2014-12-30 5:56 GMT+01:00 Ryan Clarin ryancla...@gmail.com:
Thank you for the welcome and reply. I want to include every fret diagram
at every chord change, the kids simply do better reading a long when they
can see the actual Fret diagram marked up above the music at every change
vs having
2014-12-30 1:38 GMT+01:00 list_lilyp...@infopower.nl:
I'll use your snippet next time when working on the music.
I assume you want me to check the behaviour over a line break.
Anything else?
Anything you notice.
Please report any problem in this list, since I'm only the maintainer of
the
2014-12-30 3:43 GMT+01:00 Jaime E Oliver jaime.oliv...@gmail.com:
Dear David, all,
Thanks for your responses.
Ideally I want to make a graphic notation for overpressure bowing similar to
the xenakis excerpt attached.
No attachment.
I'd be interested in how it looks.
Cheers,
Harm
2014-12-30 3:43 GMT+01:00 Jaime E Oliver jaime.oliv...@gmail.com:
Dear David, all,
Thanks for your responses.
Ideally I want to make a graphic notation for overpressure bowing similar to
the xenakis excerpt attached.
I was thinking of adding stems to a cluster-band as a hopefully day
Further to my query (below) yesterday about varying ralls and accels in
midi, how do I actually get these to work at all?
At the moment the articulate script is working correctly in executing
trills, slurs etc. But it ignores my rit. markings and suchlike. I
have tried entering these using
2014-12-29 23:20 GMT+01:00 Federico Bruni fedel...@gmail.com:
Il giorno lun 29 dic 2014 alle 19:11, Thomas Morley
thomasmorle...@gmail.com ha scritto:
Look at the output from: m = c e g4\arpeggio mus = { \override
Voice.Arpeggio.color = #red \override TabVoice.Arpeggio.color = #red \m }
\new
Dear List,
I sent the following to Jaime E Oliver so I wanted to post it here also.
It's my code for special glissandi.
It's still personal code so naturally it can't be guaranteed to work for
all use cases; all I can is that it works well for my needs.
With a view to making these functions
It's working here.
Nothing special done yet.
Except that commenting out all the lines with
\once \override Tab* gets rid of the spurious TabStaffs in the
output.
regards,
Joe
On Tue, 30 Dec 2014 00:19:02 +0100
Federico Bruni fedel...@gmail.com wrote:
2014-12-29 16:24 GMT+01:00 Federico
2014-12-30 16:43 GMT+01:00 list_lilyp...@infopower.nl:
It's working here.
Nothing special done yet.
Except that commenting out all the lines with
\once \override Tab* gets rid of the spurious TabStaffs in the
output.
You should comment these two lines only in bend.ly:
%%% music
I'm trying to write a choral score that has parts, then an interlude, then
more parts, etc.
When I code it like the following, I get what I'm looking for.
\version 2.18.2
\language english
% Verse 1
\new ChoirStaff
\new Staff {
\relative c'' { c d e f }
}
\new Staff {
\relative
Chris,
Putting each in a separate \score block compiles. I do not know if that is the
only, or best solution.
Mark
From: lilypond-user-bounces+carsonmark=ca.rr@gnu.org
[mailto:lilypond-user-bounces+carsonmark=ca.rr@gnu.org] On Behalf Of Chris
Trahan
Sent: Tuesday, December
Mark Stephen Mrotek wrote
Putting each in a separate \score block compiles. I do not know if that is
the only, or best solution.
They do, but that's certainly not the only NOR best solution. The real
reason it gives you an error is because \score expects a single compound
expression for the
I have a fretboard problem.
I have defined a new fretboard for a plectrum banjo. Everything is working
properly when I specify a chord, except when I specify a SLASH chord, i.e.,
a chord with a designation for the bass player. So for example, if I specify
a G half-diminished chord, all is well.
Thanks Piaras, I'll try them out.
I forgot to attach the xenakis example. Here it is,
best,
J
On Dec 30, 2014, at 10:36 AM, Piaras Hoban phoba...@googlemail.com wrote:
Dear List,
I sent the following to Jaime E Oliver so I wanted to post it here also.
It's my code for special
Am 30.12.2014 13:16, schrieb David Sumbler:
Further to my query (below) yesterday about varying ralls and accels in
midi, how do I actually get these to work at all?
At the moment the articulate script is working correctly in executing
trills, slurs etc. But it ignores my rit. markings and
__
In religion, faith is a virtue. In science, faith is a vice.
-- Jerry Coyne
On 30 Dec 2014, at 20:33, Stan Mulder st4588...@earthlink.net wrote:
Basically, I think the chord in both instances (with or without the slash
notes) should be exactly the same fingerings. How can I correct
Am 30.12.2014 22:08, schrieb Robert Schmaus:
__
In religion, faith is a virtue. In science, faith is a vice.
-- Jerry Coyne
On 30 Dec 2014, at 20:33, Stan Mulder st4588...@earthlink.net wrote:
Basically, I think the chord in both instances (with or without the slash
notes) should be
Simon Albrecht simon.albrecht at mail.de writes:
Using tags should be more efficient, see
http://lilypond.org/doc/v2.18/Documentation/notation/different-editions-from-one-source#using-tags.
HTH, Simon
Simon,
I considered using two different definitions of the chords as Robert
suggested, but
Hi there,
In the following snippet, I want to vertical justification of the three
fret-diagram.
\version 2.19.15
fret-ees = \markup {
\fret-diagram #s:0.5;6-x;5-x;4-5;3-3;2-4;1-3;c:2-1-2;
}
\relative c'' {
\key ees \major
bes8 ^\fret-ees ees bes ees, g4 ^\fret-ees f ^\fret-ees
}
Hi all,
Does anyone have experience with using makefiles?
I've adapted the example from the usage documentation but I keep getting
errors, such as *** No rule to make target `score'
Any help or tips would be greatly appreciated.
Craig
- piece = symphony2
- CPU_CORES=`cat /proc/cpuinfo
On Tue, 2014-12-30 at 22:04 +0100, Simon Albrecht wrote:
Am 30.12.2014 13:16, schrieb David Sumbler:
Further to my query (below) yesterday about varying ralls and accels in
midi, how do I actually get these to work at all?
At the moment the articulate script is working correctly in
Hi Jinsong,
if you like to define all fret diagrams as markup, you can place them in
an lyric line above the staff:
% -
\version 2.19.15
fret-ees = \markup {
\fret-diagram #s:0.5;6-x;5-x;4-5;3-3;2-4;1-3;c:2-1-2;
}
\new Lyrics {
Hello,
I found long ago a way to center rests in single-staff polyphony. But
I dont find it anymore, neither in doc or google (or did I use wrong
words for searching).
To be more explicit, lilypond gives naturally the first rests of the
attachment (beat 2), and I try to obtain automatically the
I’ve seen snippets and templates for all the parts of this, but I have
not found an example that puts everything together:
Is there somewhere a template, or a short example, for a piano score
with all of these:
* tempo markings
* treble staff
* dynamics
* bass staff
* pedal dynamics
formatted
Güntzel Schmidt guentze...@gmx.de writes:
Hi everyone,
I'm new to Lilypond, that's why I haven't contributed to this list,
yet. I just wanted to say thank you to all those who do. By reading
(and trying to understand) your posts I learn a lot, esp what Lilypond
can do. Thanks for letting
Hi Klaus,
Happy New Year. Thank you very much to give a easy way to typesetting
the fret-diagram. It works as what I expect.
Best,
Jinsong
On 2014/12/30 16:13, Klaus Blum wrote:
Hi Jinsong,
if you like to define all fret diagrams as markup, you can place them in
an lyric line above the
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