Hi Urs and Janek,
congratulations!
This will be recognized outside the oss-lilypond-world!
For now, best wishes for friday,
Best, Jan-Peter
Am 11.03.2014 12:07, schrieb Urs Liska:
Our edition of Oskar Fried's songs was elected BEST EDITION 2014 by
the German Music Publishers' Association,
On Wed, Mar 12, 2014 at 3:19 AM, brentboylan brent.boy...@outlook.com wrote:
Hey, I came to the forum to find some answers to a few challenges I'm having.
Some of the responses I've come across link to different pages at
http://lsr.di.unimi.it/LSR/
The LSR was discussed yesterday, so it's not
2014-03-12 3:19 GMT+01:00 brentboylan brent.boy...@outlook.com:
Hey,
Hi Brent,
Is the server just down temporarily?
Yep. Sebastiano's working hard to fix that.
I can't find the specific snippet I am looking for when I
browse through its files.
I can send you the one you're looking for.
Am 12.03.2014 09:07, schrieb Pierre Perol-Schneider:
2014-03-12 3:19 GMT+01:00 brentboylan brent.boy...@outlook.com:
Hey,
Hi Brent,
Is the server just down temporarily?
Yep. Sebastiano's working hard to fix that.
I can't find the specific snippet I am looking for when I
browse through
No. If you read the links I posted, you'll see it's the way font handling
happens, and the need is to test code on Windows.
--
Phil Holmes
- Original Message -
From: Joshua Nichols
To: Phil Holmes
Cc: Mailinglist lilypond-user
Sent: Wednesday, March 12, 2014 5:32 AM
Am 12.03.2014 04:51, schrieb Paul Morris:
(I'd say a ponding is in order!)
Not really, as there is a news item present by now.
___
lilypond-user mailing list
lilypond-user@gnu.org
https://lists.gnu.org/mailman/listinfo/lilypond-user
Am 11.03.2014 17:57, schrieb Federico Bruni:
Congratulations! I'm very glad to see that your hard work has been rewarded.
I'll do my best to support the liberation of the book. This is a succesful
campaign which might inspire you:
http://debian-handbook.info/liberation/
Inspiring story,
Am 05.03.2014 19:38, schrieb Paul Morris:
Hi Urs,
You might take a look at these as examples, if you haven't already:
https://www.kickstarter.com/projects/opengoldberg/open-goldberg-variations-setting-bach-free
2014-03-12 10:17 GMT+01:00 Urs Liska urs.li...@schoenberg-lieder.de:
Am 05.03.2014 19:38, schrieb Paul Morris:
Hi Urs,
You might take a look at these as examples, if you haven't already:
https://www.kickstarter.com/projects/opengoldberg/open-
goldberg-variations-setting-bach-free
Am 12.03.2014 10:23, schrieb Jan Warchoł:
2014-03-12 10:17 GMT+01:00 Urs Liska urs.li...@schoenberg-lieder.de:
I'd be really interested in such a project, but I have to say that I could
only really consider it if it is sufficiently crowdfunded beforehand. And I
think it would be expensive.
Everything should be fine now.
~Pierre
___
lilypond-user mailing list
lilypond-user@gnu.org
https://lists.gnu.org/mailman/listinfo/lilypond-user
2014-03-12 10:28 GMT+01:00 Urs Liska u...@openlilylib.org:
Am 12.03.2014 10:23, schrieb Jan Warchoł:
2014-03-12 10:17 GMT+01:00 Urs Liska urs.li...@schoenberg-lieder.de:
I'd be really interested in such a project, but I have to say that I
could
only really consider it if it is
Am 12.03.2014 10:28, schrieb Urs Liska:
Am 12.03.2014 10:23, schrieb Jan Warchoł:
2014-03-12 10:17 GMT+01:00 Urs Liska urs.li...@schoenberg-lieder.de:
I'd be really interested in such a project, but I have to say that I
could
only really consider it if it is sufficiently crowdfunded
Urs Liska urs.li...@schoenberg-lieder.de writes:
But while we're at it I had an idea about a project that could become
similar to the Bach projects: We could try to prepare a crowd funded
edition of Schubert's Winterreise.
This is not only something pulled out of the corner because it's a
Zitat von Simon Albrecht simon.albre...@mail.de:
Am 12.03.2014 10:28, schrieb Urs Liska:
Am 12.03.2014 10:23, schrieb Jan Warchoł:
2014-03-12 10:17 GMT+01:00 Urs Liska urs.li...@schoenberg-lieder.de:
I'd be really interested in such a project, but I have to say that I could
only really
Zitat von Peter Crighton petecrigh...@googlemail.com:
2014-03-12 10:28 GMT+01:00 Urs Liska u...@openlilylib.org:
Am 12.03.2014 10:23, schrieb Jan Warchoł:
2014-03-12 10:17 GMT+01:00 Urs Liska urs.li...@schoenberg-lieder.de:
I'd be really interested in such a project, but I have to say
Simon Albrecht simon.albre...@mail.de writes:
– For all the great achievements that have been made in creating
lilypond, I think you will all consent that it is still far from
reaching the quality level represented by hand-engraving from the end
of 19th to the middle of 20th century.
Well, now you ask, I did find it difficult to figure out what
\markuplist actually does. As the command overviews in NR A.10 and A.11
are separated, I thought \markuplist and \markup were actually different
things and somehow incompatible. As I now take it, it’s rather like
\markuplist splits
In regards to this snippet: Transposing pitches with minimum accidentals
(Smart transpose)
Ole Schmidt wrote
Maybe this could help too?
http://lsr.dsi.unimi.it/LSR/Item?id=266
best
ole
How do I get something like this to work for chordnames? I am doing a
similar project to the
Simon Albrecht simon.albre...@mail.de writes:
Well, now you ask, I did find it difficult to figure out what
\markuplist actually does. As the command overviews in NR A.10 and
A.11 are separated, I thought \markuplist and \markup were actually
different things and somehow incompatible. As I
Urs Liska writes:
Our edition of Oskar Fried's songs was elected BEST EDITION 2014 by
the German Music Publishers' Association, and we'll receive the award
at the Frankfurt Musikmesse on Friday!
Congratulations! This is a beautiful accomplishment.
I am very pleased to see that you have a
I’m stuck as to how to correct the placement of the dot in the code and attached example. Changing stem direction leaves the dot under the line, rather than above. I’d be grateful for a suggestion.version "2.19.3"\language "english"global = {\key f \major\time 4/4}fHSr = { \once \override
[Cci] Sebastiano.
Dear All,
Dear Sebastiano,
Now that the LSR spring cleaning is done, i'd like to throw some ideas to
enrich, to simplify, to develop the users participation.
The LilyPond Snippet Repository is a wonderful data bank - and we all use
it to find ideas, solution, scheme code, etc.
On Mar 12, 2014, at 4:18 PM, Pierre Perol-Schneider
pierre.schneider.pa...@gmail.com wrote:
2014-03-12 21:46 GMT+01:00 Stan Sanderson stans...@gmail.com:
I’m stuck as to how to correct the placement of the dot in the code and
attached example.
\once\dotsUp c2.
HTH,
Pierre
Thank
Janek and I have made some fuzz recently about that secret March 11, and
now's the time to disclose the great news:
Our edition of Oskar Fried's songs was elected BEST EDITION 2014 by
the German Music Publishers' Association, and we'll receive the award at
the Frankfurt Musikmesse on Friday!
On 03/11/2014 01:07 PM, Urs Liska wrote:
Hi all,
Janek and I have made some fuzz recently about that secret March 11, and
now's the time to disclose the great news:
Our edition of Oskar Fried's songs was elected BEST EDITION 2014 by
the German Music Publishers' Association, and we'll receive
Is there way to get footnotes to break into columns after a certain
number of them is hit?
Shane
___
lilypond-user mailing list
lilypond-user@gnu.org
https://lists.gnu.org/mailman/listinfo/lilypond-user
2014-03-12 21:46 GMT+01:00 Stan Sanderson stans...@gmail.com:
I’m stuck as to how to correct the placement of the dot in the code and
attached example.
\once\dotsUp c2.
HTH,
Pierre
___
lilypond-user mailing list
lilypond-user@gnu.org
Hi Stan,
I’m stuck as to how to correct the placement of the dot in the code and
attached example.
You should use Lilypond’s built-in voicing commands to your advantage, e.g.
\version 2.19.3
\language english
global = {
\key f \major
\time 4/4
}
rightOne = \relative c' {
r2 r4 f |
Thanks, it's working fine now.
--
View this message in context:
http://lilypond.1069038.n5.nabble.com/Lilypond-Snippet-Repository-tp160345p160383.html
Sent from the User mailing list archive at Nabble.com.
___
lilypond-user mailing list
In a piano concerto I need to make an ossia that remains next to the
piano staff. The temporary \new Staff method forces the ossia to the
bottom of the score below the string section. Adding a completely
independent staff for the Ossia also won't work as removing empty
staves is counter to the
Hello Everyone,
I have a measure written below, the top staff of the piano has three beamed
grace notes and it seems to be affecting the spacing of the sixteenth notes
in the bottom staff. Is there anything I could do so that the unsightly
space in the middle of those sixteenth notes goes away?
Shane,
It can be done without invoking \newStaff. Look at the second example
here:
http://lilypond.org/doc/v2.18/Documentation/notation/modifying-single-staves
#ossia-staves
Mark
-Original Message-
From: lilypond-user-bounces+carsonmark=ca.rr@gnu.org
Mark
Thanks for the advice! It lead me to a solution. It can be done the
other way too. I just needed this to push it back where it belonged
using the following.
alignBelowContext = #contextname
That was a real headache since the context name in this case is not
the same as the voice name since
carltesta wrote
Hello Everyone,
I have a measure written below, the top staff of the piano has three
beamed grace notes and it seems to be affecting the spacing of the
sixteenth notes in the bottom staff. Is there anything I could do so that
the unsightly space in the middle of those
Sorry, it's late tonight and I misunderstood what you were asking. Disregard
if it was of no help :)
(You are talking about the other stave, not the top one, oops!)
-
composer | sound designer
LilyPond Tutorials (for beginners) -- http://bit.ly/bcl-lilypond
--
View this message in
36 matches
Mail list logo
