Re: How can we obtain ties across voices in parallel music?

2014-09-05 Thread Jacques Menu
Hello Abraham and Urs, LP is great, and so is its users list! Thanks for your help, and a nice day! JM Am 04.09.2014 um 20:59:59 schrieb Urs Liska u...@openlilylib.org: The only thing I dislike about this is the use of \hideNotes. \hideNotes makes Notes _transparent_ but doesn't remove

Syntax change with tremolo and articulation

2014-09-05 Thread Urs Liska
Hi, I'm experiencing a syntax change: { bes8:16- } This doesn't compile with 2.18.2 because error: expecting string as script definition It does compile with 2.19.4 (which is the oldest one 2.18.2 I have available). Can anyone tell me when this was changed, i.e. what I should use

Re: Use my roman font digits for time signature

2014-09-05 Thread Simon Albrecht
Hello, how about: \version 2.19.12 \new Staff \with { \override TimeSignature.font-name = #Garamond \override TimeSignature.font-size = 1.5 } { \time 3/4 r4 r r \time 7/8 r r r r8 } It helps if you include some working example code. HTH, Simon Am 05.09.2014 um 07:51 schrieb Jayaratna:

Chord with notes of different lengths

2014-09-05 Thread millar alistair
I want to display the following chord in a common time bar. I cannot find this in the documentation. bottom note crotchet d (above middle c) next up crotchet a next up semibreve f sharp next up semibreve d This is to be played on the violin with the bottom two notes being played at the start of

Re: Chord with notes of different lengths

2014-09-05 Thread Malte Meyn
You can use two voices. I made two variants but I don’t like the second (because semibreves don’t belong on a stem). \version 2.19.13 \relative { % my preferred version: fis'' d'1 \\ d, a'4 % IMHO ugly version: \once \override NoteColumn.ignore-collision = ##t

Re: Use my roman font digits for time signature

2014-09-05 Thread Jayaratna
Dear Simon, thank you for your answer. Your suggestion works, but I need to insert the change in the middle of a part. If I put your override code in the \with part, it overrides also my neomensural initial time signature. \version 2.18.2 \new Staff { \relative c' { %Tenor

Adjusting overall vertical spacing (in general)

2014-09-05 Thread Paul Morris
Hello everyone, When it comes to adjusting vertical spacing using the flexible variables and/or properties: http://lilypond.org/doc/v2.18/Documentation/notation/flexible-vertical-spacing-paper-variables http://lilypond.org/doc/v2.18/Documentation/notation/flexible-vertical-spacing-within-systems

Re: Use my roman font digits for time signature

2014-09-05 Thread Phil Holmes
\once \override Staff.TimeSignature.font-name = #FontName -- Phil Holmes - Original Message - From: Jayaratna jayara...@gmail.com To: lilypond-user@gnu.org Sent: Friday, September 05, 2014 12:15 PM Subject: Re: Use my roman font digits for time signature Dear Simon, thank you

fermatas in parentheses

2014-09-05 Thread Orm Finnendahl
Hi, the following code snippet typesets a fermata in parentheses by defining a custom articulation definition which modifies the default fermata articulation: %- \version 2.19.5 parenfermata = #(let ((m (make-music

Re: Use my roman font digits for time signature

2014-09-05 Thread Jayaratna
Dear Phil, this is simple and perfectly working. I'm also trying to magnify it a little adding part of Simon's code \once \override TimeSignature.font-size = 3 , but my proportion does not show any increase in size. Thank you, A -- View this message in context:

Re: Cello fingering indications

2014-09-05 Thread James
On 04/09/14 01:46, MarcM wrote: Anyone knows why the following snippet does not print the spanner with version 2.19.10 ? fingering_restez.ly http://lilypond.1069038.n5.nabble.com/file/n166031/fingering_restez.ly Colin Campbell-8 wrote On 11-10-31 08:33 PM, David Nalesnik wrote: Hi Colin,

problem with moving notes

2014-09-05 Thread Rus
Hello!I have a problem with moving notes. There is a dotted rhythm and two quarter notes in different voices. I need to move eighth notes to the right. In case like in attached file 001.pdf I used «\once \override NoteColumn.X-offset = #2» (002.pdf). But in case like in attached file 003.pdf

Re: Cello fingering indications

2014-09-05 Thread David Kastrup
James pkx1...@gmail.com writes: On 04/09/14 01:46, MarcM wrote: Anyone knows why the following snippet does not print the spanner with version 2.19.10 ? http://lilypond.1069038.n5.nabble.com/file/n166031/fingering_restez.ly (labelled as 2.19.7 but unlikely to work there). Colin Campbell-8

Re: problem with moving notes

2014-09-05 Thread Urs Liska
Hello, if you don't send us input code we can't really judge what happens. But usually that kind of problems arise when two notes share a NoteColumn, which happens when both have e.g. \voiceTwo assigned. Then your override can only move both notes at the same time - which looks like nothing

Cross-staff voice with modified context.

2014-09-05 Thread Hwaen Ch'uqi
Greetings All, What is the best way of achieving a cross-staff voice where one of the staves must be modified? I fear that I may be missing something very fundamental. Please see the code below, and thank you for any help. Hwaen Ch'uqi \version 2.18.2 \score{ \new PianoStaff \new Staff =

Re: Syntax change with tremolo and articulation

2014-09-05 Thread Davide Liessi
2014-09-05 10:37 GMT+02:00 Urs Liska u...@openlilylib.org: Hi, I'm experiencing a syntax change: { bes8:16- } This doesn't compile with 2.18.2 because error: expecting string as script definition Are you sure? On my machine it compiles correctly (no errors/warnings, expected output)

rest collisions warning but no collision

2014-09-05 Thread bart deruyter
Hi all, running this code (also in attachment) results in a warning saying there are too many colliding rests. I don't see where the collision could be though, the warning shouldn't be there in my opinion. I know it renders fine, but still, I prefer results without warnings, it makes me worry that

Re: Syntax change with tremolo and articulation

2014-09-05 Thread Urs Liska
Am 05.09.2014 15:51, schrieb Davide Liessi: 2014-09-05 10:37 GMT+02:00 Urs Liska u...@openlilylib.org: Hi, I'm experiencing a syntax change: { bes8:16- } This doesn't compile with 2.18.2 because error: expecting string as script definition Are you sure? On my machine it compiles

Re: rest collisions warning but no collision

2014-09-05 Thread Phil Holmes
They are effectively colliding, which you've avoided by moving them as pitched rests. I suggest you get rid of the pitched rests and the stemXX commands, and use voiceOne and voiceTwo for the upper and lower voices. -- Phil Holmes - Original Message - From: bart deruyter To:

Re: problem with moving notes

2014-09-05 Thread Rus
Send input code in attached files.Am 05.09.2014 14:40, schrieb Rus:Hello! I have a problem with moving notes. There is a dotted rhythm and two quarter notes in different voices. I need to move eighth notes to the right. In case like in   attached file 001.pdf I used «\once \override

Re: rest collisions warning but no collision

2014-09-05 Thread bart deruyter
thanks for the suggestion, I'll try it out when I'm back home. One thing remains confusing though. If I've avoided the collision, they are not colliding anymore, so it still should be valid because, well, I've avoided it... By choosing for the voiceOne and voiceTwo technique I'd avoid it as well

Re: rest collisions warning but no collision

2014-09-05 Thread Werner LEMBERG
They are effectively colliding, which you've avoided by moving them as pitched rests. Hmm. `Effectively colliding' isn't user friendly... Is there a way to avoid this warning if pitched rests really don't collide? Werner ___ lilypond-user

Force auto-beaming?

2014-09-05 Thread PMA
Hi List. I have a \cadenzaOn score with many notes, occasional rests, and no barlines. I want beaming imposed for all consecutive (flagged) notes, interruptible only by rests. That was LP 2.12's default auto-beam behavior, but 2.18 in this context (tho with \set Staff.autoBeaming = ##t) only

Re: Cross-staff voice with modified context.

2014-09-05 Thread Simon Albrecht
Hello Hwaen, the code you provided doesn’t compile for me (with 2.19.12, but it has nothing to do with the version). Please send working code. Yours, Simon Am 05.09.2014 um 15:36 schrieb Hwaen Ch'uqi: Greetings All, What is the best way of achieving a cross-staff voice where one of the

Re: Cross-staff voice with modified context.

2014-09-05 Thread Hwaen Ch'uqi
Greetings Simon, Thank you so much for your response. Yes, there was a silly oversight in my code which I have now corrected. Below is the code again followed by the compilation messages. I have also attached the rather strange result as a pdf. Hwaen Ch'uqi \version 2.18.2 \score{ \new

Re: Cross-staff voice with modified context.

2014-09-05 Thread Simon Albrecht
Hello again, Am 05.09.2014 um 20:37 schrieb Hwaen Ch'uqi: Greetings Simon, Thank you so much for your response. Yes, there was a silly oversight in my code which I have now corrected. Below is the code again followed by the compilation messages. I have also attached the rather strange result

oops...

2014-09-05 Thread Simon Albrecht
I forgot the attachment... \version 2.18.2 #(ly:expect-warning no viable initial configuration found: may not find good beam slope) \score{ \new PianoStaff \new Staff = up { \relative c' { \key des \major \time 2/4 \clef treble {

RE: Cross-staff voice with modified context.

2014-09-05 Thread Mark Stephen Mrotek
Hwaen Ch'ugi, Does the attached do what you want? Mark -Original Message- From: lilypond-user-bounces+carsonmark=ca.rr@gnu.org [mailto:lilypond-user-bounces+carsonmark=ca.rr@gnu.org] On Behalf Of Hwaen Ch'uqi Sent: Friday, September 05, 2014 11:38 AM To: Simon Albrecht Cc:

Which Henle style?

2014-09-05 Thread tisimst
All, When I posted earlier this year about the availability of some new music fonts, some of you indicated the desire to have a Henle look-a-like music font (there were others, too, but let's stick with this for now). I've gone through some Urtext editions from Henle, but they all use different

Guitar-legature

2014-09-05 Thread Mario Moles
Hi! How to make the legature like in the jpg? Thanks.-- oiram/bin/selom Da ognuno secondo le proprie capacità ad ognuno secondo i propri bisogni. MIB-kernellinux-tester http://mariomoles.altervista.org/[1] Linux[2] MIB[3] Lilypond[4] Frescobaldi[5] Rosegarden[6] [1]

Re: Guitar-legature

2014-09-05 Thread Phil Holmes
In English, these are referred to as slurs. You should be able to get what you want with \set doubleSlurs = ##t -- Phil Holmes - Original Message - From: Mario Moles To: lilypond-user@gnu.org Sent: Friday, September 05, 2014 9:27 PM Subject: Guitar-legature Hi!

Re: Adjusting overall vertical spacing (in general)

2014-09-05 Thread Paul Morris
Ok, so I've made a first pass and have something that works, see these files: adjust-vert-spacing.ly http://lilypond.1069038.n5.nabble.com/file/n166124/adjust-vert-spacing.ly adjust-vert-spacing-test.ly http://lilypond.1069038.n5.nabble.com/file/n166124/adjust-vert-spacing-test.ly There are

Re: Include a file if it exists

2014-09-05 Thread Urs Liska
Am 06.09.2014 00:36, schrieb Urs Liska: Hi all, I'm looking for a solution to conditionally include a file if it exists Oops. Well, the question is real, but of course I intended to add more to it ... The idea is to include a file with a number of music variables and then include files

Re: Chord with notes of different lengths

2014-09-05 Thread MarcM
I had to do the same for a chord played by violins in Beethoven 5th. Check this this look better. \score { \new Staff { \clef treble \key d \major \time 2/4 \relative c' { d a' \tweak #'duration-log #1 fs' \tweak #'duration-log #1 d'4^\fermata} } } -- View this message in

RE: Silly question, maybe... how the basic chordmode works for lead-sheets

2014-09-05 Thread MarcM
Don, have you checked the doc on Chords mode here: ?http://lilypond.org/doc/v2.18/Documentation/notation/chord-mode hope this helps, -Marc -- View this message in context:

Fwd: Cross-staff voice with modified context.

2014-09-05 Thread Hwaen Ch'uqi
Oops, forgot to send to All! -- Forwarded message -- From: Hwaen Ch'uqi hwaench...@gmail.com Date: Fri, 5 Sep 2014 22:40:01 -0400 Subject: Re: Cross-staff voice with modified context. To: Mark Stephen Mrotek carsonm...@ca.rr.com Greetings Simon and Mark, Thank you both for your

Re: Which Henle style?

2014-09-05 Thread Kieren MacMillan
Hi Abraham, *Which Henle year/style is most desired?* I prefer the Beethoven Piano Sonatas Urtext ca. 1980 to anything I’ve seen recently. There might be older editions which are even better, but I don’t have any in my personal library. Thanks for all the great work on fonts! Kieren.