k...@aspodata.se writes:
Derek:
I used music21 to measure note lengths, and was able to convert midi (and a
variety of other formats). See: http://web.mit.edu/music21/
Looks useful, tough it is big:
$ git clone https://github.com/cuthbertLab/music21.git
...
$ du -s music21/
393864
I'm typesetting the attached music using four voices. However, a shifted
quarter note refuses to merge with the half-note from other voice. I suspect
it has to do with both having same stem direction, but how does one tell LP to
merge anyway? Force-shifting notecolumn didn't seem to do the
Javier Ruiz-Alma jav...@ruiz-alma.com writes:
I'm typesetting the attached music using four voices. However, a
shifted quarter note refuses to merge with the half-note from other
voice. I suspect it has to do with both having same stem direction,
but how does one tell LP to merge anyway?
Am 29.05.2014 09:15, schrieb Javier Ruiz-Alma:
I'm typesetting the attached music using four voices. However, a shifted
quarter note refuses to merge with the half-note from other voice. I suspect
it has to do with both having same stem direction, but how does one tell LP to
merge anyway?
David Kastrup:
k...@aspodata.se writes:
Derek:
I used music21 to measure note lengths, and was able to convert midi (and a
variety of other formats). See: http://web.mit.edu/music21/
Looks useful, tough it is big:
$ git clone https://github.com/cuthbertLab/music21.git
...
$ du
2014-05-29 9:15 GMT+02:00 Javier Ruiz-Alma jav...@ruiz-alma.com:
I'm typesetting the attached music using four voices. However, a shifted
quarter note refuses to merge with the half-note from other voice. I
suspect it has to do with both having same stem direction, but how does one
tell LP
k...@aspodata.se writes:
David Kastrup:
print lily.translate.LilypondConverter().textFromMusic21Object(s)
\version 2.19
Huh. 2.19 without further qualification does not make all that much
sense as the development releases are where all the changes happen. But
then I'm happy that we
Hi!
My trusty friend Google found me a useful code snippet by Thomas Morley
(Many thanks, Thomas!) in this message:
https://www.mail-archive.com/lilypond-user@gnu.org/msg86850.html
to put text above the chord names. It's almost perfect. The one drawback
I've found is that is pushes the next
What are the odds, step-by-step documentation on typesetting the exact bar and
edition I'm working on !!!(O-O)!!!
Thanks for the pointers.
I had also tried to replace the notehead directly, but due to operator error, I
picked the wrong glyph from the list (notehead.s2 instead of
2014-05-29 10:24 GMT+02:00 Pierre Perol-Schneider
pierre.schneider.pa...@gmail.com:
2014-05-29 9:15 GMT+02:00 Javier Ruiz-Alma jav...@ruiz-alma.com:
I'm typesetting the attached music using four voices. However, a shifted
quarter note refuses to merge with the half-note from other voice. I
Am 29.05.2014 09:53, schrieb Urs Liska:
Am 29.05.2014 09:15, schrieb Javier Ruiz-Alma:
I'm typesetting the attached music using four voices. However, a
shifted quarter note refuses to merge with the half-note from other
voice. I suspect it has to do with both having same stem direction,
Hi,
2014-05-29 10:08 GMT+02:00 Lars-Johan Liman lilyp...@liman.net:
Hi!
My trusty friend Google found me a useful code snippet by Thomas Morley
(Many thanks, Thomas!) in this message:
Glad that it is still useful
https://www.mail-archive.com/lilypond-user@gnu.org/msg86850.html
to put
2014-05-29 12:50 GMT+02:00 Thomas Morley thomasmorle...@gmail.com:
Hi,
2014-05-29 10:08 GMT+02:00 Lars-Johan Liman lilyp...@liman.net:
Hi!
My trusty friend Google found me a useful code snippet by Thomas Morley
(Many thanks, Thomas!) in this message:
Glad that it is still useful
David Kastrup:
k...@aspodata.se writes:
David Kastrup:
print lily.translate.LilypondConverter().textFromMusic21Object(s)
\version 2.19
Huh. 2.19 without further qualification does not make all that much
sense as the development releases are where all the changes happen. But
Paul Morris wrote
I'll add a snippet to the LSR showing how to do this since there doesn't
seem to be one there now.
Here it is:
http://lsr.di.unimi.it/LSR/Item?id=917
Cheers,
-Paul
--
View this message in context:
Hi,
Hello!
Lars-Johan Liman:
My trusty friend Google found me a useful code snippet by Thomas Morley
(Many thanks, Thomas!) in this message:
Thomas Morley:
Glad that it is still useful
Oh, yes! Snippets like that are invaluable in any type of coding
environment - be that Lilypond,
Simon Albrecht wrote Thursday, May 29, 2014 11:43 AM
http://www.lilypond.org/doc/v2.18/Documentation/learning/real-music-example
Rereading this, I notice that the Moderato marking in the example would
probably be more accurately and straightforwardly coded as
\tempo Moderato
bes2.
than
Trevor Daniels wrote Thursday, May 29, 2014 4:50 PM
Simon Albrecht wrote Thursday, May 29, 2014 11:43 AM
http://www.lilypond.org/doc/v2.18/Documentation/learning/real-music-example
Rereading this, I notice that the Moderato marking in the example would
probably be more accurately and
2014-05-29 12:43 GMT+02:00 Thomas Morley thomasmorle...@gmail.com:
How about:
\tweak #'duration-log #1
Of course Harm (even with \tweak duration-log #1 ;)
It's just something I'm not use to.
Cheers,
Pierre
___
lilypond-user mailing list
Hi,
in the following example, the compound timesignature is only shown on
the top staff. Is there a mechanism to show it in all staffs with the
2+3/4 without wxplicitely having to restate the compundMeter
statement in each staff?
--
Orm
\version 2.19.5
\relative c' {
\new Staff =
You could put the compound time signature (along with everything else that's
global, like key or tempo) in an extra variable, like this
global = {
\compoundMeter #'((3 2 4))
% more ...
}
and put \global at the beginning of each staff. That way, any change in the
global variable is
2014-05-29 21:16 GMT+02:00 Orm Finnendahl orm.finnend...@hfmdk-frankfurt.de:
Hi,
in the following example, the compound timesignature is only shown on
the top staff. Is there a mechanism to show it in all staffs with the
2+3/4 without wxplicitely having to restate the compundMeter
statement
Orm Finnendahl orm.finnend...@hfmdk-frankfurt.de writes:
Hi,
in the following example, the compound timesignature is only shown on
the top staff. Is there a mechanism to show it in all staffs with the
2+3/4 without wxplicitely having to restate the compundMeter
statement in each staff?
Thomas Morley thomasmorle...@gmail.com writes:
'compoundMeter' uses
\once \override Staff.TimeSignature.stencil = ...
to explecitely limit the stemcil-override to current Staff. Otherwise
the following code would return wrong output:
Let's assume it would use \once \override
2014-05-29 22:07 GMT+02:00 David Kastrup d...@gnu.org:
Thomas Morley thomasmorle...@gmail.com writes:
'compoundMeter' uses
\once \override Staff.TimeSignature.stencil = ...
to explecitely limit the stemcil-override to current Staff. Otherwise
the following code would return wrong output:
Hi David,
thanks. I agree this should be the default in LilyPond...
--
Orm
Am Donnerstag, den 29. Mai 2014 um 22:03:18 Uhr (+0200) schrieb David Kastrup:
I think the \override Staff.TimeSignature.stencil bit should rather be
\override Timing.TimeDignature.stencil instead. You can copy and
It seems to work for me with version 2.19.7.
Knute Snortum
(via Gmail)
On Thu, May 29, 2014 at 2:02 PM, MING TSANG tsan...@rogers.com wrote:
Hi, lilyponders:
I enter code one measure at a time (compile at each measure). It works
fine until I enter bar 60 for choir-bass-clef. Bar 59 is ok.
Hi, Knute:
Thank you for your reply. I also has v2.19.7 installed. When you said it works
for you, I thought you must have copy the content of include_extract-music.ly
in line. So I comment out the \include statement and copy the content
in-line. This time it compile clean, but when I
On Thu, May 29, 2014 at 07:26:36PM -0700, MING TSANG wrote:
Hi, Knute:
Thank you for your reply. I also has v2.19.7 installed. When you
said it works for you, I thought you must have copy the content
of include_extract-music.ly in line. So I comment out the
\include statement and copy
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