On 01/02/14 08:05, Federico Bruni wrote:
2014/2/1 Rachael Thomas Carlson r...@sleeplimited.org
mailto:r...@sleeplimited.org
Sometimes the standard notation is at sounding pitch and sometimes
it is at pitch as if there were no capo.
In all books I know (staff + tabstaff) I always
On 01/31/2014 09:53 PM, Rachael Thomas Carlson wrote:
In standard notation (without tabulature) you will often find that the
music is written with the pitch notated as if there wasn't a capo.
Very rarely will you find music that is written at sounding pitch with
a capo.
I'm a classic
Thanks, that override works the way I want.
Is there any way to put it in the variable itself so I won't have to repeat
it all along the tune?
I tried a lot of variation around
tic = \once \override TextScript.outside-staff-priority = ##f \once
\override TextScript.Y-offset = #-0.5 \markup {
olicha char...@dt.insu.cnrs.fr writes:
Thanks, that override works the way I want.
Is there any way to put it in the variable itself so I won't have to repeat
it all along the tune?
I tried a lot of variation around
tic = \once \override TextScript.outside-staff-priority = ##f \once
Hi,
I've been asked to typeset two guitar parts in an orchestral score. For
the full score the parts could be combined on one staff for which
\partcombine is good except where there are chords involved:
You could do something like:
\version 2.18.0
guitarI = {
\partcombineUnisono
e' a'
Thank you for steering me in the right direction - somehow I must have
glazed over at that point in the documentation. It looks like there is
enough in those commands to do the job at hand.
Richard
On Sun, 2014-02-02 at 12:37 +0100, Ed Gordijn wrote:
Hi,
I've been asked to typeset two guitar
Peter Crighton petecrigh...@googlemail.com writes:
2014-01-29 Urs Liska u...@openlilylib.org:
Am 29.01.2014 01:52, schrieb Peter Crighton:
Hello all,
maybe this is of interest for some of you.
Over the last months I created the accompanying songbook for Progressive
Rock band
On Sun, 2014-02-02 at 08:51 +0100, Marc Hohl wrote:
Am 29.01.2014 06:41, schrieb Graham King:
To generate MIDI output, I use a piece of boilerplate lilypond code,
containing:
\midi { \context { \Score tempoWholesPerMinute = #currentTempo }}
where it is expected that:
David Kastrup d...@gnu.org writes:
David Kastrup d...@gnu.org writes:
Bah. Got only 50% off, and a third of the rest is system time. At
least an artificial test case went from 40 seconds to 2, but that is
only a 95% reduction, so still a far cry from what I fantasized.
And the wortliste
well - the collision avoidance behavior of LilyPond may not be optimal here
but you can simply
-\tweak Glissando.Y-offset #-.5
there might be other solutions (just ask if you're not happy with this)
Eluze
Maybe he is happy with it. I am not quite, because it shifts the
endpoint down,
Following the problem I was having with dynamics in a flute part and a
piano part not lining up, on the advice of the list I upgraded my
LilyPond from v2.14.2 to 2.18.0.
Problem of non-alignment solved.
But I still find that dynamics often contact or even cross a bar-line.
In the flute part of
Noeck wrote
well - the collision avoidance behavior of LilyPond may not be optimal
here
but you can simply
-\tweak Glissando.Y-offset #-.5
there might be other solutions (just ask if you're not happy with this)
Eluze
Maybe he is happy with it. I am not quite, because it shifts the
Hi Eluze,
thanks a lot!
so here are some tweaks/overrides:
% move the glissando horizontally away from the starting note
\override Glissando.bound-details.left.padding = #3
% move the glissando horizontally towards the landing note
\override
Noeck wrote
That helps to make the Glissando longer but not shorter (or like I put
it: more space between the objects (dot and glissando)). But the padding
above is fine.
do you mean the gap as described in
http://www.lilypond.org/doc/v2.19/Documentation/internals-big-page.html#glissando
?
Marc Hohl wrote
Hi list,
I want the tempo indication to appear at the leftmost edge of the piece
(I know that Gould has a different opinion about this, but I am using
LilyJAZZ, and the Realbook style does not care about these typographic
conventions).
However, changing the
Eluze wrote Sunday, February 02, 2014 10:37 PM
\override Glissando.minimum-length=15
which only works if you also override springs-and-rods:
\override Glissando.springs-and-rods = #ly:spanner::set-spacing-rods
I don't know where all these properties are listed systematically, but I
Hello all,
I'm writing a kind of minimalist piece that has a lot of repeated
measures that I would like to notate using the percent repeat symbol
with text above it like 8x or any other arbitrary text.
The built-in functionality does not seem to allow for this unless I'm
missing something. I
I wish to have the initial pages of a score book not show page numbers, with
page numbers beginning on the first page of content. As so:
___
[no page #]
COVER
___
[no page #]
INNER COVER
___
[no page #]
TABLE OF CONTENTS
___
[no page #]
TABLE OF CONTENTS (cont...)
___
David Bellows wrote
Hello all,
I'm writing a kind of minimalist piece that has a lot of repeated
measures that I would like to notate using the percent repeat symbol
with text above it like 8x or any other arbitrary text.
The built-in functionality does not seem to allow for this unless
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