Hi Carl
Thanks for the hint - I guess it wasn't clear to me when and where
ly:stencil-add was
needed.
Now the code works, although there still are som FIXME's. For example
the black keys
are generated by thick lines, but unfortunately they have rounded caps.
But I have submitted my code to
On Jan 18, 2012, at 9:16 AM, Morten Jagd Christensen wrote:
Now the code works, although there still are som FIXME's. For example the
black keys
are generated by thick lines, but unfortunately they have rounded caps.
Check out make-connected-path-stencil : the swiss army knife of
On 18 Jan 2012, at 01:54, PMA wrote:
Thanks Hans. As I (don't really) understand, ISMLP requires
a contributor of copyrighted materials to agree to their being
licensed *as* public domain.
Obviously for a clear view, I've got more homework ahead
Public domain means that the copyright
PMA peterarmstr...@aya.yale.edu writes:
Thanks Hans. As I (don't really) understand, ISMLP requires
a contributor of copyrighted materials to agree to their being
licensed *as* public domain.
That would be weird since several countries do not even have a concept
of public domain in their
PMA peterarmstr...@aya.yale.edu writes:
Jay Anderson wrote:
On Tue, Jan 17, 2012 at 5:54 PM, PMApeterarmstr...@aya.yale.edu wrote:
Thanks Hans. As I (don't really) understand, ISMLP requires
a contributor of copyrighted materials to agree to their being
licensed *as* public domain.
IMSLP
Hello,
I just wanted to say I found and corrected the syntax errors after RTFM. ;-)
Here is the correct syntax, should this help anyone in the future:
\version 2.15.23
\header { tagline = ##f }
mus = { e g c'1 }
\score {
\new Staff \with { \remove Time_signature_engraver } { \clef bass
I'm trying to tackle the same problem stated in this post.
http://old.nabble.com/Re%3A-Adding-Rehearsal-Marks%2C-v2.12.2-p27204478.html
I understand the concept, but I can't figure out the specific syntax to
make this happen. I have a global variable with skips and rehearsal marks,
but every
Hayden Muhl-2 wrote:
I understand the concept, but I can't figure out the specific syntax to
make this happen. I have a global variable with skips and rehearsal marks,
but every time I try to combine it with the music, I end up with an extra
staff.
without your code it seems
Hayden Muhl-2 wrote:
I understand the concept, but I can't figure out the specific syntax to
make this happen. I have a global variable with skips and rehearsal marks,
but every time I try to combine it with the music, I end up with an extra
staff.
without your code it seems
Hello,
is it possible to produce a glissando in the midi output of a piano score?
I looked at articulate script, but it doesn't seem to do that job
thanks
Paolo
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Hello,
Does anybody here know of software that could convert a .pdf into .ly?
Mayber .pdf to .xml first, then to .ly?
Or .pdf into .svg, or some sort of image file? I got some music from the
IMSLP site, it needs to be rotated and cleaned up a bit.
Thanks for any help,
Gerard
There are a few programs that try to convert scanned scores to something
useful (e.g. MusicXML). But generally this requires much manual work
after the conversion.
IIUC and you just want to improve the printed output you definitely
should go for some image processing software.
If all pages
I have found the following workaround:
\version 2.12.2
\layout {
\context {
\Score
\remove Bar_number_engraver
}
% \context {
%\RemoveEmptyStaffContext
% }
}
\relative c'
\new Staff
\with {
\consists Bar_number_engraver
\override BarNumber
On 12-01-18 05:12 AM, Gerard McConnell wrote:
Hello,
Does anybody here know of software that could convert a .pdf into
.ly? Mayber .pdf to .xml first, then to .ly?
Or .pdf into .svg, or some sort of image file? I got some music from
the IMSLP site, it needs to be rotated and cleaned up a
Paul Scott waterho...@ultrasw.com wrote:
I was also concerned about the age of the girls pictured. In the US this
might be considered child porn possession of which is a serious crime.
Very young women, but they didn't strike me as underage. It should
have been marked NSFW, but I found
On 18 January 2012 01:01, Thomas Morley thomasmorle...@googlemail.com wrote:
I worked a little more in the direction you objected.
\version 2.15.24
cadenzaRest =
#(define-music-function (parser location fermata? music) (boolean? ly:music?)
Make a full-bar rest with the same length as
On 17 January 2012 07:20, Nick Payne nick.pa...@internode.on.net wrote:
I'm using Lilypond to engrave Sor's Op 59 from a 19th century edition, and
it has quite a number of constructs like the below, each of which puts an
entry in the log: warning: no viable initial configuration found: may not
Tim Slattery slatter...@bls.gov writes:
Paul Scott waterho...@ultrasw.com wrote:
I was also concerned about the age of the girls pictured. In the US this
might be considered child porn possession of which is a serious crime.
Very young women, but they didn't strike me as underage. It
Greetings -
I'm running LilyPond 2.12 under Windows XP.
After checking the manual, especially 1.2.4 Beams : Setting automatic beam
behavior, and the LSR, I still cannot get Lilypond to beam 8th notes in 3/4
time in 1/4 note groups. Grouping by quarter note is automatic for 16th
notes, but not
Ralph,
On 18 January 2012 15:19, Ralph Palmer palmer.r.vio...@gmail.com wrote:
Greetings -
I'm running LilyPond 2.12 under Windows XP.
2.12? Your example is using a \version 2.14.
Is there a typo in your email?
James
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lilypond-user mailing
- Original Message -
From: Colin Campbell c...@shaw.ca
To: lilypond-user@gnu.org
Sent: Wednesday, January 18, 2012 1:58 PM
Subject: Re: pdf to .ly?
On 12-01-18 05:12 AM, Gerard McConnell wrote:
Hello,
Does anybody here know of software that could convert a .pdf into .ly?
Mayber .pdf
- Original Message -
From: James pkx1...@gmail.com
To: Ralph Palmer palmer.r.vio...@gmail.com
Cc: lilypond-user Mailinglist lilypond-user@gnu.org
Sent: Wednesday, January 18, 2012 3:46 PM
Subject: Re: auto-beaming problem
Ralph,
On 18 January 2012 15:19, Ralph Palmer
On 1/18/12 8:19 AM, Ralph Palmer palmer.r.vio...@gmail.com wrote:
Greetings -
I'm running LilyPond 2.12 under Windows XP.
After checking the manual, especially 1.2.4 Beams : Setting automatic
beam behavior, and the LSR, I still cannot get Lilypond to beam 8th notes
in 3/4 time in 1/4 note
Issue 2113 extended:
\version 2.15.25
\new Staff {
\time 6/8
\key c \major
\clef treble_8{
{ g e'8. a f'16 f d' g e' e c'8[ r32 d' e' f'] g' a' b'
c'' }
\\
{ c8 c c c r r }
}
}
Version 2.12.3 is better than version 2.15.26.
Best regards Friedrich Fischer
On 1/18/12 10:39 AM, Friedrich Fischer fried.fisc...@gmail.com wrote:
Issue 2113 extended:
\version 2.15.25
\new Staff {
\time 6/8
\key c \major
\clef treble_8{
{ g e'8. a f'16 f d' g e' e c'8[ r32 d' e' f'] g' a' b'
c'' }
\\
{ c8 c c c r r }
}
}
Version
On Wed, Jan 18, 2012 at 2:40 AM, -Eluze elu...@gmail.com wrote:
Hayden Muhl-2 wrote:
I understand the concept, but I can't figure out the specific syntax to
make this happen. I have a global variable with skips and rehearsal
marks,
but every time I try to combine it with the music,
David, Hans, Chris --
These are the perspectives I need.
Thanks for your patience!
Pete
David Kastrup wrote:
PMApeterarmstr...@aya.yale.edu writes:
Jay Anderson wrote:
On Tue, Jan 17, 2012 at 5:54 PM, PMApeterarmstr...@aya.yale.edu wrote:
Thanks Hans. As I (don't really) understand,
PMA wrote:
David, Hans, Chris --
These are the perspectives I need.
Thanks for your patience!
Pete
...
David, Hans, Chris --
These are the perspectives I've needed.
Thanks for your patience!
Pete
Sorry, forgot to erase my top-post after copying it to the bottom.
Hello,
On 18 January 2012 18:32, Hayden Muhl haydenm...@gmail.com wrote:
On Wed, Jan 18, 2012 at 2:40 AM, -Eluze elu...@gmail.com wrote:
Hayden Muhl-2 wrote:
I understand the concept, but I can't figure out the specific syntax to
make this happen. I have a global variable with skips
Hayden Muhl haydenm...@gmail.com writes:
In the continuo and violin parts, you can see where I have commented out a
rehearsal mark. Instead of adding that rehearsal mark to both parts, I want
to use the marks variable to add the rehearsal mark to both parts. I want
to create one score
PMA peterarmstr...@aya.yale.edu writes:
PMA wrote:
David, Hans, Chris --
These are the perspectives I need.
Thanks for your patience!
Pete
...
David, Hans, Chris --
These are the perspectives I've needed.
Thanks for your patience!
Pete
Sorry, forgot to erase my top-post after
David Kastrup wrote:
PMApeterarmstr...@aya.yale.edu writes:
PMA wrote:
David, Hans, Chris --
These are the perspectives I need.
Thanks for your patience!
Pete
...
David, Hans, Chris --
These are the perspectives I've needed.
Thanks for your patience!
Pete
Sorry, forgot to erase
It is pretty creative - I haven't seen that before! :-)
Hans
On 18 Jan 2012, at 19:37, PMA wrote:
Sorry, forgot to erase my top-post after copying it to the bottom.
It is pretty creative - I haven't seen that before! :-)
Hans
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lilypond-user
On Wed, Jan 18, 2012 at 10:45 AM, David Kastrup d...@gnu.org wrote:
Hayden Muhl haydenm...@gmail.com writes:
In the continuo and violin parts, you can see where I have commented
out a
rehearsal mark. Instead of adding that rehearsal mark to both parts, I
want
to use the marks variable to
me
Hans Aberg wrote:
It is pretty creative - I haven't seen that before! :-)
Hans
On 18 Jan 2012, at 19:37, PMA wrote:
Sorry, forgot to erase my top-post after copying it to the bottom.
It is pretty creative - I haven't seen that before! :-)
Hans
neither
On Wed, Jan 18, 2012 at 12:37 PM, Carl Sorensen c_soren...@byu.edu wrote:
On 1/18/12 8:19 AM, Ralph Palmer palmer.r.vio...@gmail.com wrote:
Greetings -
I'm running LilyPond 2.12 under Windows XP.
\version 2.14.1
Your version says 2.14. 2.14 has different syntax.
There is a snippet
Hi Neil,
2012/1/18 Neil Puttock n.putt...@gmail.com:
On 18 January 2012 01:01, Thomas Morley thomasmorle...@googlemail.com wrote:
I worked a little more in the direction you objected.
\version 2.15.24
cadenzaRest =
#(define-music-function (parser location fermata? music) (boolean?
This was already said in the list (
http://lists.gnu.org/archive/html/lilypond-user/2008-10/msg00765.html) but
the user forgot to attach the code and there was no further discussion.
It seems that ties collide with pitched trill:
\version 2.14.2
\relative g'' {
\pitchedTrill g1 ~
Caio Barros caio.barros at gmail.com writes:
\relative g'' {
\pitchedTrill g1 ~ \startTrillSpan aes g2
}
You can use '^' or '_' to force the tie above or below the note head
{ \pitchedTrill g''1_~ \startTrillSpan aes g''2 }
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lilypond-user
Yes, but it's still a collision.
2012/1/19 Keith OHara k-ohara5...@oco.net
Caio Barros caio.barros at gmail.com writes:
\relative g'' {
\pitchedTrill g1 ~ \startTrillSpan aes g2
}
You can use '^' or '_' to force the tie above or below the note head
{ \pitchedTrill g''1_~
I'm working on parts for a piece at the moment, and I ran into the problem of
getting multimeasure rests to stretch to accommodate metronome markings. I
did some searching and applied the suggested solution to the problem
(http://lsr.dsi.unimi.it/LSR/Item?id=659), which is \override MetronomeMark
Shevek saul at saultobin.com writes:
I'm working on parts for a piece at the moment, and I ran into the problem of
getting multi-measure rests to stretch to accommodate metronome markings
[without stretching spacing between notes within a measure]
I admit that I use a poor solution, shifting
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