don't understand, why this snippet doesn't work:
[...]
\context { \override TimeSignature #'style = #'( ) } %why doesn't this
this work cerrectly?
...because you don't say to which context the override should
Dear Graham,
I know this, but: how can I put this into the layout-block?
As far as I've understand, \numericTimeSignature works only for one Staff or
Voice, but never for the whole score.
Or am I wrong?
2010/3/5 Graham Percival gra...@percival-music.ca
Why not use \numericTimeSignature ? See
Read again in
http://lilypond.org/doc/v2.13/Documentation/learning/adding-and-removing-engravers#Adding-and-removing-engravers
subsection Changing all context of the same type what syntax to use.
The first thing after \context{ should be the name of the context
where you want to apply the
Dear Mats,
thanks. I got what I wanted with
\context { \Score \override TimeSignature #'style = #'( ) }
I don't know why, but \context { \Staff \override TimeSignature #'style =
#'( ) }
did not work!
2010/3/5 Mats Bengtsson mats.bengts...@ee.kth.se
Read again in
On 3/5/10 5:05 AM, Marc Hohl m...@hohlart.de wrote:
This works fine, but I wanted to evaluate the position of the current note
within the current bar. I found the measurePosition property, but to use
ly:context-property context 'measurePosition
in my function, I need the appropriate
On 5.3.2010, at 13:42, Francisco Vila wrote:
2010/3/5 Mika Kuuskankare mkuus...@siba.fi:
%%% SNIPPET STARTS %
scresc = #(define-music-function (parser location startDyn endDyn) (string?
string?)
What about
{ c2\fp\
\override DynamicText #'extra-spacing-width = #'(-30
Il giorno Fri, 05 Mar 2010 13:53:28 +0100
Bertalan Fodor (LilyPondTool) lilypondt...@organum.hu ha scritto:
point-and-click is enabled in each of the single files and I want
to keep it.
By default enabled or explicitly? That would override
-dno-point-and-click I think.
Explicitly...
Noteworthy is an example of a low-cost music notation software product.
I've no connection with the company, but am an enthusiastic user.
I've now finished my initial stab at creating a tool that takes a complete
Noteworthy score and automatically translates it to LilyPond. With care, I
Hi,
I have another problem with the use of \include.
I have a file which compiles fine, even though I get this error message:
programming error: no solution found for Bezier intersection
Anyway, the output is fine.
Now, if I include this file in my book.ly file, I get a bunch of errors related
2010/3/5 Federico Bruni brunol...@gmx.com:
Can anyone give me some hint on how to track this problem?
I you craft a minimal set of files that show the problem, I promise
trying to reproduce it.
--
Francisco Vila. Badajoz (Spain)
www.paconet.org , www.csmbadajoz.com
Mika Kuuskankare wrote:
On 5.3.2010, at 13:42, Francisco Vila wrote:
2010/3/5 Mika Kuuskankare mkuus...@siba.fi:
%%% SNIPPET STARTS %
scresc = #(define-music-function (parser location startDyn endDyn) (string?
string?)
What about
{ c2\fp\
\override
Eby Mani wrote:
If i put OrganLHTwo on \voiceThree and the remaining on
\voiceOne \voiceTwo , everything seems fine, but get
messed up when \voiceOne and \voiceThree share homophonic
sections.
It looks like the partcombine function defaults to using
voiceOne and voiceTwo. I think that it
I thaught I was not able to do a minimal example which could fail,
but it was easier than expected.
I guess the problem is that the previous included file has an \include
english.ly statement,
and it seems that this breaks the next file (which uses default names instead).
Here's the example:
Good day all...
I'm having a problem that lilypond will exclude the \partial bar in bar
counting. This \partial i meant was the first bar of a score. How to make LP
calculate it as a first bar?
--
Martin Seng Hin Yew
Addtone Guitar Ensemble
___
2010/3/5 Francisco Vila paconet@gmail.com:
file1.ly
\version 2.13
\include nederlands.ly
This would be the right approach, I think.
--
Francisco Vila. Badajoz (Spain)
www.paconet.org , www.csmbadajoz.com
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You have to ctrl.-click on the printed example to see the underlying
code in a separate browser tab or window, then you can copy and paste
the code which will yield the result in LilyPond.
David
On 03/04/2010 09:21 AM, Mats Bengtsson wrote:
It seems that you have looked at the snippet
Il giorno Fri, 5 Mar 2010 18:32:56 +0100
Francisco Vila paconet@gmail.com ha scritto:
file1.ly
\version 2.13
\include nederlands.ly
This would be the right approach, I think.
Yes, of course. Stupid me..
I thaught \include english was enabled just in the first file,
instead
On Sat, Mar 06, 2010 at 01:32:41AM +0800, Seng Hin Yew wrote:
I'm having a problem that lilypond will exclude the \partial bar in bar
counting. This \partial i meant was the first bar of a score. How to make
LP calculate it as a first bar?
This is not typical notation, but if you want
2010/3/5 Seng Hin Yew hinyew.s...@gmail.com:
I'm having a problem that lilypond will exclude the \partial bar in
bar counting. This \partial i meant was the first bar of a score.
How to make LP calculate it as a first bar?
You could also not use \partial and start your first measure with
On 28 feb 2010, at 08:11, James Bailey wrote:
If I remember correctly, GUI apps don't by default load your $PATH, there's a
trick somewhere to get them to do it, I just don't remember where or how. But
that may be what you need.
The trick is not very simple. To have full control over your
On 28 feb 2010, at 06:46, Tim McNamara wrote:
I've had lilypond-mode working in Emacs for a year now, using Carbon Emacs on
Mac OS X 10.4. Works great, kuds to whomever wrote the mode. I just built
the latest Emacs 23.1 to give it a try; it initially didn't work with
Lilypond at all
On Sat, Mar 06, 2010 at 02:55:29AM +0800, Seng Hin Yew wrote:
On Sat, Mar 6, 2010 at 2:31 AM, Graham Percival gra...@percival-music.ca
wrote:
(I'm not 100% about the exact syntax, nor whether you want to
start at bar 1 or bar 2, but that's the basic idea)
I'm copying
I missed the word certain above. I'm not 100% about the exact
syntax.
Read the manual to see how to set the bar number.
\set Score.currentBarNumber = #2
http://lilypond.org/doc/v2.12/Documentation/user/lilypond/Bars#Bar-numbers
;)
--
Xavier Scheuer x.sche...@gmail.com
This may be more cumbersome than you want, but it's what I have used.
It could be scheme-ified to dodge having to write all this out every
time, but here it is anyway.
\once \override TextSpanner #'extra-offset = #'(0 . -5)
\once \override TextSpanner #'(bound-details right padding) = #9
\once
On Thursday 04 March 2010 18:36:01 Philippe Hezaine wrote:
Martin Tarenskeen a écrit :
On Thu, 4 Mar 2010, David Raleigh Arnold wrote:
So why on earth is conversion from velocity to volume in decibels an
issue? If you are using ppp pp p mp mf f ff fff why convert at all?
Just use
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