Dear user list,
The suggestion quoted below from the bug-lilypond list
http://lists.gnu.org/archive/html/bug-lilypond/2014-08/msg00037.html
makes sense to me, as an addition to the \language english note-names.
It would not fit in German-style pitch-names, where 'cis' and 'ces' get
Janek Warchoł janek.lilypond at gmail.com writes:
I'm working on putting together a set of functions for handling parts
that split into multiple voices and/or staves
Attachment (definitions.ily): text/x-lilypond, 2359 bytes
Attachment (example.ly): text/x-lilypond, 825 bytes
Attachment
- Original Message -
From: Keith OHara k-ohara5...@oco.net
To: lilypond-user@gnu.org
Sent: Friday, August 29, 2014 7:41 AM
Subject: would 'gn' for G-natural be useful in \language english ?
Dear user list,
The suggestion quoted below from the bug-lilypond list
Is it possible to have a PDF output without
Music Engraving by Lilypond... text?
Thank you
MB
___
lilypond-user mailing list
lilypond-user@gnu.org
https://lists.gnu.org/mailman/listinfo/lilypond-user
That line is created by the tagline header field.
To remove that use
\header {
tagline =
}
You can also use that to _modify_ the text printed there.
HTH
Urs
Am 29.08.2014 11:14, schrieb Marco:
Is it possible to have a PDF output without
Music Engraving by Lilypond... text?
Thank you
MB
On 29/08/14 10:22, Urs Liska wrote:
That line is created by the tagline header field.
To remove that use
\header {
tagline =
}
You can also use that to _modify_ the text printed there.
We should at least refer to the documentation as well, if only to
encourage users to check and then
At 23:41 28/08/2014 -0700, Keith OHara wrote:
The suggestion quoted below from the bug-lilypond list
http://lists.gnu.org/archive/html/bug-lilypond/2014-08/msg00037.html
makes sense to me, as an addition to the \language english note-names.
It would not fit in German-style pitch-names, where
On Fri, 29 Aug 2014, Urs Liska wrote:
That line is created by the tagline header field.
To remove that use
\header {
tagline =
}
Or:
tagline = ##f
Question: is there a difference? Does maybe
tagline =
use any (invisible) vertical space in the output, while
I have been developing LilyPond code to enable the generation of Chord
Charts such as the one attached here.
They differ from conventional music notation by being short, comprising
only Chord Symbols with one or two chord durations, and, ideally, a
fixed measure spacing, usually four to a line.
Hello,
I can't find in the manuals and tutorials
how to add lyrics after n measures.
I want that lyrics start at the 4th measure.
(after a little intro)
How can I do it?
I tried many ways but lyrics start always
with the first measure.
Thank you
MB
Hello Marco,
Spacer rests are available only in note mode and chord mode. In other
situations, for example, when entering lyrics, the command \skip is used to
skip a musical moment. \skip requires an explicit duration, but this is ignored
if the lyrics derive their durations from the notes in
Hello Richard,
\set Score.bars-per-line-engraver '(4))
JM
Am 29.08.2014 um 13:20:57 schrieb Richard Shann rich...@rshann.plus.com:
I have been developing LilyPond code to enable the generation of Chord
Charts such as the one attached here.
They differ from conventional music
English speakers (at least the ones in my part of America) will say cee
or cee-natural for the note C. The latter is to emphasis that you are
not speaking of another pitch like C-sharp. In the key of D, say, some
people will say cee when they mean cee-sharp. cee-natural shows you
haven't made
James said, We should at least refer to the documentation as well, if only
to encourage users to check and then that way we know if perhaps it could
be better explained or referenced.
We _do_ tell you how to do what you want Marco.
I think it's good to encourage users to look in the
On Fri, 2014-08-29 at 16:00 +0200, Jacques Menu wrote:
Hello Richard,
\set Score.bars-per-line-engraver '(4))
Thanks -
I can't get that to compile, and indeed I can't track down
bars-per-line-engraver in the 2.18 docs, but I see it in snippets (see
below).
This anyway appears to
Am 29.08.2014 16:27, schrieb Knute Snortum:
James said, We should at least refer to the documentation as well, if
only to encourage users to check and then that way we know if perhaps
it could be better explained or referenced.
We _do_ tell you how to do what you want Marco.
I think it's
Hello Marco,
Always copy the list in your messages, to let the them know.
Put as many \skip as you have notes in the melody in the first 8 bars if you
use \addlyrics or \lyricsto, otherwise use skip2. eight times for example.
JM
Am 29.08.2014 um 16:29:04 schrieb Marco Bagolin
On 29/08/14 15:44, Urs Liska wrote:
Am 29.08.2014 16:27, schrieb Knute Snortum:
James said, We should at least refer to the documentation as well,
if only to encourage users to check and then that way we know if
perhaps it could be better explained or referenced.
We _do_ tell you how to do
At 07:20 29/08/2014 -0700, Knute Snortum wrote:
English speakers (at least the ones in my part of America) will say
cee or cee-natural for the note C. The latter is to emphasis
that you are not speaking of another pitch like C-sharp.
Agreed.
In the key of D, say, some people will say cee
Il 29/ago/2014 16:27 Knute Snortum ksnor...@gmail.com ha scritto:
I think it's good to encourage users to look in the documentation. I
just want to note that in order to find this passage you have to know the
keyword tagline. It's hard for a new user to know what to search for, so
it seems
On Fri, 29 Aug 2014 03:06:31 -0700, Brian Barker b.m.bar...@btinternet.com
wrote:
At 23:41 28/08/2014 -0700, Keith OHara wrote:
The suggestion quoted below from the bug-lilypond list
http://lists.gnu.org/archive/html/bug-lilypond/2014-08/msg00037.html
makes sense to me, as an addition to the
Brian Barker b.m.bar...@btinternet.com writes:
There are surely two ways of indicating pitches? One is the method
used in musical notation itself, where a note on the C line or space
without any accidental represents any one of C, C-sharp, or C-flat,
depending on the key signature. The other
At 08:38 29/08/2014 -0700, Keith OHara wrote:
In English the names use two parts,
noun-adjective, which allows the construction
C-natural. German has single words (ces c cis)
for the pitches, and these are distinct from the
names for the alterations (Be, AuflösungZeichen, Kreuz).
I see that my question has been asked before:
http://lists.gnu.org/archive/html/lilypond-user/2010-06/msg00127.html
in the more challenging environment where the notes are also being
typeset.
That was four years ago, and no answer to the equal-measure-width
question was given.
I would be happy
Richard Shann rich...@rshann.plus.com writes:
I have been developing LilyPond code to enable the generation of Chord
Charts such as the one attached here.
You may wish to take a look at the playtab program.
http://johan.vromans.org/software/sw_playtab.html
-- Johan
Richard,
On Fri, Aug 29, 2014 at 9:36 AM, Richard Shann rich...@rshann.plus.com
wrote:
On Fri, 2014-08-29 at 16:00 +0200, Jacques Menu wrote:
Hello Richard,
\set Score.bars-per-line-engraver '(4))
Thanks -
I can't get that to compile, and indeed I can't track down
Am 29.08.2014 um 16:58 schrieb Jacques Menu:
Hello Marco,
Always copy the list in your messages, to let the them know.
Put as many \skip as you have notes in the melody in the first 8 bars
if you use \addlyrics or \lyricsto,
Much more convenient: use _ for every note without a lyric
Hwaen Ch'uqi hwaench...@gmail.com writes:
Gretings,
Have you found a remedy for the problem of broken images in LilyPond's
texinfo manuals? If not, I believe I have found the answer, though at
a slight cost of self-guilt. The images are broken because, as the
manuals are now in a different
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