On Apr 21, 2014, at 1:17 AM, David Hinkle dra...@gmail.com wrote:
I'm working on a new GPL web application designed to help new people learn to
sing using the new FFT capabilities of HTML5. (Git hub links below if you're
interested).
I'd like to use Lilypond to generate scores for
Am 21.04.2014 09:09, schrieb Mike Solomon:
On Apr 21, 2014, at 1:17 AM, David Hinkle dra...@gmail.com wrote:
I'm working on a new GPL web application designed to help new people learn to
sing using the new FFT capabilities of HTML5. (Git hub links below if you're
interested).
I'd like to
Hello,
I just read about some open Mutopia requests
(https://github.com/chrissawer/The-Mutopia-Project/issues/355) and
started typesetting for fun. Unfortunately the fun vanished after some
measures of issue #361.
So here comes the Lilypond related problem:
\version 2.18.0
\relative c'' {
Hello Helge,
just a shorty
\relative c'' { c4 b\ bes\! \override Hairpin.to-barline = ##f a\ | g\! }
HTH
Jan-Peter
On 21.04.2014 09:43, Helge Kruse wrote:
So here comes the Lilypond related problem:
\version 2.18.0
\relative c'' {
\time 2/4
\key e\major
r8 r r e(\ |
fis4)\!
2014-04-21 9:43 GMT+02:00 Helge Kruse helge.kr...@gmx.net:
Hello,
I just read about some open Mutopia requests
(https://github.com/chrissawer/The-Mutopia-Project/issues/355) and started
typesetting for fun. Unfortunately the fun vanished after some measures of
issue #361.
So here comes the
2014-04-21 9:43 GMT+02:00 Helge Kruse helge.kr...@gmx.net:
Hello,
Hi Helge
Same as Jan-Peter and Janek.
Check here :
http://www.lilypond.org/doc/v2.18/Documentation/notation/expressive-marks-attached-to-notes#dynamics
(go to selected snippets)
~Pierre
2014-04-20 23:46 GMT+02:00 MING TSANG tsan...@rogers.com:
Thank you for modify the solfege-engraver.
I copy and paste into the .ly file and ran. Result: The below staff seems
working, but \xup suppose to put the solfege above staff and now it is put
below the staff instead - and the stacking
Although I know nothing about scheme, I've managed to slim down this function,
so that there are no optional arguments. Now I'll try to find out why it
doesn't work for DynamicText grob.
Harm, thanks in advance for any hints. Perhaps we can mix your function with
flexible-stencil-whiteout (see
Hi, Thomas:
On Monday, April 21, 2014 4:32:34 AM, Thomas Morley thomasmorle...@gmail.com
wrote:
2014-04-20 23:46 GMT+02:00 MING TSANG tsan...@rogers.com:
Thank you for modify the solfege-engraver.
I copy and paste into the .ly file and ran. Result: The below staff seems
working, but \xup
Hello all:
So I am trying to lay out the first bars of Mozart's Sonata K 333. The first
measure is a partial measure. No matter what I try so far, I'm getting an extra
time and key signature in the bass clef, in addition to the bass clef first
displaying as treble, then adding a bass clef in:
Hi Steve,
On Mon, Apr 21, 2014 at 7:02 AM, Steve Lane sl...@soliantconsulting.comwrote:
Hello all:
So I am trying to lay out the first bars of Mozart's Sonata K 333. The
first measure is a partial measure. No matter what I try so far, I'm
getting an extra time and key signature in the
Hi Steve
It's an old issue called grace synchronization:
https://code.google.com/p/lilypond/issues/detail?id=34
2014-04-21 14:02 GMT+02:00 Steve Lane sl...@soliantconsulting.com:
The code is as follows (I didn't see how to make it tinier):
\version 2.18.2
\include english.ly
keyTime = {
Thanks, David and Federico — easy fix! All layout engines have their
architectural weak spots, so that 's no surprise I guess.
I guess the rendering of that first sixteenth as a grace note in this piece is
somewhat arbitrary anyway, since the first measure is always playes simply as
four
Hi Karol,
sorry coming back to you that late.
2014-04-21 13:22 GMT+02:00 Karol Majewski karo...@wp.pl:
Although I know nothing about scheme, I've managed to slim down this
function, so that there are no optional arguments. Now I'll try to find out
why it doesn't work for DynamicText grob.
2014-04-21 16:02 GMT+02:00 Thomas Morley thomasmorle...@gmail.com:
Hi Karol,
sorry coming back to you that late.
2014-04-21 13:22 GMT+02:00 Karol Majewski karo...@wp.pl:
Although I know nothing about scheme, I've managed to slim down this
function, so that there are no optional arguments.
2014-04-21 13:47 GMT+02:00 MING TSANG tsan...@rogers.com:
Hi, Thomas:
On Monday, April 21, 2014 4:32:34 AM, Thomas Morley
thomasmorle...@gmail.com wrote:
2014-04-20 23:46 GMT+02:00 MING TSANG tsan...@rogers.com:
Thank you for modify the solfege-engraver.
I copy and paste into the .ly file
Harm,
this change is related to issue 621:
http://code.google.com/p/lilypond/issues/detail?id=621
Now, I do not accept this solution. It is simply against the rules. DynamicText
shouldn't have influence on spacaing. Therefore I prefer whiteout.
So I use:
\context {
\Staff
\override
Am 21.04.2014 09:53, schrieb Jan-Peter Voigt:
\relative c'' { c4 b\ bes\! \override Hairpin.to-barline = ##f a\
| g\! }
Am 21.04.2014 09:55, schrieb Janek Warchoł:
I think to-barline property of hairpins should help you.
Thanks to all, this helps. I wasn't aware of that property and
Paul Morris wrote
And another one, now with dot-positions supplied as an argument.
Submitted to the LSR, with a second example added:
http://lsr.di.unimi.it/LSR/Item?id=913
-Paul
--
View this message in context:
2014-04-21 16:40 GMT+02:00 Karol Majewski karo...@wp.pl:
Harm,
this change is related to issue 621:
http://code.google.com/p/lilypond/issues/detail?id=621
Now, I do not accept this solution. It is simply against the rules.
DynamicText shouldn't have influence on spacaing. Therefore I
Am 21.04.2014 17:01, schrieb Paul Morris:
Paul Morris wrote
And another one, now with dot-positions supplied as an argument.
Submitted to the LSR, with a second example added:
http://lsr.di.unimi.it/LSR/Item?id=913
Looks nice, thanks for submitting!
Marc
Hi, Thomas,
On Monday, April 21, 2014 10:17:36 AM, Thomas Morley thomasmorle...@gmail.com
wrote:
2014-04-21 13:47 GMT+02:00 MING TSANG tsan...@rogers.com:
Hi, Thomas:
On Monday, April 21, 2014 4:32:34 AM, Thomas Morley
thomasmorle...@gmail.com wrote:
2014-04-20 23:46 GMT+02:00 MING TSANG
Hi All - New to the list but have used lilypond for years. I have been
setting some baroque organ works for some of my students. There is a
fingering symbol that I don't know the name of (and so it is hard to look up
in the documentation without a name) ... I'm hoping that if I describe it,
In mathematics they are called floor and ceiling brackets, in music
they are probably still some sort of bracket. There is a request from
2002 for a half bracket. I don't know how to find them in LilyPond
documentation either. There is a Unicode u+2308 and u+2309 for the
floor and ceiling brackets
Hi,
I want to make transcriptions for bassclarinet from some Liederkreis op.39
Robert Schumann songs, are there any .ly files around?
Thanks!
ole
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lilypond-user mailing list
lilypond-user@gnu.org
That was an accepted notational practice at the time for appoggiaturas. There's
a pretty interesting discussion of this in the New Grove Dictionary of Music
and Musicians article on Ornaments, § 9.i.
DR
From: Steve Lane [mailto:sl...@soliantconsulting.com]
Sent: Monday, April 21, 2014 9:12 AM
I have a piece I'm typesetting where an internal voice needs a tie, but
\tieDown isn't enough. The tie spanner needs to be at the bottom (in this
case) of the stems. Here is a snippet that illustrates the problem:
\version 2.18.2
\new Staff {
\key bes \major
\time 5/4
{
aes aes'4 bes
Does the tie need to connect the eeses? This looks good, but maybe not to your
specs.
\version 2.18.2
\new Staff {
\key bes \major
\time 5/4
{
aes aes'4 bes bes' aes aes'
bes bes'8[ c' c'' ees' ees'' bes bes']
} \\
{
\override Stem.length = #8.0
\stemDown ees'2. ees'4^~ ees'8 r8
}
}
Best,
Alternatively, use the override inserted below.
Best, Simon
Am 22.04.2014 00:40, schrieb Conor Cook:
Does the tie need to connect the eeses? This looks good, but maybe not to your
specs.
\version 2.18.2
\new Staff {
\key bes \major
\time 5/4
{
aes aes'4 bes bes' aes aes'
bes bes'8[ c' c''
On 20.04.2014 23:02, Janek Warchoł wrote:
https://github.com/openlilylib/snippets/tree/master/notation-snippets/adjust-horizontal-spacing
That's it, worked like a charm :) I thought one can only use 1/(2^n) as
moment... Thanks
regards
--
Marcin Gryszkalis, PGP 0xA5DBEEC7
jabber
Hello LilyPonders,
I am current writing a orchestral score with a lot of instruments on it,
meaning that I will always have only a single system per page (no hidden
staves). The thing is, the distance between the bottom staff (the Double
Bass in my case) and the bottom of the page keeps changing
On 22 April 2014 09:06, Marcin Gryszkalis m...@fork.pl wrote:
On 20.04.2014 23:02, Janek Warchoł wrote:
https://github.com/openlilylib/snippets/tree/master/notation-snippets/adjust-horizontal-spacing
That's it, worked like a charm :) I thought one can only use 1/(2^n) as
moment... Thanks
That's it, Simon! Thanks. And thanks for the suggestion, Conor. That did
look better.
Knute Snortum
(via Gmail)
On Mon, Apr 21, 2014 at 3:43 PM, Simon Albrecht simon.albre...@mail.dewrote:
Alternatively, use the override inserted below.
Best, Simon
Am 22.04.2014 00:40, schrieb Conor
Neat — I'll see if I can track it down.
From: Daniel Rosen drose...@gmail.commailto:drose...@gmail.com
Date: Monday, April 21, 2014 5:39 PM
To: Steve Lane
sl...@soliantconsulting.commailto:sl...@soliantconsulting.com,
lilypond-user@gnu.orgmailto:lilypond-user@gnu.org
You’re welcome. But Simon’s definitely looks better :)
~Conor Cook
On Apr 21, 2014, at 7:59 PM, Knute Snortum ksnor...@gmail.com wrote:
That's it, Simon! Thanks. And thanks for the suggestion, Conor. That did
look better.
Knute Snortum
(via Gmail)
On Mon, Apr 21, 2014 at 3:43
At 11:19 21/04/2014 -0700, Zack Noname wrote:
There is a fingering symbol that I don't know the name of (and so it
is hard to look up in the documentation without a name) ...
If I want the alto voice on the treble staff played with the left
hand there is a symbol that looks like [ without the
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