Johan Vromans jvrom...@squirrel.nl writes:
Hi,
According to the Notation Reference you can use a NullVoice to align
lyrics or to use lyrics with partcombine (section 2.1.2). However, a
midi{} block will throw a confusing error when a NullVoice is used:
fatal error: fatal error. Couldn't
Thomas Morley thomasmorle...@gmail.com writes:
2014-06-13 17:42 GMT+02:00 Hlolli hlo...@gmail.com:
Is is possible to do smoething like this:
{c'8 d' e' d'}*4 - c'8 d' e' d' | c'8 d' e' d' | c'8 d' e' d' | c'8 d' e'
d' ?
Just to save space I was hoping that repetitive musical patterns could
Pierre Perol-Schneider pierre.schneider.pa...@gmail.com writes:
2014-06-13 23:53 GMT+02:00 Ralph Palmer palmer.r.vio...@gmail.com:
I think this is, on fact, a slur, not a tie. If the sounding of the notes
is separate, as would be implied by the staccato dots, that should make it
a bowing
Am 14.06.2014 07:29, schrieb Pierre Perol-Schneider:
2014-06-13 23:53 GMT+02:00 Ralph Palmer palmer.r.vio...@gmail.com
mailto:palmer.r.vio...@gmail.com:
I think this is, on fact, a slur, not a tie. If the sounding of
the notes is separate, as would be implied by the staccato dots,
2014-06-14 8:58 GMT+02:00 David Kastrup d...@gnu.org:
The tuning suggests rather a guitar or something. For which bowing
directions don't make a lot of sense.
A viol would be another possibility, but that is probably not what
Diabelli had been writing for.
Sorry, forgot to tell : it's a
2014-06-14 8:59 GMT+02:00 Simon Albrecht simon.albre...@mail.de:
Interpretation is a different issue, I think. But the ly
representation may well be a slur, even if it is actually played as a
vibrato or whatever articulation one might apply.
Ok.
This smells like a bug to me:
\version 2.18.2
\language english
\relative c' {
\cadenzaOn
a4 b cs d% accidental is printed
\cadenzaOff
\bar || % \time 4/4
e d cs b% accidental is NOT printed -- huh??
a b cs d% accidental is printed
}
I'm aware that \cadenzaOn will remember
On 14/06/14 10:20, James Harkins wrote:
This smells like a bug to me:
\version 2.18.2
\language english
\relative c' {
\cadenzaOn
a4 b cs d% accidental is printed
\cadenzaOff
\bar || % \time 4/4
e d cs b% accidental is NOT printed -- huh??
a b cs d% accidental is
Done! :-)
moreWhiteout =#(define-music-function (parser location adds item)(pair? symbol-list-or-music?) (define more-stencil-whiteout (lambda (grob) (let* ((function (assoc-get 'stencil (reverse (ly:grob-basic-properties grob (stil (if (and (procedure? function) (not (eq? (procedure-name
Hi,
for defining markups which appear selectively either only in the
parts or only in the score I'm trying to use the following strategy:
I include a score-defs.ly or part-defs.ly file in the score or
part respectively and define commands like sMarkup for markup only
appearing in the score or
- Original Message -
From: Orm Finnendahl orm.finnend...@hfmdk-frankfurt.de
To: lilypond-user@gnu.org
Sent: Saturday, June 14, 2014 2:07 PM
Subject: conditional markup
Hi,
for defining markups which appear selectively either only in the
parts or only in the score I'm trying to use
Am Samstag, den 14. Juni 2014 um 14:17:44 Uhr (+0100) schrieb Phil Holmes:
Had you considered using tags instead?
No, thanks, I wasn't aware of this. Seems to be exactly what I need.
--
Orm
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Hi everyone!
I just downloaded Lilypond 2.18.2-1— previously, I worked with 2.12.3-1. With
that version, when I wanted a font on the system to use with the lyrics what
used work with this:
LyricGaramond = \override LyricText #'font-name = #”Garamond Premier Pro
doesn’t work anymore, i.e, the
Works fine for me, Windows Vista, 2.18.2.
I'd suggest you experiment with fonts that are definitely on your system: Arial
if it's a Windows machine, for example. If they work, then it's not the syntax
that's the problem.
--
Phil Holmes
- Original Message -
From: Fr. Michael
On 14 Jun AD 2014, at 10:25 AM, Phil Holmes m...@philholmes.net wrote:
Works fine for me, Windows Vista, 2.18.2.
I'd suggest you experiment with fonts that are definitely on your system:
Arial if it's a Windows machine, for example. If they work, then it's not
the syntax that's the
Orm Finnendahl orm.finnend...@hfmdk-frankfurt.de writes:
Hi,
for defining markups which appear selectively either only in the
parts or only in the score I'm trying to use the following strategy:
I include a score-defs.ly or part-defs.ly file in the score or
part respectively and define
Thanks to all who replied to this, especially David Nalesnik. His
shapeTieColumn function has been submitted to the openlilylib. And I can
continue typesetting Pictures at an Exhibition!
Knute Snortum
(via Gmail)
On Fri, Jun 13, 2014 at 12:36 PM, David Nalesnik david.nales...@gmail.com
Hello,
I am writing an Harmony book with my friend. I want to use Diminished
Dominant symbol in figured bass below the note. It has to mark
diminished fifth interval with a cross line on D letter.
In our country, some music teachers had gotten their education in
Germany in 1930'ies. They
2014-06-14 17:31 GMT+02:00 Server Acim ser...@acim.name.tr:
Hello,
I am writing an Harmony book with my friend. I want to use Diminished
Dominant symbol in figured bass below the note. It has to mark diminished
fifth interval with a cross line on D letter.
In our country, some music teachers
Hello,
you can try to use either the letter D with stroke (Đ, U+0110) or, if
you want a longer an diagonal stroke, a regular D and a combining long
solidus overlay from unicode (D̸, U+0044 U+0337):
\version 2.19.6
\relative c' {
\repeat unfold 8 { c e g c f a d f b e g c }
}
\addlyrics {
2014-06-10 9:16 GMT+02:00 Marc Hohl m...@hohlart.de:
Am 08.06.2014 02:49, schrieb Thomas Morley:
2014-06-07 17:33 GMT+02:00 Marc Hohl m...@hohlart.de:
Am 07.06.2014 10:02, schrieb Pierre Perol-Schneider:
2014-06-06 9:59 GMT+02:00 Marc Hohl m...@hohlart.de
mailto:m...@hohlart.de:
I
I am still a novice at using LilyPond (maybe a sophomore) but I'd like to
make one case for relative notes. I'm typesetting a piece where there are
a lot of octave scale runs between both hands. It's very nice to be able
to copy several beats or even bars of notes, irrespective of the clef, and
I would imagine that kind of practice, just squeeze musical material into
instruments into their suitable range will make you less sensitive to which
octave you are composing on. If it works for some, then good. Both in terms
of timbre and counterpoint I would want to know excacly if I'm working
Another aspect: on english keyboards, the single quote ' is easily
reachable. But on german (and maybe other?) keyboards it’s further on
the right and you need the shift key to get it; the neo layout (a german
ergonomic layout which I use) also needs an extra key (called mod3, at
qwerty’s caps
Knute Snortum ksnor...@gmail.com writes:
I am still a novice at using LilyPond (maybe a sophomore) but I'd like to
make one case for relative notes. I'm typesetting a piece where there are
a lot of octave scale runs between both hands. It's very nice to be able
to copy several beats or even
Dear all,
Frescobaldi 2.0.16 does not seem to be available yet on MacPorts - has it been
submitted?
Thanks,
Steve
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Thanks Thomas Morley and Pierre Perol-Schneider,
I have implemented this technique and it looks like it's working very well.
Much appreciated!
Nick Didkovsky
On 6/10/2014 7:51 AM, Thomas Morley wrote:
2014-06-10 9:50 GMT+02:00 Pierre Perol-Schneider
pierre.schneider.pa...@gmail.com:
2014-06-09
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