Thank you -
The comparison with LilyPond is now up on the Denemo website:
http://denemo.org/compareSibelius
altogether, these examples (not selected to favor LilyPond, chosen by
MuseScore and at random from IMSLP) show the benefit of not trying to
typeset note-by-note as the music is entered.
I'm using nabble to post to lilypond and i had added the lilypond code. Are
you not seeing it?
http://lilypond.1069038.n5.nabble.com/function-for-Glissando-with-length-stopped-working-tp148399p148402.html
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No, Marc, we are not seeing your code!
However, did you run convert-ly, as David suggested?
That should take care of version incompatibilities.
HTH, Matthias
Am 25.07.2013 13:19, schrieb MarcM:
I'm using nabble to post to lilypond and i had added the lilypond
code. Are you not seeing it?
MarcM m...@mouries.net writes:
I'm using nabble to post to lilypond and i had added the lilypond code. Are
you not seeing it?
http://lilypond.1069038.n5.nabble.com/function-for-Glissando-with-length-stopped-working-tp148399p148402.html
Nabble is not the list server. The official archive is
MarcM marc at mouries.net writes:
I'm using nabble to post to lilypond and i had added the lilypond code. Are
you not seeing it?
Nabble has a really horrible, careless, stupid bug where it omits everything
inside CODE tags from the mails it sends to the list. I've seen this on the
I've looked in the lilypond documentation for ornaments like these
http://lilypond.1069038.n5.nabble.com/file/n148407/shake.jpg
http://lilypond.1069038.n5.nabble.com/file/n148407/backfall.jpg
The images are from the explanations of ornaments in Purcell's A Choice
Collection of Lessons, 1696
Hi,
I'm trying to make my own acordion push and pull symbols. Current LilyPond
symbols are not that common in my part of the world. So what I have is:
%%%
pull =
#(let
((m
(make-articulation downbow)))
(set!
(ly:music-property m 'tweaks)
(acons 'stencil
Karol Majewski karo...@wp.pl writes:
I'm trying to make my own acordion push and pull symbols. Current LilyPond
symbols are not that common in my part of the world. So what I have is:
%%%
pull =
#(let
((m
(make-articulation downbow)))
(set!
(ly:music-property
Mr. Bruni,
Thank you for your response and recommendation. It encourages me to request
further assistance from you.
From the example you suggest, I see this file structure:
\book {
\score {
David the new syntax looks great. Is there a way to have the minimum-length
taken into account?
Where can i find more info about upgrading the old syntax to 2.17?
David Kastrup wrote
Nick Payne lt;
nick.payne@.on
gt; writes:
On 25/07/13 21:32, David Kastrup wrote:
MarcM lt;
marc@
MarcM m...@mouries.net writes:
David the new syntax looks great. Is there a way to have the minimum-length
taken into account?
Where can i find more info about upgrading the old syntax to 2.17?
Well, the Extending LilyPond guide is still relevant and it is
probably what whoever created the
Le 23/07/2013 22:45, Robin Bannister disait :
Jean-Charles Malahieude wrote:
Could anyone help me finish this BWV246 project?
Well, I don't know anything about figured bass but it seems that
LilyPond's square brackets are not intended to be spread apart.
add_brackets is called eventwise, and
Hello
How do I combine a slur with a repeated small section. ie how do I put the
slur on bar 2 here the same as bar 1
\version 2.12.3
{
c8( d c d c d c d )
\repeat percent 4 {c d}
}
Thanks
Michael
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Wim,
Thank you for the correction. It works with a single movement ( 1mvmt.ly ).
When I add the second movement ( 2mvmt.ly ) an error message appears
relating to the variable right.
I have tried moving variables of the second movement to different locations.
No success.
Should I enter the
Am 25.07.2013 21:50, schrieb Mark Stephen Mrotek:
Wim,
Thank you for the correction. It works with a single movement ( 1mvmt.ly ).
When I add the second movement ( 2mvmt.ly ) an error message appears
relating to the variable right.
I have tried moving variables of the second movement to
Urs, Wim, Eluze, Mr. Bruni:
Thank you for increasing my knowledge and enjoyment of Lilypond.
Outline I should use:
% for first movement
rightone = { }
leftone = { }
% for second movement
righttwo = { }
lefttwo = { }
% for third movement
rightthree = { }
leftthree = { }
\book {
Could you help me with a code in lilypond?
I have a musical example it was necessary to change the key signature.
I made the change with the code below:
\ set Staff.keySignature '= # (((1. 0.), SHARP) ((1. 3.), natural))
Placing a hash in C and makes the natural inf F
Solved for a moment, but
Hi,
I'm trying to automate and simplify some things. And I tried to
automate also my \tag construct in a file tiogether with some variable-
expansion for the label used. Take for example this compiling example:
\version 2.17.22
VoiceI = \relative f {
\tag #'Bassoon \clef bass
Wim van Dommelen m...@wimvd.nl writes:
Hi,
I'm trying to automate and simplify some things. And I tried to
automate also my \tag construct in a file tiogether with some
variable-
expansion for the label used. Take for example this compiling example:
\version 2.17.22
VoiceI = \relative
thanks a lot David and all.
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I have a file in which i store my lilypond functions for violin related
tweaks.
I want to be able to add tests in the same file to check that the functions
do what they are supposed to do and generate a cheat sheet guide for those
functions.
I include this file in all my score and i want to
i took another look at the tag documentation and I was able to have a score
printed only under a certain condition with tag.
music = \relative c' {
\tag #'dontPrintScore
{
c e g c
}
}
\score {
\keepWithTag #'inFunctions \music
}
This works. This only inconvenient is
MarcM m...@mouries.net writes:
i took another look at the tag documentation and I was able to have a score
printed only under a certain condition with tag.
music = \relative c' {
\tag #'dontPrintScore
{
c e g c
}
}
\score {
\keepWithTag #'inFunctions \music
}
Hello,
In the attached file ( cadenza.ly ) everything should fit in one measure,
i.e., the last quaver in each staff should be on the first beat of the next
measure.
I have counted, and counted again, and cannot find my error.
Your assistance shall be greatly appreciated.
Mark
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