However there is no fundamental need for the first pitch being an
absolute pitch in the first place.
It can be relative to f if we want to. That adds the least amount
of information to the first pitch.
It seems to me that we should completely avoid the word `absolute' if
we speak about
On Thu, Mar 14, 2013 at 02:09:37AM +0100, Thomas Morley wrote:
Hi Jim,
below some code, which should do what you want.
Wow, Harm, this is truly outstanding, more than I could have
hoped for. I'll play with this some more, but at first glance,
it performs well in three different staff sizes
Werner LEMBERG w...@gnu.org writes:
However there is no fundamental need for the first pitch being an
absolute pitch in the first place.
It can be relative to f if we want to. That adds the least amount
of information to the first pitch.
It seems to me that we should completely avoid the
Hi,
please be careful with using caps.
On Wed, Mar 13, 2013 at 8:24 PM, nothingwaver...@gmail.com wrote:
Why a new syntax? I frequently find that if I jump to the end of a big, long
\relative { ... }, then frequently I don't remember which octave I'm in.
Maybe using Frescobaldi would solve
Torsten Hämmerle torsten.haemme...@web.de writes:
So finally: what have I done and why? The main obstacle is the rigid
way Lilypond handles its (her, his?) internal music font. I
deliberately decided to stick to an ordinary OTF/TTF font first to
learn how to use external fonts (who knows
Hi Torsten,
thank you very much for your work. This is great!
While I probably won't use it ever for myself, I find that an extremely
useful addition to LilyPond, and I hope you will get enough assistance
to get it into LilyPond's default distribution.
Best
Urs
Am 14.03.2013 11:36,
In the first place: I've attached a zip file containing the current
(albeit unfinished) versions of the LilyJAZZ music and LilyJAZZ Text
font plus the corresponding LilyJAZZ.ily include.
Very impressive!
The main obstacle is the rigid way Lilypond handles its (her, his?)
internal music
2013/3/14 David Kastrup d...@gnu.org:
We currently have three music fonts of more than marginal interest:
LilyPond's own Feta (?), ...
Emmentaler. Of which Feta and Parmesan are subsets.
But Parmesan is only for ancient, and Feta includes braces and
everything, so I guess we can keep calling
Good afternoon list,
I want to have a rehearsal \mark halfway a bar. I cannot find anything
in the v2.16 manual.
Thanks for helping out,
Rutger
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Hi Rutger,
You can use :
\once\override Score.RehearsalMark #'extra-offset = #'(0.0 . 0.0) % change
coordonates
Pierre
2013/3/14 Rutger Hofman rut...@cs.vu.nl
Good afternoon list,
I want to have a rehearsal \mark halfway a bar. I cannot find anything in
the v2.16 manual.
Thanks for
Hi,
On Thu, Mar 14, 2013 at 12:43 PM, Rutger Hofman rut...@cs.vu.nl wrote:
Good afternoon list,
I want to have a rehearsal \mark halfway a bar. I cannot find anything in
the v2.16 manual.
I'm not sure i understand your problem. You can simply insert a \mark
anywhere you want it to be:
{
On 03/14/2013 01:01 PM, Janek Warchoł wrote:
Hi,
On Thu, Mar 14, 2013 at 12:43 PM, Rutger Hofman rut...@cs.vu.nl wrote:
Good afternoon list,
I want to have a rehearsal \mark halfway a bar. I cannot find anything in
the v2.16 manual.
I'm not sure i understand your problem. You can simply
Hi Werner, What do you mean with rigid?
Some things related to Feta/Emmentaler access are still being handled deep inside non-public scheme coding or even C source code and consequently very hard to tweak.Amongst the most stubborn stencils are multi measure rests where the glyph names are
I want to place the mark over some specific time within the bar, e.g. at
the third quarter in a 4/4.
then simply add a hidden bar :
{
c c c
\bar
\mark\default
c
}
Pierre
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Rutger Hofman rut...@cs.vu.nl writes:
On 03/14/2013 01:01 PM, Janek Warchoł wrote:
Hi,
On Thu, Mar 14, 2013 at 12:43 PM, Rutger Hofman rut...@cs.vu.nl wrote:
Good afternoon list,
I want to have a rehearsal \mark halfway a bar. I cannot find anything in
the v2.16 manual.
I'm not sure i
On Thu, Mar 14, 2013 at 2:43 PM, Rutger Hofman rut...@cs.vu.nl wrote:
On 03/14/2013 01:01 PM, Janek Warchoł wrote:
I'm not sure i understand your problem. You can simply insert a \mark
anywhere you want it to be:
{ c'8 c' d' d' \mark \default e' e' f' f' }
does this help you?
A \mark is
Torsten Hämmerle torsten.haemme...@web.de writes:
I'm just happy that in the meantime some main actors as David or
even Jan seem to acknowledge the fact that Lilypond would certainly
benefit from being able to produce jazz output.
It's not just Jazz. This is pretty much par for the course
Gesendet:Donnerstag, 14. Mrz 2013 um 11:53 Uhr
Von:David Kastrup d...@gnu.org
I think what we want to arrive at is a way to drop in music fonts into
LilyPond in a tolerable workable way. I think that we cant avoid at
first the necessity of having the font, if not its glyphs, at least
On Thu, Mar 14, 2013 at 2:51 PM, Pierre Perol-Schneider
pierre.schneider.pa...@gmail.com wrote:
I want to place the mark over some specific time within the bar, e.g. at
the third quarter in a 4/4.
then simply add a hidden bar :
{
c c c
\bar
\mark\default
c
}
uh, you
2013/3/14 Janek Warchoł janek.lilyp...@gmail.com
Maybe you're using some ancient version of LilyPond? You should be
using 2.16.2.
hth,
Janek
No, just doing the same for years... Actually I'm using 2.17 :)
Thanks for the trick though.
Pierre
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What do you mean with `rigid'?
Some things related to Feta/Emmentaler access are still being
handled deep inside non-public scheme coding or even C source code
and consequently very hard to tweak.
Please open bug reports about those issues. The
Hi Torsten,
On Thu, Mar 14, 2013 at 11:36 AM, Torsten Hämmerle
torsten.haemme...@web.de wrote:
I've attached a zip file containing the current (albeit
unfinished) versions of the LilyJAZZ music and LilyJAZZ Text font plus the
corresponding LilyJAZZ.ily include.
As an example to demonstrate
Gesendet:Donnerstag, 14. Mrz 2013 um 14:59 Uhr
Von:David Kastrup d...@gnu.orgIts not just Jazz. This is pretty much par for the course for
Barbershop and quite a few other forms of vocal harmony.
Interestingly, not for pop music. I also dont think it is used much
for piano or other
Janek Warchoł janek.lilyp...@gmail.com writes:
Hi Torsten,
On Thu, Mar 14, 2013 at 11:36 AM, Torsten Hämmerle
torsten.haemme...@web.de wrote:
I've attached a zip file containing the current (albeit
unfinished) versions of the LilyJAZZ music and LilyJAZZ Text font plus the
corresponding
On 03/14/2013 02:51 PM, David Kastrup wrote:
Rutger Hofman rut...@cs.vu.nl writes:
On 03/14/2013 01:01 PM, Janek Warchoł wrote:
Hi,
On Thu, Mar 14, 2013 at 12:43 PM, Rutger Hofman rut...@cs.vu.nl wrote:
Good afternoon list,
I want to have a rehearsal \mark halfway a bar. I cannot find
Rutger Hofman rut...@cs.vu.nl writes:
Ah, sorry, the confusion is all mine. I placed the \mark *after* the
note where it should appear, like \markup.
You can't place markup after a note unless you put - ^ or _ before it.
If you do that with \mark, it will put the mark above the note itself
Am 14.03.2013 15:38, schrieb David Kastrup:
Note spacing, beaming (!), system brackets and a few other things give
it away. The beaming is probably the worst offender regarding style
consistency.
Would it be possible to use Bezier curves instead of straight lines for
the beams? Some slight
Dear LilyPond users,
Occasionally I find the stem lengths of grace notes to be too long, as
in the following example, where the grace 32s have longer stems than the
normal ones (because of the slope I think):
\version 2.16.2
\relative a' {
s a32 \afterGrace a { b32[ g] } a8
}
I have
NEW IDEA
Thanks for the feedback, Mr. Kastrup and others.
The objections I hear from you and others on what I proposed are mainly these:
1. people not thrilled about their having (or other people having) to
learn/use/implement a new syntax
2. objections to using up a new special symbol
Hi Kevin,
Try this :
\new Staff {
$(add-grace-property 'Voice 'Stem 'length-fraction '2)
\new Voice {
\relative a' {
s a32 \afterGrace a { b32[ g] } a8
}
}
}
2013/3/14 Kevin Barry barr...@tcd.ie
Dear LilyPond users,
Occasionally I find the stem lengths of grace notes to be too
Hi,
I feel that the original proposal, as specified elsewhere, violates the
principle of least surprise for existing users starting new projects (not
using convert-ly) with the new LilyPond.
I'm not sure I understand why that's true… As I understand the proposal,
\relative { c''' d e f
Often, rather than just dynamics (pp) centered between staves, piano music
adds a modifier (pp dolce). If I try to add the modifier as a text markup
in a dynamic context, the text isn't centered or aligned with the other
dynamics. Is there a better way to do this?
\version 2.16.1
right =
nothingwaver...@gmail.com writes:
I can't help but suspect that several long-time unsuspecting users in
the habit of writing \relative { ... }
This has not been documented or recommended for quite a few years.
and expecting the first note to be relative to c' will upgrade to a
new version
Kieren MacMillan kieren_macmil...@sympatico.ca writes:
I feel that the original proposal, as specified elsewhere, violates
the principle of least surprise for existing users starting new
projects (not using convert-ly) with the new LilyPond.
I'm not sure I understand why that's true… As I
Le jeudi 14/03/13 à 00h04,
Keith OHara k-ohara5...@oco.net a écrit :
There is a bug report
http://code.google.com/p/lilypond/issues/detail?id=448 proposing
that LilyPond put the key signature and cancellation in one column,
when there is only one of each, and also a suggestion to work around
David Kastrup d...@gnu.org writes:
The main problematic time will be when they are using an older version
of LilyPond while consulting examples and online documentation for a
newer one. That can lead to befuddlement of more than just a few
minutes, and this is not exactly unheard of. If we
+100!
Eluze
--
View this message in context:
http://lilypond.1069038.n5.nabble.com/Aligning-to-Coda-rehearsal-marks-tp142601p142726.html
Sent from the User mailing list archive at Nabble.com.
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On Thu, Mar 14, 2013 at 2:59 PM, David Kastrup d...@gnu.org wrote:
Torsten Hämmerle torsten.haemme...@web.de writes:
I'm just happy that in the meantime some main actors as David or
even Jan seem to acknowledge the fact that Lilypond would certainly
benefit from being able to produce jazz
Hi Kevin,Apart from changing the Stem length-fraction (either by scheme commands or an accustomed override), as soon as beams come into play, the beams, i. e. their positions and slopes will determine the stem lengths. Thats why its no use trying to override the Stem #length.So, if anything else
2013/3/14 Jim Long lilyp...@umpquanet.com:
On Thu, Mar 14, 2013 at 02:09:37AM +0100, Thomas Morley wrote:
Hi Jim,
below some code, which should do what you want.
Wow, Harm, this is truly outstanding, more than I could have
hoped for.
Glad I could help
I'll play with this some more, but
On Mar 14, 2013, at 5:36 AM, Torsten Hämmerle wrote:
BUT: Even if all this may be quite an ambitious task, I just started off to
see what's possible and how Lilypond behaves in a jazz context. Fortunately,
the results look quite encouraging. :)
This is very intriguing as a jazz player and
Dear All,
Thank you for the suggestions. Overriding the Beam positions did the trick!
Kevin
On 14 March 2013 20:43, Torsten Hämmerle torsten.haemme...@web.de wrote:
Hi Kevin,
Apart from changing the Stem length-fraction (either by scheme commands or
an accustomed \override), as soon as
I might need to role a few coreds in this piano reduction. I know the term ala
harp, or somethign like that. Would that text work in lily pond before the
less then and grater then symbols or is there an easier way to do this? No
mark up language. I'm not quite ready to memorise that yet.
Sarah:
If by rolling chords you mean an arpeggio this might be of help:
http://www.lilypond.org/doc/v2.16/Documentation/notation/expressive-marks-as
-lines
Mark
-Original Message-
From: lilypond-user-bounces+carsonmark=ca.rr@gnu.org
Dear LilyPond users,
I found these messages in the list archives:
http://lists.gnu.org/archive/html/lilypond-user/2005-07/msg00410.html
http://lists.gnu.org/archive/html/lilypond-user/2008-03/msg00483.html
Is there anything new?
I mean:
1. is it possible to print the system start delimiter in
2013/3/15 Davide Liessi dal...@gmail.com:
Dear LilyPond users,
I found these messages in the list archives:
http://lists.gnu.org/archive/html/lilypond-user/2005-07/msg00410.html
http://lists.gnu.org/archive/html/lilypond-user/2008-03/msg00483.html
Is there anything new?
I mean:
1. is it
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