Hello,
On Sun, Nov 13, 2011 at 2:35 AM, lilyp...@umpquanet.com wrote:
Failing that, if there were a way to attach markup to a bar line,
that (plus perhaps an 'extra-offset') would suffice in the majority
of situations I can think of.
Is there such a way to attach markup to a high-level
Hi,
I also often run into this situation, but it also applies to dynamic
marks etc. (e.g. a phrase is repeated eight times, and I need a mf at
the beginning and p at the fifth repetition). There probably are more
situations where you have this problem.
The workaround I sometimes use (if it
\instrumentSwitch applies instrumentCueName to Staff context instead of
Voice. Is there a way to change this behavior so it only applies the
instrumentCueName to the Voice context? The current behavior makes multiple
instrumentCueName markings appear whenever there is simultaneous music on
the
Hi,
The workaround I sometimes use (if it is less work than changing the
variables) is to to use a separate voice that mainly consists of skips. Then
I can insert markups wherever I want (with s1^\markup ...).
Don't forget that — thanks to David Kastrup's recent work — you can now use the
Jim,
On Sun, Nov 13, 2011 at 9:57 AM, Jim Long ja...@umpquanet.com wrote:
Thank you very much, James.
No problem - don't forget to cc the list so others see the reply that
may contain more information for them to assist.
I'll take an earnest look at your suggestion in the morning. I
do
Hello
I am using lilypond-book, and I have some scores that get too glued ones
to the other (see http://musica-liturgica.net/viewfull.pl/10, for example).
What is the canonical way to add some vertical space between staves?
Thank you
Alberto
--
Alberto Simoes
CEHUM
Hello,
At first look, one option would be to add the following line to your LaTeX
preamble and playing with the vspace number (here, 5mm)
%
\newcommand{\betweenLilyPondSystem}[1]{\vspace{5mm}\linebreak}
Philippe
--
View this message in context:
On 13/11/2011 16:31, flup2 wrote:
Hello,
At first look, one option would be to add the following line to your LaTeX
preamble and playing with the vspace number (here, 5mm)
%
\newcommand{\betweenLilyPondSystem}[1]{\vspace{5mm}\linebreak}
Just great :)
The following snippet:
\version 2.14.2
notes = \relative b' {a b c d}
\score {\new Staff { \notes }
\layout { }
}
\break
\score {\new Staff { \transpose c c' \notes }
\layout { }
}
generates the following error:
test.ly:10:0: error: syntax error, unexpected \score,
Patrick Karl pck...@mac.com writes:
The following snippet:
\version 2.14.2
notes = \relative b' {a b c d}
\score {\new Staff { \notes }
\layout { }
}
\break
\score {\new Staff { \transpose c c' \notes }
\layout { }
}
generates the following error:
test.ly:10:0:
The recent discussion on hiding unused staffs led me to improve one of
my scores, but I ran into a little weirdness. The piece is a waltz (“Si
Bheag, Si Mhor”) with a pick-up for every strain.
For the anacrucis, if I use a partial-measure rest (\partial 4 r4), the
staff won’t get dropped. If I
- Original Message -
From: Christopher R. Maden cr...@maden.org
To: lilypond-user@gnu.org
Sent: Sunday, November 13, 2011 5:04 PM
Subject: Frenching with pick-ups
The recent discussion on hiding unused staffs led me to improve one of
my scores, but I ran into a little weirdness. The
I'm having a problem trying to learn how to use tags. The following snippet:
\version 2.14.2
music = \relative c' {
\tag #' low {c}
\tag #' high {c'}
d e f g a b c
}
\score {\new Staff { \keepWithTag #'low \music }
\layout { }
}
\score {\new Staff {
Patrick Karl pck...@mac.com writes:
I'm having a problem trying to learn how to use tags. The following snippet:
\version 2.14.2
music = \relative c' {
\tag #' low {c}
\tag #' high {c'}
d e f g a b c
}
\score {\new Staff { \keepWithTag #'low \music }
On Sun, Nov 13, 2011 at 01:31:31PM +, Peekay Ex wrote:
Jim,
On Sun, Nov 13, 2011 at 9:57 AM, Jim Long ja...@umpquanet.com wrote:
Thank you very much, James.
No problem - don't forget to cc the list so others see the reply that
may contain more information for them to assist.
I
On Sun, Nov 13, 2011 at 11:39:20AM +0100, Urs Liska wrote:
Hi,
I also often run into this situation, but it also applies to dynamic
marks etc. (e.g. a phrase is repeated eight times, and I need a mf at
the beginning and p at the fifth repetition). There probably are more
situations
On Sun, Nov 13, 2011 at 11:39:20AM +0100, Urs Liska wrote:
Hi,
I also often run into this situation, but it also applies to dynamic
marks etc. (e.g. a phrase is repeated eight times, and I need a mf at
the beginning and p at the fifth repetition). There probably are more
situations
Hi Jim
On Sun, Nov 13, 2011 at 9:57 AM, Jim Long ja...@umpquanet.com wrote:
(...) I do recall hitting a wall once when I discovered that Lily won't
accept two consecutive 'mark' directives, like for a
\mark default
\mark \markup \musicglyph #scripts.segno
when you want to have
On 11/13/2011 12:31 PM, Phil Holmes wrote:
You only need \partial once.
Thanks for that tip.
The final rests should be lower case, since they're not strictly
Whole Measure:
Ah, but that’s the crux: if they are not whole-measure rests, then the
staff isn’t considered empty and is not removed.
- Original Message -
From: Christopher R. Maden cr...@maden.org
To: lilypond-user@gnu.org
Sent: Sunday, November 13, 2011 8:52 PM
Subject: Re: Frenching with pick-ups
On 11/13/2011 12:31 PM, Phil Holmes wrote:
You only need \partial once.
Thanks for that tip.
The final rests
On 11/13/2011 04:06 PM, Phil Holmes wrote:
Did you try my code? I only get one staff left.
Yes. You made staves Second, Third, and Fourth identical to what I
already had for Second (except for the \partial 4 instruction).
What version of LilyPond are you using?
~Chris
--
Chris Maden, text
Shevek saul at saultobin.com writes:
\instrumentSwitch applies instrumentCueName to Staff context instead of
Voice.
Is there a way to change this behavior so it only applies the instrumentCueName
to the Voice context? The current behavior makes multiple instrumentCueName
markings appear
- Original Message -
From: Christopher R. Maden cr...@maden.org
To: lilypond-user@gnu.org
Sent: Sunday, November 13, 2011 9:10 PM
Subject: Re: Frenching with pick-ups
On 11/13/2011 04:06 PM, Phil Holmes wrote:
Did you try my code? I only get one staff left.
Yes. You made staves
2011/11/13 Christopher R. Maden cr...@maden.org:
And yes, I realize this is an older version of LilyPond... but Ubuntu is
behind, for some reason, and I’m reluctant to break the integration when
everything works OK for me. Information that this is handled better in
a newer version might be
On 13 November 2011 21:52, Christopher R. Maden cr...@maden.org wrote:
Ah, but that’s the crux: if they are not whole-measure rests, then the
staff isn’t considered empty and is not removed. I want three things,
that appear to be incompatible:
1) Staves with no notes to be removed.
2)
Keith OHara wrote:
Shevek saul at saultobin.com writes:
\instrumentSwitch applies instrumentCueName to Staff context instead of
Voice.
Is there a way to change this behavior so it only applies the
instrumentCueName
to the Voice context? The current behavior makes multiple
In working on a large set of hymns pre-2.15.18 I could do something like
this (a simplified example):
===
\version 2.15.18
function =
#(define-music-function (parser location num) (number?)
(let ((file (string-append hymn (number-string num) .ily)))
#{ \include $file #}))
Jay Anderson horndud...@gmail.com writes:
In working on a large set of hymns pre-2.15.18 I could do something
like this (a simplified example):
===
\version 2.15.18
function =
#(define-music-function (parser location num) (number?)
(let ((file (string-append hymn
On Sun, Nov 13, 2011 at 11:07 PM, David Kastrup d...@gnu.org wrote:
\include is special-cased in the lexer in order to accept
\stringidentifier. Previously $xxx in #{ ... #} was translated into
\something artificially. This translation is no longer happening. But
\include does not know what
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