Hi everyone,
I'm transcribing a song that is, as usual, versex2-chorus-verse-chorus. Instead
of copying all the notes of the verse/chorus section, I've created the
verse-chorus sections so than I can just add \verse \chorus in the main score
to print it.
I need to display both the score and
On Wed, 2014-05-07 at 20:23 +1000, Andrew Bernard wrote:
This brings up the point that there do indeed seem to be a set of
people trying to use lilypond for baroque music engraving. Lilypond
seems heavily oriented around nineteenth century practice (leaving
aside it's wonderful support for
Original-Nachricht
Betreff: [SPAM] Re: Dotted half note showing as half note followed by a
colon
Datum: Mon, 12 May 2014 10:09:44 +0100
Von: Trevor Daniels t.dani...@treda.co.uk
An: Urs Liska u...@openlilylib.org
- Original Message -
From: Urs Liska
Using relative per variable at the moment of their definition is robust
pitchwise.
Sorry for top posting
El 12/05/2014 10:48, Carlo Vanoni vanoniiscrizi...@yahoo.it escribió:
Hi everyone,
I'm transcribing a song that is, as usual, versex2-chorus-verse-chorus.
Instead of copying all the notes
Hi there,
... now, who's late ;)
I read a few of the messages regarding the given subject. I don't have a
once-and-for-all-solution, but I want bring in another scheme-engraver:
It uses context-properties 'instrumentTransposition, (newly defined)
'music-concert-pitch' and 'print-concert-pitch'.
Hi Francisco,
thanks for the reply.
But... I didn't understand it very well...
Did you mean to do something like this?
verse =
{
\relative c,
{
a'4 b c a | a b c a | \break
}
}
chorus =
{
\relative c,
{
a'4 b c d |
El 12/05/2014 11:42, Carlo Vanoni vanoniiscrizi...@yahoo.it escribió:
Hi Francisco,
thanks for the reply.
But... I didn't understand it very well...
Did you mean to do something like this?
verse =
{
Yes. This brace is not needed.
2014-05-12 11:42 GMT+02:00 Carlo Vanoni vanoniiscrizi...@yahoo.it:
As said, this set all verse/note to the correct pitch, but the tabs pitch
will be wrong (the \relative definition in the TabScore section will be
ignored).
Hi Carlo,
If you want to have the right pitch you have to put the
Uh, bass_8... that's a news.
I still use the relative to prevent some ' and , from the code. Since I also
have (in the real code) also fingering and sting numbers, it will become a real
mess otherwise.
Here is the now working code:
%
\version 2.18.0
verse =
Hi everyone,
this is more a generic music notation question than a LilyPond related. By the
way, I will ask it here so I can get a LilyPond related solution if needed, too.
I have a simple song, where the verse is 4 measures repeated twice, and the
chorus again 4 measures repeated twice.
The
Hi again,
I didn't actually tell what the engraver is actually for:
The autoTranspose-engraver transposes music automatically, if there
are three context-properties set:
* instrumentTransposition is the pitch, which is set by \transposition
* music-concert-pitch tells whether the music in this
Hi everyone,
I'm using this nice function to add a right-aligned text that states the number
of repeats of a repeat block:
repeatMark =
#(define-music-function
(parser location volte visible)
(number? boolean?)
(if visible
#{
\once \override Score.RehearsalMark
Hello Carlo,
Adding:
HiddenMeasureAndBarLine = { % from the snippets repository
% the hidden measure and bar line
% \cadenzaOn turns off automatic calculation of bar numbers
\cadenzaOn
% \once \override Score.TimeSignature #'stencil = ##f
\once \omit Score.TimeSignature
\time 1/16
s16 \bar
When inserting a cue which contains a tremolo, the note heads and stems
are showing up but not the beams. Is it something I've done or missed
out? I've made a (reasonably) tiny example:
\version 2.16.2
cueVoice =
\relative c'' {
R2.
\repeat tremolo 3 { b8 e }
}
Hi Jaques,
thanks for the hint!
By now, the hidden measure does the trick. The main drawback is the time
change, that can led to some issue. In my previous example, since the repeat
mark is on a bar before a break, adding the hidden measure there print a time
change hint at the end of the
Hi David
I haven't totally understood what you need, but it seems to me that what
you are looking for should be achieved by the Mediawiki extension, not by
LilyPond.
2014-05-09 13:21 GMT+02:00 David Cuenca dacu...@gmail.com:
Hi Urs,
unfortunately we cannot work with files, nor variables.
Hi Federico,
What I need is the ability to generate score in two view modes: each page
individually, or all pages together.
Imagine the use case. A user works page scan by page scan to make the
lilypond engraving look exactly like it was originally published (possible
already). Then they want to
Revisiting with a compilable example...
I'm transcribing a piece that has multiple parts and in those multiple
parts, I have multiple staves.
After compiling, the staff layout becomes:
part1:staff1
part2:staff1
part1:staff2
part2:staff2
Obviously for the score, I'd like:
part1:staff1
Without the includes. Sorry.
On 05/12/2014 09:41 AM, Dave Higgins wrote:
Revisiting with a compilable example...
I'm transcribing a piece that has multiple parts and in those multiple
parts, I have multiple staves.
After compiling, the staff layout becomes:
part1:staff1
part2:staff1
Am 12.05.2014 17:37, schrieb David Cuenca:
Hi Federico,
What I need is the ability to generate score in two view modes: each page
individually, or all pages together.
Imagine the use case. A user works page scan by page scan to make the
lilypond engraving look exactly like it was originally
Hello,
I added a snippet to open-lily-lib:
https://github.com/openlilylib/snippets/tree/master/editorial-tools/auto-transpose
README follows.
Best, Jan-Peter
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- Original Message -
From: Dave Higgins dave.higg...@dkds.us
To: lilypond-user@gnu.org
Sent: Monday, May 12, 2014 4:42 PM
Subject: Re: Problem with Staff Grouping
Without the includes. Sorry.
On 05/12/2014 09:41 AM, Dave Higgins wrote:
Revisiting with a compilable example...
I'm
- Original Message -
From: Dave Higgins dave.higg...@dkds.us
To: lilypond-user@gnu.org
Sent: Monday, May 12, 2014 6:14 PM
Subject: Re: Problem with Staff Grouping
What's happening is that part1 has a single staff and then splits into a
divisi staff. In that part's compilation,
This is what I will do--thank you!
-steven
Knute Snortum ksnor...@gmail.com writes:
Well, you can use two different scores for the different systems:
\version 2.18.2
mainPiece = {
c4 d e f g a b c d c b a g f e d c1
\bar ||
}
\score {
\new PianoStaff
\new Staff {
\relative c' {
Downloaded fresh copy of jazz-chords.ily and jazz-test.ly from the
canonical site:
http://lists.gnu.org/archive/html/lilypond-user/2011-11/msg00285.html
Opened jazz-test lily, updated using convert-ly for 2.18.2, and compiled
file. It yielded a PDF and Midi output, but also gave the attached
On Mon, May 12, 2014 at 12:18:37PM +0100, Carlo Vanoni wrote:
I have a simple song, where the verse is 4 measures repeated twice, and the
chorus again 4 measures repeated twice.
[snip]
I can print all the section as stated above, but it will be easier to have
something like this
intro
On Mon, May 12, 2014 at 01:11:03PM +0100, Carlo Vanoni wrote:
Hi everyone,
I'm using this nice function to add a right-aligned text that states the
number of repeats of a repeat block:
[snip]
It is called with this code at the end of a section
\repeatMark #4 ##t??? % writes repeat 4
Am 12.05.2014 14:11, schrieb Carlo Vanoni:
Hi everyone,
I'm using this nice function to add a right-aligned text that states
the number of repeats of a repeat block:
repeatMark =
#(define-music-function
(parser location volte visible)
(number? boolean?)
(if visible
#{
Running convert-ly results in:
Traceback (most recent call last):
File
/opt/local/Library/Frameworks/Python.framework/Versions/2.7/lib/python2.7/site-packages/py2app/apptemplate/lib/site.py,
line 22, in module
import os
zipimport.ZipImportError: can't decompress data; zlib not available
Ahhh...thank you!
Steve
On May 12, 2014, at 12:55 PM, Federico Bruni
fedel...@gmail.commailto:fedel...@gmail.com wrote:
2014-05-12 20:45 GMT+02:00 safvet
st...@thenolands.usmailto:st...@thenolands.us:
Downloaded fresh copy of jazz-chords.ily and jazz-test.lyhttp://jazz-test.ly/
from the
On Mon, 12 May 2014 12:56:27 -0700
Jim Long lilyp...@umpquanet.com wrote:
On Mon, May 12, 2014 at 12:18:37PM +0100, Carlo Vanoni wrote:
I have a simple song, where the verse is 4 measures repeated
twice, and the chorus again 4 measures repeated twice.
What would you do if you had seven
On Mon, May 12, 2014 at 05:53:33PM -0400, David Raleigh Arnold wrote:
On Mon, 12 May 2014 12:56:27 -0700
Jim Long lilyp...@umpquanet.com wrote:
On Mon, May 12, 2014 at 12:18:37PM +0100, Carlo Vanoni wrote:
I have a simple song, where the verse is 4 measures repeated
twice, and the
I've never experienced this before now...
I go to use the following settings:
global = {
\key c \major
\numericTimeSignature
\time 4/4
\tempo 4=100
}
and I got the attached picture. I have no idea what I'm doing wrong, or if
this is a bug worth noting.
I was using absolute pitch mode.
Joshua Nichols josh.d.nichols at gmail.com writes:
global = {
\key c \major
\numericTimeSignature
It is a bug, but you can fix this one yourself if you like.
In 'property-init.ly' the definition is
numericTimeSignature = \override Staff.TimeSignature.style = #'numbered
but we want it to
Joshua Nichols josh.d.nichols at gmail.com writes:
I've never experienced this before now...
Oops, I just realized you mean the grace-note bug.
Whenever you write a grace note in LilyPond, you need grace
notes or skips of the same duration in every other staff.
So here in the upper staff you
Am 13.05.2014 04:56, schrieb Keith OHara:
Whenever you write a grace note in LilyPond, you need grace
n
Fortunately that's not _whenever_ but only in situations at events like
time signature (changes).
Urs
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