Hi,
The thread went into another direction, so I'll reepeat my question:
Is there any difference between
\header {
tagline =
}
and
\header {
tagline = ##f
}
?
Maybe the first example takes vertical space on a page, the second
doesn't?
--
2014-08-29 8:53 GMT+02:00 Keith OHara k-ohara5...@oco.net:
Janek Warchoł janek.lilypond at gmail.com writes:
I'm working on putting together a set of functions for handling parts
that split into multiple voices and/or staves
Attachment (definitions.ily): text/x-lilypond, 2359 bytes
On Fri, 2014-08-29 at 19:17 +0200, Johan Vromans wrote:
Richard Shann rich...@rshann.plus.com writes:
I have been developing LilyPond code to enable the generation of Chord
Charts such as the one attached here.
You may wish to take a look at the playtab program.
Richard Shann rich...@rshann.plus.com writes:
You may wish to take a look at the playtab program.
What LilyPond ( Denemo) can bring to the party is transposition,
playback, adding (non-printing) drum tracks, using the same music for a
lead sheet and a wealth of other stuff - dynamics, repeat
Hello,
I am transcribing some drum notes. I found two kinds of spanners that
look similar to a trill spanner that have been tweeked a bit. Both have
the wavy line but don't include the \trill in front of the line.
The first spanner starts at the note and stops at the end of the measure.
The
On Sat, 2014-08-30 at 15:09 +0200, Johan Vromans wrote:
Richard Shann rich...@rshann.plus.com writes:
You may wish to take a look at the playtab program.
What LilyPond ( Denemo) can bring to the party is transposition,
playback, adding (non-printing) drum tracks, using the same music
At 15:22 30/08/2014 +0200, Helge Kruse wrote:
I am transcribing some drum notes. I found two kinds of spanners
that look similar to a trill spanner that have been tweaked a bit.
Both have the wavy line but don't include the \trill in front of the line.
[...]
But how can I get the tweaked
Is there a way to access the input filename that lilypond was invoked with in
order to include it in text output to the pdf file generated?
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Patrick or Cynthia Karl wrote
Is there a way to access the input filename that lilypond was invoked with
in order to include it in text output to the pdf file generated?
This snippet shows how:
http://lsr.di.unimi.it/LSR/Item?id=197
HTH,
-Paul
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Am 30.08.2014 16:04, schrieb Brian Barker:
Does this help:
http://osdir.com/ml/lilypond-user-gnu/2011-04/msg00625.html ?
Yes, that's great. With the Lilypond 2.18 syntax I use:
\override TrillSpanner.bound-details.left.text = #'() and
\override TrillSpanner.bound-details.left.padding
Am 29.08.2014 um 08:53 schrieb Keith OHara:
Janek Warchoł janek.lilypond at gmail.com writes:
I'm working on putting together a set of functions for handling parts
that split into multiple voices and/or staves
Attachment (definitions.ily): text/x-lilypond, 2359 bytes
Attachment
Dear List,
If right after an ossia there is a key change in the other parts, the
staff of the ossia extends with the length of the key signature. See
below for an example. I can't figure out how to make the ossia stop
right at the bar line.
I tried to do \set
Message: 8
Date: Sat, 30 Aug 2014 08:34:40 -0700 (PDT)
From: Paul Morris p...@paulwmorris.com
To: lilypond-user@gnu.org
Subject: Re: lilypond input filename access
Patrick or Cynthia Karl wrote
Is there a way to access the input filename that lilypond was invoked with
in order to
I have gotten this to work in score but not in the part
\version 2.18.0
horn = \relative c,
{
\clef bass_8
\key c \major
\time 4/4
fis,1
\time 3/4
(d'2.)
\bar |.
}
\score {
\new Staff \horn
\layout {
}
}
the slur from fis1 to the d'2. doesn't work here but did in the full
score. So
Hi Peter,
2014-08-30 18:42 GMT+02:00 Peter Van Kranenburg
peter.van.kranenb...@meertens.knaw.nl:
I can't figure out how to make the ossia stop right at the bar line.
No clue right now but here's a workaround :
\context Staff = ossia {
\override Staff.StaffSymbol.width = #73.4 % or
Hi Jay,
2014-08-30 21:54 GMT+02:00 i...@soundand.com:
the slur from fis1 to the d'2. doesn't work here but did in the full
score. So what do I do to make this work in the part?
Try :
\version 2.18.0
horn = \relative c, {
\clef bass_8
\key c \major
\time 4/4
fis,1 (
\time 3/4
The slur should be attached to the end of the 'fis', not the beginning of the
'd', like this:
/fis,1(
\time 3/4
d'2.)/
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Sent from the User mailing list archive at Nabble.com.
Simon Albrecht simon.albrecht at mail.de writes:
Am 29.08.2014 um 08:53 schrieb Keith OHara:
You should do something similar for the \together segments.
As you have it now, the together segments are un-tagged, so are
included in all three staves (two of which are not printed).
Oops. We
Hi again,
another solution would have been to put the ossia as a markup, e.g. :
\version 2.18.2
ossia =
\tweak self-alignment-X #RIGHT
\tweak padding #3
\mark\markup\score {
\new Staff
\with {
alignAboveContext = #myStaff
\omit Clef
\omit TimeSignature
fontSize = #-3
Thank you Pierre and Dominic that was the solution.
Jay
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