Kieren MacMillan kieren_macmil...@sympatico.ca writes:
Hi Simon (et al.),
I think this is one of the few questions where it’s really difficult
to establish a standard.
Agreed.
It’s the one big disappointment that I have in Gould’s engraving book:
she doesn’t even address the subject at
Jim Long lilyp...@umpquanet.com writes:
Beware of shortcuts which are for the benefit of the writer.
IMO, engraving decisions should be made for the benefit of the
reader.
To some degree, we can separate those with LilyPond, but there is
something to be said for human-readable source code as
Hello,
A suggestion using spacer notes in the second voice.
Best,
David
\version 2.18.0
\new Staff {
\new Voice = first
\relative c' {
\voiceOne
c1
c'1
c,1
}
\new Voice = second
\relative c' {
\voiceTwo
...or even:
\version 2.18.0
\new Voice = first {
a'4
{
\voiceOne
g' f'
}
\new Voice = second {
\voiceTwo
d'2
}
\oneVoice
e'4
}
\new Lyrics \lyricsto first {
One One One
}
\new Lyrics \lyricsto second {
Am 17.03.2014 04:59, schrieb Paul Morris:
Simon Albrecht-2 wrote
Interesting question: the Internals Reference says the stencil for Dots
is ly:dots::print. But where is this defined? Where can I look it up?
I think at this point the next step is to try to find this callback function
in the
Am 17.03.2014 01:45, schrieb Jim Long:
I understand the Cmi7, too, but when sketching
some chords on paper during a Jazz session, a simple - is
way faster to write than mi all the way.
So it's rather a matter of personal taste IMHO.
Just my 2 cents
Marc
With great respect, I beg to add,
So, again, it boils down to whatever works. There's no standard to this, and
frankly, I've never experienced that as a problem. Jazz music is improvised
music, and I don't know a jazz musician who has problems improvising here as
well. Everyone has different preferences, sure, but problems
Robert Schmaus robert.schm...@web.de writes:
So, again, it boils down to whatever works. There's no standard to
this, and frankly, I've never experienced that as a problem. Jazz
music is improvised music, and I don't know a jazz musician who has
problems improvising here as well. Everyone has
-
Von meinem Fliewatüüt gesendet.
On 17 Mar 2014, at 11:57, David Kastrup d...@gnu.org wrote:
Robert Schmaus robert.schm...@web.de writes:
So, again, it boils down to whatever works. There's no standard to
this, and frankly, I've never experienced that as a problem. Jazz
music is
Robert Schmaus robert.schm...@web.de writes:
-
Von meinem Fliewatüüt gesendet.
[full-quote without content elided]
I think Jazz musicians really should get off the habit of only writing -
when it would be so much easier to get their meaning if they were just a
bit more verbose.
--
David
Oh, I'm sorry. I was looking into the problem some months ago and found a email
correspondence between David kastrup and others about the removal of the
accepts technique. I have never seen that it was later replaced by this new
command.
My apologies!
Also for sending an accidental reply
Dear community,
I would like to use a scheme-function, but with a different name:
fourquarterRests = #(define-music-function (parser location ANFANG ENDE )
(number? number? )
#{ \scaleDurations #(cons (+ 1(- ENDE ANFANG)) 1) {R1 } #})
I want to use the function with the name IVvR but, for
Am 17.03.2014 12:21, schrieb Stefan Thomas:
Dear community,
I would like to use a scheme-function, but with a different name:
fourquarterRests = #(define-music-function (parser location ANFANG ENDE )
(number? number? )
#{ \scaleDurations #(cons (+ 1(- ENDE ANFANG)) 1) {R1 } #})
I want to use
Robert Schmaus robert.schm...@web.de writes:
Oh, I'm sorry. I was looking into the problem some months ago and
found a email correspondence between David kastrup and others about
the removal of the accepts technique. I have never seen that it was
later replaced by this new command.
There is
Stefan Thomas kontrapunktste...@gmail.com writes:
Dear community,
I would like to use a scheme-function, but with a different name:
fourquarterRests = #(define-music-function (parser location ANFANG ENDE )
(number? number? )
#{ \scaleDurations #(cons (+ 1(- ENDE ANFANG)) 1) {R1 } #})
I
Urs Liska wrote
Can't try out a solution right now, but generally you'd have to write a
IVvR function that internally calls the old implementation, as an
alias frontend, so to say.
Something like this should work:
\version 2.18.0
IVvR = #(define-music-function (parser location ANFANG
David Kastrup wrote
IVvR = #fourquarterRests
Ah, of course, that's even better!
-Paul
--
View this message in context:
http://lilypond.1069038.n5.nabble.com/using-a-scheme-function-but-with-a-different-name-tp160506p160511.html
Sent from the User mailing list archive at Nabble.com.
Check, it works. You cannot handle to do it with regular Arabic keyboard, I
played a little with the Character map and I got the text.
--
View this message in context:
http://lilypond.1069038.n5.nabble.com/Using-LilyPond-with-Arabic-music-tp32053p160512.html
Sent from the User mailing list
On 15.03.2014 09:09, Pierre Perol-Schneider wrote:
Mini example please
~Pierre
Sorry, forgot to post one.
During shortening some code into a mini example, I was actually able to
solve my problem. I'm posting it anyway because I'm not sure it's the
most elegant or clever was of doing.
Am 17.03.2014 19:00, schrieb Matthias Hüsken:
On 15.03.2014 09:09, Pierre Perol-Schneider wrote:
Mini example please
~Pierre
Sorry, forgot to post one.
During shortening some code into a mini example, I was actually able
to solve my problem. I'm posting it anyway because I'm not sure it's
Simon Albrecht simon.albre...@mail.de writes:
Am 17.03.2014 19:00, schrieb Matthias Hüsken:
On 15.03.2014 09:09, Pierre Perol-Schneider wrote:
Mini example please
~Pierre
Sorry, forgot to post one.
During shortening some code into a mini example, I was actually able
to solve my problem.
Am 17.03.2014 20:22, schrieb David Kastrup:
Simon Albrecht simon.albre...@mail.de writes:
Am 17.03.2014 19:00, schrieb Matthias Hüsken:
On 15.03.2014 09:09, Pierre Perol-Schneider wrote:
Mini example please
~Pierre
Sorry, forgot to post one.
During shortening some code into a mini
Simon Albrecht simon.albre...@mail.de writes:
In more complex situations with \include and several scores in one
file it _is_ useful or even necessary, if you want to have one \layout
definition for all scores in common, but for example remove the
Mark_engraver (from Score) only for one of
Based on the discussion about minor chords, I had some more general
comments about how lilypond does (or does not) handle chord symbol notation.
Regardless of which symbol choice you make for how to identify chord types,
there are many details of readable chord notation typography that lilypond
2014-03-14 10:45 GMT+01:00 Davide Liessi davide.lie...@gmail.com:
I submitted the update.
I hope that it will be merged in a couple of days, as usual.
The update has been merged and is now available in MacPorts.
Best wishes.
Davide
___
lilypond-user
2014-03-11 17:19 GMT+01:00 Wilbert Berendsen i...@wilbertberendsen.nl:
Frescobaldi 2.0.15 is out.
... and is now available in MacPorts.
Best wishes.
Davide
___
lilypond-user mailing list
lilypond-user@gnu.org
The demos look really nice!
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https://lists.gnu.org/mailman/listinfo/lilypond-user
Am 17.03.2014 20:42, schrieb David Kastrup:
Simon Albrecht simon.albre...@mail.de writes:
In more complex situations with \include and several scores in one
file it _is_ useful or even necessary, if you want to have one \layout
definition for all scores in common, but for example remove the
Thank You All!
On Mar 17, 2014, at 3:43 PM, Davide Liessi davide.lie...@gmail.com wrote:
2014-03-11 17:19 GMT+01:00 Wilbert Berendsen i...@wilbertberendsen.nl:
Frescobaldi 2.0.15 is out.
... and is now available in MacPorts.
Best wishes.
Davide
Graham Percival-2 wrote
Here's a slightly updated version of my produce the same score on
A4 and letter paper. Should be easier to understand.
Valentin, could you add a wishlist for LSR: snippets that don't
produce any output. I'd like to check a box and have LSR not even
attempt to
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