Urs Liska wrote
Actually that's what I mean.
I suggest to add the _ability_ to easily change the notation font
through the make-pango-tree approach and let the user install additional
fonts at will.
As said this is the same as with any other (notation or any other)
program. Of course you
2014-07-13 5:38 GMT+02:00 Paul Morris p...@paulwmorris.com:
Here we go:
Nice Paul !
And here's a complement to get rid of the gap between startStaff and stopStaff
:
\version 2.18.2
{
g d c d
c d
\once\hide Staff.BarLine \bar |
\stopStaff
\startStaff
\override
2014-07-13 9:46 GMT+02:00 Pierre Perol-Schneider
pierre.schneider.pa...@gmail.com:
Would you mind if I put it in the LSR ?
See : http://lsr.di.unimi.it/LSR/Item?id=928
Cheers,
Pierre
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Hello,
I have a score with some long tempo items. Since my part has multiple
full bar rests I get several rehearsal marks in the area of the tempo.
Unfortunately they are placed above the tempo. How can I get the
rehearsal mark immediately above the staff line?
Minimum example:
\version
Hi Helge,
2014-07-13 10:26 GMT+02:00 Helge Kruse helge.kr...@gmx.net:
How can I get the rehearsal mark immediately above the staff line?
Try :
\version 2.18.0
{
\once\override Score.MetronomeMark.outside-staff-priority = #2000
\tempo Allegretto ma non troppo 4=100
\time 4/4
Hi all,
I'm looking for a decent solution for, what seems to me as a tricky
situation :-)
I've attached an image and a .ly example.
I've tried overriding the beamed lengths of the 16th notes, but it does not
seem to work with e.g. \override Stem.details.beamed-lengths = #'(0.5) .
This override
The q may be used for repeated chords what makes notation efficient. I
duplicates the last chord literally. But when it contains reminder
accidentals they make no sense in the repeat. Is there a way to tell q
that it should skip these accidentals?
Example:
\relative c'
{
% q duplicates
sorry,
the image with the possible solution lacked an extension, second attempt is
here
http://www.bartart3d.be/
On facebook https://www.facebook.com/pages/BartArt3D/169488999795102
On Twitter https://twitter.com/#%21/Bart_Issimo
On Identi.ca http://identi.ca/bartart3d
On Google+
Am 13.07.2014 10:44, schrieb Pierre Perol-Schneider:
\version 2.18.0
{
\once\override Score.MetronomeMark.outside-staff-priority = #2000
\tempo Allegretto ma non troppo 4=100
\time 4/4
\compressFullBarRests
R1*2
\mark\default
R1 R
b' d'' f'' a'' c'''
}
See also :
Hi Bart,
2014-07-13 10:52 GMT+02:00 bart deruyter bart.deruy...@gmail.com:
I've attached an image and a .ly example.
Here's what I'd do :
\version 2.18.2
global = {
\key e \minor
\time 2/4
}
upper = \relative e' {
\global
s2 |
\bar |.
}
lower = \relative e {
\global
e4
dis8
Charles Marshall wrote:
How can the length of a ragged last line be adjusted? With
ragged-last-line = ##t , the line is too short to look good; with = ##f
, it's right-justified and too long.
Quick and nasty: at the end, append (in any voice)
\stopStaff s16*40
and adjust the 40 to suit.
Helge Kruse helge.kr...@gmx.net writes:
The q may be used for repeated chords what makes notation efficient. I
duplicates the last chord literally. But when it contains reminder
accidentals they make no sense in the repeat. Is there a way to tell q
that it should skip these accidentals?
Am 13.07.2014 11:57, schrieb David Kastrup:
fis a d fis4f! a d f! f a d f q
Well, just write the latter version.
Well. this means don't use q when you have accidentals in a chord.
My example has a fourth chord. Without it the latter version doesn't
have any q.
It appears I have
Hey,
thanks, both work like a charm. I prefer the version with the stems up,
because the note heads are better positioned between the two other voices,
it's more clear that they belong together when playing.
grtz,
Bart
http://www.bartart3d.be/
On facebook
Helge Kruse helge.kr...@gmx.net writes:
Am 13.07.2014 11:57, schrieb David Kastrup:
fis a d fis4f! a d f! f a d f q
Well, just write the latter version.
Well. this means don't use q when you have accidentals in a chord.
Reminder or forced accidentals, it would appear.
My example has
I want to writing somthing like
\markup{\tempoFormat{Allegretto} \circle{1}-\circle{16} tacet}
To indicate that the player shall rest until the orchester is at
rehearshal mark 16. I would like to place this in the Dynamic line of
the PianoStaff
\new PianoStaff
\new Staff=upper { c'1 \bar
- Original Message -
From: Helge Kruse helge.kr...@gmx.net
To: lilypond-user@gnu.org
Sent: Sunday, July 13, 2014 1:15 PM
Subject: Rehearsal marks in markup
I want to writing somthing like
\markup{\tempoFormat{Allegretto} \circle{1}-\circle{16} tacet}
To indicate that the player
On 13/07/14 11:49, David Kastrup wrote:
Helge Kruse helge.kr...@gmx.net writes:
Am 13.07.2014 11:57, schrieb David Kastrup:
fis a d fis4f! a d f! f a d f q
Well, just write the latter version.
Well. this means don't use q when you have accidentals in a chord.
Reminder or forced
James pkx1...@gmail.com writes:
On 13/07/14 11:49, David Kastrup wrote:
Helge Kruse helge.kr...@gmx.net writes:
Am 13.07.2014 11:57, schrieb David Kastrup:
fis a d fis4f! a d f! f a d f q
Well, just write the latter version.
Well. this means don't use q when you have accidentals in
Hi all,
chord repeats should not repeat forced/cautionary accidentals. That’s
pretty straightforward.
Of course [because it’s 'common sense’], I agree this should be the default
behaviour…
But I think it would be nice if there were still a way to override that, e.g.,
q! and q? to repeat
Kieren MacMillan kieren_macmil...@sympatico.ca writes:
Hi all,
chord repeats should not repeat forced/cautionary accidentals. That’s
pretty straightforward.
Of course [because it’s 'common sense’], I agree this should be the default
behaviour…
But I think it would be nice if there were
Schneidy wrote
Nice Paul !
And here's a complement to get rid of the gap between startStaff and
stopStaff:
Thanks, and nice fix for that little gap, although it appears it increases
the spacing between the notes, as in the second measure here:
http://lsr.di.unimi.it/LSR/Item?id=928
One
Am 13.07.2014 11:29, schrieb Pierre Perol-Schneider:
Hi Bart,
2014-07-13 10:52 GMT+02:00 bart deruyter bart.deruy...@gmail.com
mailto:bart.deruy...@gmail.com:
I've attached an image and a .ly example.
Here's what I'd do :
\version 2.18.2
global = {
\key e \minor
\time 2/4
}
2014-07-13 16:55 GMT+02:00 Paul Morris p...@paulwmorris.com:
Thanks, and nice fix for that little gap, although it appears it increases
the spacing between the notes, as in the second measure here:
http://lsr.di.unimi.it/LSR/Item?id=928
Yep, I've seen that but did not find any workaround.
On Sat, 2014-07-12 at 13:15 +0100, Richard Shann wrote:
I think I have it now:
http://www.lilypond.org/doc/v2.18/Documentation/notation/bars#index-bar-lines
This and other special bar lines may be inserted manually at any point.
When they coincide with the end of a measure they replace the
Hi David,
At some point of time, one just has to accept that q is a shorthand.
Once it becomes hard figuring out the proper semantics, we are leaving
the shorthand realm.
Point taken…
But to imply that coming up with a logically consistent interpretation of each
possibility is disingenuous.
On 14-07-13 01:46 AM, Pierre Perol-Schneider wrote:
2014-07-13 5:38 GMT+02:00 Paul Morris p...@paulwmorris.com
mailto:p...@paulwmorris.com:
Here we go:
Nice Paul !
And here's a complement to get rid of the gap between startStaff and
stopStaff :
\version 2.18.2
{
g d c d
c d
On 13/07/14 15:21, David Kastrup wrote:
James pkx1...@gmail.com writes:
On 13/07/14 11:49, David Kastrup wrote:
Helge Kruse helge.kr...@gmx.net writes:
Am 13.07.2014 11:57, schrieb David Kastrup:
fis a d fis4f! a d f! f a d f q
Well, just write the latter version.
Well. this means
Colin Campbell-8 wrote
How about tucking the overrides into variables, so they could be put into
an \include library?
Good call. Or how about a music function that takes a parameter and scales
the default values, as shown below?
One problem is you can end up hiding a bar line that doesn't
Note, when applied to the end of a Staff group, the bar segment that
joins both staves is omitted.
Avoiding line breaks works as described.
Thanks ! Javier
%
\version 2.18.2
\score {
\new PianoStaff
\new Staff \with { \remove Time_signature_engraver }
\relative c'''{
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