Hi,
Everyone who knows a bit about TeX/LaTeX knows what the result looks like
when you use \LaTeX or \TeX in your source text.
Wouldn't it be nice to have something like that for the word LilyPond ?
A standard way to display LilyPond in documents and for example in
the default lilypond
2012/2/9 Martin Tarenskeen m.tarensk...@zonnet.nl:
Wouldn't it be nice to have something like that for the word LilyPond ? A
standard way to display LilyPond in documents and for example in the
default lilypond tagline ?
Idea seems nice to me, however this was discussed before and we
couldn't
2012/2/9 Nils l...@nilsgey.de:
I can find the link if you want.
that would be very nice!
Here you go (watch out, 20 MB!):
http://erato.uvt.nl/files/imglnks/usimg/c/cc/IMSLP162690-SIBLEY1802.17529.6eef-39087018850539score.pdf
cheers,
Janek
___
On Thu, 9 Feb 2012 11:13:29 +0100
Janek Warchoł janek.lilyp...@gmail.com wrote:
2012/2/9 Nils l...@nilsgey.de:
I can find the link if you want.
that would be very nice!
Here you go (watch out, 20 MB!):
On Wed, Feb 8, 2012 at 12:29 PM, Carl Sorensen c_soren...@byu.edu wrote:
I've been thinking about the problem of sustaining LilyPond development
long-term (and specifically the problem of obtaining enough money to
support David K as long as he's interested).
As I've thought about it, going
Hi everyone,
Quick question for the group: I'm producing part books for all the fugues
in the well-tempered clavier, and I don't like the fact that the
instrument name is printed every time there's a new heading:
\book {
\header {
title = Das Wohltemperierte Clavier
composer =
Janek Warchoł janek.lilyp...@gmail.com writes:
2012/2/9 Martin Tarenskeen m.tarensk...@zonnet.nl:
Wouldn't it be nice to have something like that for the word LilyPond ? A
standard way to display LilyPond in documents and for example in the
default lilypond tagline ?
Idea seems nice to me,
Janek Warchoł janek.lilyp...@gmail.com writes:
2012/2/7 Nils l...@nilsgey.de:
I talked to a few persons in the university today and they all
agreed that the line on which a clef is is variable for any number
of lines.
But a clef should be never be in between lines, which is what Lilypond
2012/2/9 Martin Tarenskeen m.tarensk...@zonnet.nl:
Hi,
Everyone who knows a bit about TeX/LaTeX knows what the result looks like
when you use \LaTeX or \TeX in your source text.
Wouldn't it be nice to have something like that for the word LilyPond ? A
standard way to display LilyPond in
Just an idea: how about a Kickstarter http://www.kickstarter.com/project?
Or has this already been considered?
Brent.
On 9 February 2012 12:08, Han-Wen Nienhuys hanw...@gmail.com wrote:
On Wed, Feb 8, 2012 at 12:29 PM, Carl Sorensen c_soren...@byu.edu wrote:
I've been thinking about the
Kickstarter is USA only.
On Thu, 9 Feb 2012 13:01:08 +0100
Brent Annable brentanna...@gmail.com wrote:
Just an idea: how about a Kickstarter http://www.kickstarter.com/project?
Or has this already been considered?
Brent.
On 9 February 2012 12:08, Han-Wen Nienhuys hanw...@gmail.com
At 12:04 on 09 Feb 2012, David Kastrup wrote:
The old clefs reminiscent of chant notation can sit IIRC on either
lines or in between. The more modern clefs are rather fixed. In
practice, anything but the C clef is not seen shifted vertically, and
even the C clef is only seen on anywhere but the
Francisco,
On 9 February 2012 11:45, Francisco Vila paconet@gmail.com wrote:
2012/2/9 Martin Tarenskeen m.tarensk...@zonnet.nl:
Hi,
Everyone who knows a bit about TeX/LaTeX knows what the result looks like
when you use \LaTeX or \TeX in your source text.
Wouldn't it be nice to have
Hi!
I don't know if it happens to others but I'm a spanish speaker and live in
a spanish speaking country. I'm only in the general list. Probably I can be
counted as one more to the spanish list ;)
Todos los idiomas sean bienvenidos!
Un Abrazo!
tdy
2012/2/8 Francisco Vila paconet@gmail.com
Brent Annable wrote:
Hi everyone,
Quick question for the group: I'm producing part books for all the fugues
in the well-tempered clavier, and I don't like the fact that the
instrument name is printed every time there's a new heading:
\book {
\header {
title = Das
2012/2/9 James pkx1...@gmail.com:
Francisco,
I like the lilypad and flowers 'icon', but with the typography (and
maybe it's just me) all I can see are 'buttocks'
Ah, blame your eyes! I see arabic script and half notes ;-) Yes, it's
way too stylized.
--
Francisco Vila. Badajoz (Spain)
2012/2/9 Pato Press tdy.p...@gmail.com:
Hi!
I don't know if it happens to others but I'm a spanish speaker and live in a
spanish speaking country. I'm only in the general list. Probably I can be
counted as one more to the spanish list ;)
I think that to be counted you need to be an actual
Ok, so it looks like I need to include print-all-headers = ##t, and then
suppress the 'instrument' line in all subsequent scores.
Can someone direct me to a document describing how to do that? My search
didn't reveal anything.
Brent.
On 9 February 2012 15:07, -Eluze elu...@gmail.com wrote:
Actually, now that I think about it, the default 'instrument' line
behaviour in the header seems a little odd to me. Does the instrument
really need to be so demonstratively announced between movements or pieces
if they are all part of the same document?
Brent.
On 9 February 2012 15:22, Brent
Brent Annable brentanna...@gmail.com writes:
Actually, now that I think about it, the default 'instrument' line
behaviour in the header seems a little odd to me. Does the instrument
really need to be so demonstratively announced between movements or
pieces if they are all part of the same
On 8 February 2012 15:53, Francisco Vila paconet@gmail.com wrote:
Hello all,
It may look small, I know. It _is_ a small list. But let's face it,
LilyPond has still a relatively reduced share, and the
Spanish-speaking community is just starting to exist. Though if we
compare this to our
2012/2/9 James pkx1...@gmail.com:
I like the lilypad and flowers 'icon', but with the typography (and
maybe it's just me) all I can see are 'buttocks'
+1, lol!
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lilypond-user@gnu.org
On 9 February 2012 15:22, Brent Annable brentanna...@gmail.com wrote:
Ok, so it looks like I need to include print-all-headers = ##t, and then
suppress the 'instrument' line in all subsequent scores.
Can someone direct me to a document describing how to do that? My search
didn't reveal
2012/2/9 Xavier Scheuer x.sche...@gmail.com:
Seems a fast-growing community, when did you create it again?
Evidences say 2009-12. I brought some people from a now-extinct
musiccomputing list.
--
Francisco Vila. Badajoz (Spain)
www.paconet.org , www.csmbadajoz.com
Hello,
I like to work with full tuplet numbers because it makes it clear which version
of quintuplet is meant (2:5 or 4:5).
Since I don't like errors, however 'traditional' they may have become, I would
like to change the 3:2 of a triplet in a more correct 2/3.
How can I get this format into
On Wed, 8 Feb 2012 17:20:53 -0800 (PST)
lily-user qroup...@gmail.com wrote:
Eluze,
I tried what Phil suggested (See
http://lilypond.org/doc/v2.15/Documentation/notation/special-rhythmic-concerns#grace-notes
Am 09.02.2012 12:45, schrieb Francisco Vila:
Files attached.
I dislike the binocles at the right hand side.
Helge
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https://lists.gnu.org/mailman/listinfo/lilypond-user
- Original Message -
From: Han-Wen Nienhuys hanw...@gmail.com
To: Carl Sorensen c_soren...@byu.edu
C) Development of score_ocr2ly, which would take a score pdf and turn it
into .ly files matching the lilypond scoring standard
Heh. This is a known problem, and the OCR part is very,
- Original Message -
From: David Kastrup d...@gnu.org
There are a number of commercial violinists. Does that mean that
playing the violin can't be that hard?
It's not. I know loads of fiddlers...
--
Phil Holmes
___
lilypond-user
On 2/9/12 5:38 AM, Nils l...@nilsgey.de wrote:
Kickstarter is USA only.
But someone in the USA can do a kickstarter project and spend the money
any way they want to.
I thought about kickstarter as well. But what would you promise the
investors as return on the project? A free copy of
Message: 5
Date: Thu, 09 Feb 2012 16:05:18 +0100
From: David Kastrup d...@gnu.org
To: lilypond-user@gnu.org
Subject: Re: Instrument line in header block - first piece only?
Message-ID: 874nv0nj2p@fencepost.gnu.org
Content-Type: text/plain
Brent Annable brentanna...@gmail.com writes:
On Thu, 9 Feb 2012 17:15:50 +0100
Nils l...@nilsgey.de wrote:
Hello,
I like to work with full tuplet numbers because it makes it clear
which version of quintuplet is meant (2:5 or 4:5).
Since I don't like errors, however 'traditional' they may have
become, I would like to change the 3:2
9. feb. 2012 17.21 skrev Helge Kruse helge.kruse-nos...@gmx.net:
Am 09.02.2012 12:45, schrieb Francisco Vila:
Files attached.
I dislike the binocles at the right hand side.
I like those ;-)
Helge
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lilypond-user mailing list
9. feb. 2012 19.25 skrev Pavel Roskin pro...@gnu.org:
On Thu, 9 Feb 2012 17:15:50 +0100
Nils l...@nilsgey.de wrote:
Hello,
I like to work with full tuplet numbers because it makes it clear
which version of quintuplet is meant (2:5 or 4:5).
Since I don't like errors, however 'traditional'
On 9 February 2012 16:40, Phil Holmes m...@philholmes.net wrote:
- Original Message - From: David Kastrup d...@gnu.org
There are a number of commercial violinists. Does that mean that
playing the violin can't be that hard?
It's not. I know loads of fiddlers...
Me too, one of them
Tim Reeves wrote:
Clarinet players switch actual
instruments more than anyone I'd say, and I don't play clarinet, so I
can't speak to that, but I have a feeling that they likewise assume B-flat
until they are told something else.
Band players can. Orchestral players really can't make
On Thu, 9 Feb 2012 19:50:24 +0100
jakob lund jakob.be...@gmail.com wrote:
9. feb. 2012 19.25 skrev Pavel Roskin pro...@gnu.org:
On Thu, 9 Feb 2012 17:15:50 +0100
Nils l...@nilsgey.de wrote:
Hello,
I like to work with full tuplet numbers because it makes it clear
which version of
On Thu, 9 Feb 2012 19:50:24 +0100
jakob lund jakob.be...@gmail.com wrote:
9. feb. 2012 19.25 skrev Pavel Roskin pro...@gnu.org:
On Thu, 9 Feb 2012 17:15:50 +0100
Nils l...@nilsgey.de wrote:
Hello,
I like to work with full tuplet numbers because it makes it clear
which version of
9. feb. 2012 21.13 skrev Nils l...@nilsgey.de:
On Thu, 9 Feb 2012 19:50:24 +0100
jakob lund jakob.be...@gmail.com wrote:
9. feb. 2012 19.25 skrev Pavel Roskin pro...@gnu.org:
On Thu, 9 Feb 2012 17:15:50 +0100
Nils l...@nilsgey.de wrote:
Hello,
I like to work with full tuplet
On 9 February 2012 04:50, Shevek s...@saultobin.com wrote:
I'm used to seeing repeat barlines with wings (like in the picture I've
attached). Is there a way to do this in Lilypond?
http://old.nabble.com/file/p33290846/reapetbarsci9.png
Yeah, that would be nice.
You call it wings I think I
For what it's worth, I know of several musicians who have successfully funded
international Kickstarter projects.
On Thursday, February 09, 2012 09:40:22 AM Carl Sorensen wrote:
On 2/9/12 5:38 AM, Nils l...@nilsgey.de wrote:
Kickstarter is USA only.
But someone in the USA can do a
On Thu, 9 Feb 2012 21:45:55 +0100
jakob lund jakob.be...@gmail.com wrote:
All very well. However, in that example, the first bar appears to be
only four beats, and the cause seems to be the
Default_bar_line_engraver
You mean it's three beats?
Isn't that wierd?
It's weird indeed. If
Hi Shevek,
2012/2/9 Xavier Scheuer x.sche...@gmail.com:
On 9 February 2012 04:50, Shevek s...@saultobin.com wrote:
I'm used to seeing repeat barlines with wings (like in the picture I've
attached). Is there a way to do this in Lilypond?
http://old.nabble.com/file/p33290846/reapetbarsci9.png
2012/2/9 Carl Sorensen c_soren...@byu.edu:
On 2/9/12 5:38 AM, Nils l...@nilsgey.de wrote:
Kickstarter is USA only.
But someone in the USA can do a kickstarter project and spend the money
any way they want to.
I thought about kickstarter as well. But what would you promise the
investors as
2012/2/9 Janek Warchoł janek.lilyp...@gmail.com:
Not sure if i understand correctly how Kickstarter works, but what
about a project for creating a free typeset edition of some famous
piece (like Mozart's Requiem)? The funds would be split between
typesetter and programmer who implements
On Thu, 9 Feb 2012 23:04:35 +0100
Xavier Scheuer x.sche...@gmail.com wrote:
2012/2/9 Janek Warchoł janek.lilyp...@gmail.com:
Not sure if i understand correctly how Kickstarter works, but what
about a project for creating a free typeset edition of some famous
piece (like Mozart's
2012/2/9 Xavier Scheuer x.sche...@gmail.com:
2012/2/9 Janek Warchoł janek.lilyp...@gmail.com:
Not sure if i understand correctly how Kickstarter works, but what
about a project for creating a free typeset edition of some famous
piece (like Mozart's Requiem)? The funds would be split between
On Fri, Feb 10, 2012 at 12:00:21AM +0100, Janek Warchoł wrote:
Do you know of any famous pieces of music without freely accessible
scores? I have only one shot now, but it isn't perfect: Samuel
Barber's Adagio for Strings was composed in 1936 but the composer
died not-so-long-ago (1981).
Brent Annable wrote:
Ok, so it looks like I need to include print-all-headers = ##t, and then
suppress the 'instrument' line in all subsequent scores.
that will probably not be sufficient…
Can someone direct me to a document describing how to do that? My search
didn't reveal anything.
On 10/02/12 10:00, Janek Warchoł wrote:
2012/2/9 Xavier Scheuerx.sche...@gmail.com:
2012/2/9 Janek Warchołjanek.lilyp...@gmail.com:
Not sure if i understand correctly how Kickstarter works, but what
about a project for creating a free typeset edition of some famous
piece (like Mozart's
Hi,
2012/2/10 -Eluze elu...@gmail.com:
Brent Annable wrote:
Ok, so it looks like I need to include print-all-headers = ##t, and then
suppress the 'instrument' line in all subsequent scores.
that will probably not be sufficient…
Can someone direct me to a document describing how to do
With overlapping parts, Lilypond defaults to separating a dot from its
notehead by placing the overlapping stem in between. According to Gould
(p.57) this is incorrect. The overlapped stem should be placed after the
dot.
\version 2.15.25
\relative c' {
{ c2 s c'4. } \\ { g2. s4 c, } \\ { s1
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