On Mon, 19 Jan 2015, Urs Liska wrote:
Am 18.01.2015 um 20:42 schrieb Kieren MacMillan:
My idea is that we have a basic set of stylesheets for the main types of
scores — e.g., piano solo, organ solo, instrumental solo/part, choir, full
score, etc. — which can be \include-d by the user to
Speaking as a newbie, I also love this idea, as I’m understanding it. I had
been surprised not to find a template for the “lead sheets” I’ve been making.
On Jan 18, 2015, at 6:59 PM, Tom Cloyd tomcloydm...@gmail.com wrote:
I have to say that I like this idea a LOT. Like Urs' suggestion too.
Hi Keith,
Thanks for adding the issue to the tracker — it’s a great starting place.
You have to admit that this does (accidentally) make it sound a bit like you
are looking for a convenient way to write music with no regard for the
instrument.
Not at all. I inhabit [at least] three roles
On Mon, Jan 12, 2015 at 07:29:39AM -0500, Kieren MacMillan wrote:
Hi Keith,
I guess you enter the notes in concert pitch, then ?
Yes — I can’t imagine entering it any other way and maintaining my sanity. :)
I certainly understand that as being the most common need. However I am not a
Hi Urs (et al.),
Maybe having it as a semi-official library would be more manageable?
Sure… whatever works best!
A suggestion regarding the interface: how about
\include stylesheets/choral/octavo.ily”
Okay.
There could be a hierarchy of different building blocks, and the actual
Am 2015-01-19 um 09:44 schrieb Kieren MacMillan kieren_macmil...@sympatico.ca:
Hi all,
I had been surprised not to find a template for the “lead sheets” I’ve been
making.
Yes!
Let’s start making a list of the “big picture” targets:
piano solo
instrument solo/part
On 01/18/2015 09:44 PM, Kieren MacMillan wrote:
Other obvious ones?
Melody + chords (tunes, e.g. Irish or old-timey)
Instrument + piano (accompanied instrument solo)
~crism
--
Chris Maden, text nerd URL: http://crism.maden.org/
Surround hate and force it to surrender.
GnuPG fingerprint: DB08
On Sun, 18 Jan 2015 22:44:29 -0500
Kieren MacMillan kieren_macmil...@sympatico.ca wrote:
Other obvious ones?
choir (4 voices) + guitar chords (names)
I have a set of templates that I currently use for this.
I can define the melodies, and one or more lyrics for each melody. All is
automatically
Hi all,
I had been surprised not to find a template for the “lead sheets” I’ve been
making.
Yes!
Let’s start making a list of the “big picture” targets:
piano solo
instrument solo/part
orchestra score
choir, a cappella
choir plus piano
piano + voice, art song
On Sun, Jan 18, 2015 at 8:44 PM, Kieren MacMillan
kieren_macmil...@sympatico.ca wrote:
Let’s start making a list of the “big picture” targets:
piano solo
instrument solo/part
orchestra score
choir, a cappella
choir plus piano
piano + voice, art song
piano +
On Sat, 17 Jan 2015 22:58:53 -0800
Matthew James Briggs matthew.james.bri...@gmail.com wrote:
Oops this is actually superfluous because the preview app on Mac OS X
updates with any changes as soon as I click on it, so just leaving the pdf
open when compiling works no problem.
So do many
I have to say that I like this idea a LOT. Like Urs' suggestion too. Seems
like this should just be a part of the package - kind of an adjunct to
the exceptional documentation that has always been a part of Lily.
Tom
(classic guitar)
On Sun, Jan 18, 2015 at 4:58 PM, Tom Cloyd
Hi Klaus,
On Sat, Jan 17, 2015 at 9:54 AM, Klaus Blum benbigno...@gmx.de wrote:
Hi David,
one more big THANK YOU for your fast reply.
You're very welcome!
Yes, it was very helpful.
I have updated music-boxer-stencil so that it works again with the
boxEngraver. Finally I did some
I'm setting some music with temporary staves, and ensuring the the
temporary staff is above the main staff using
\new Staff \with { alignAboveContext = #label}
I'm also using a dynamics context, which is created with
\new Dynamics \with { alignAboveContext = label }
The problem is that
Thank you! I will look into that.
I do actually use Frescobaldi for LP, now that I think of it. It's really only
a problem for LaTeX and Gregorio, for me, I guess. Still, I will look into it.
On Jan 18, 2015, at 6:50 AM, Kevin Barry barr...@gmail.com wrote:
On Sun, Jan 18, 2015 at
Hi all,
Following up on this thread from December…
Attached is an example containing the choral parts from the first verse of my
“Wither’s Carol”. (If you’re interested, you can find more information on the
piece, including a recording, at http://kierenmacmillan.info/withers-carol/.)
My goal
My current project is a quartet. The score and each of the 4 parts are
in separate \book blocks.
I have #(set-global-staff-size 16) before the score \book, and
#(set-global-staff-size 20) before the first of the 4 part \book blocks
which follow.
Today I turned my attention to formatting the
On Sun, Jan 18, 2015 at 12:47 PM, Conor Cook conor.p.c...@gmail.com wrote:
Is there a way on Windows to do so?
Neither my program, Foxit, or the built-in allows that.
Sumatrapdf is an auto-updating pdf reader for windows. Maybe take a look at
that.
Or use frescobaldi!
Is there a way on Windows to do so?
Neither my program, Foxit, or the built-in allows that.
On Jan 18, 2015, at 2:01 AM, Johan Vromans jvrom...@squirrel.nl wrote:
On Sat, 17 Jan 2015 22:58:53 -0800
Matthew James Briggs matthew.james.bri...@gmail.com wrote:
Oops this is actually
On 18 Jan 2015, at 07:54, Matthew James Briggs
matthew.james.bri...@gmail.com wrote:
When calling LilyPond from the command line (I'm on Mac OS X) like this
exec /Applications/LilyPond.app/Contents/Resources/bin/lilypond pathtomy.ly
is there a flag to tell the program to open the
Hello all!
I recently sent a post about my choral piece, and had to *not* use my choral
stylesheet. Seeing what the default output looks like lit a fire under my butt
to get a stylesheet project going ASAP — I haven’t really seen a default
Lilypond score (as opposed to tiny snippets) in at
Am 18.01.2015 um 19:08 schrieb Thomas Morley:
2015-01-18 18:31 GMT+01:00 Samuel DA MOTA da.mota@gmail.com:
Hi,
On the following documentation, it explains how to create arpeggios
across notes in different voices.
Exactly,
That's perfect. Thanks!
Might be worth to add this example to the documentation, or at the
very least to the LSR.
What do you think?
Regards,
--
Sam
On 18/01/2015, Thomas Morley thomasmorle...@gmail.com wrote:
2015-01-18 18:31 GMT+01:00 Samuel DA MOTA da.mota@gmail.com:
Hi,
On
Hi David,
But is there perhaps a better way of getting the titles to appear the
same size in the score and parts, despite the different staff sizes in
the music that follows the titles?
\markup \abs-fontsize …
is your friend. =)
Hope this helps!
Kieren.
___
Kieren
On Sun, 2015-01-18 at 11:25 -0500, Kieren MacMillan wrote:
Hi David,
But is there perhaps a better way of getting the titles to appear the
same size in the score and parts, despite the different staff sizes in
the music that follows the titles?
\markup \abs-fontsize …
is your
Hi,
On the following documentation, it explains how to create arpeggios
across notes in different voices.
http://lilypond.org/doc/v2.19/Documentation/notation/expressive-marks-as-lines#arpeggio
I tried to tweak the example to get parenthesis arpeggios across
voices, with no success.
Can anyone
Hi David,
I am getting a bizarre result: the titles
in the score are as specified in my version of bookTitleMarkup; but
although the parts have the correct font-sizes, both vertical spacing of
the lines and horizontal spacing of individual letters is abnormal, and
is in proportion to the
2015-01-18 18:31 GMT+01:00 Samuel DA MOTA da.mota@gmail.com:
Hi,
On the following documentation, it explains how to create arpeggios
across notes in different voices.
http://lilypond.org/doc/v2.19/Documentation/notation/expressive-marks-as-lines#arpeggio
I tried to tweak the example to
Hi,
if I am not mistaken, there was some discussion and a solution how to get the
line space consistent for different settings of the staff space within the
discussion about a new Mutopia tagline.
Unfortunately, I can not find it anymore. But I think it involved having a zero
baseline-skip:
Am 18.01.2015 um 20:42 schrieb Kieren MacMillan:
Hello all!
I recently sent a post about my choral piece, and had to *not* use my choral
stylesheet. Seeing what the default output looks like lit a fire under my butt
to get a stylesheet project going ASAP — I haven’t really seen a default
Phil Holmes writes:
I'm setting some music with temporary staves, and ensuring the the
temporary staff is above the main staff using
\new Staff \with { alignAboveContext = #label}
I'm also using a dynamics context, which is created with
\new Dynamics \with { alignAboveContext =
2015-01-18 19:35 GMT+01:00 Urs Liska u...@openlilylib.org:
Am 18.01.2015 um 19:08 schrieb Thomas Morley:
2015-01-18 18:31 GMT+01:00 Samuel DA MOTA da.mota@gmail.com:
Hi,
On the following documentation, it explains how to create arpeggios
across notes in different voices.
On Sun, Jan 18, 2015 at 2:42 PM, Kieren MacMillan
kieren_macmil...@sympatico.ca wrote:
Hello all!
I recently sent a post about my choral piece, and had to *not* use my
choral stylesheet. Seeing what the default output looks like lit a fire
under my butt to get a stylesheet project going
Thomas Morley thomasmorle...@gmail.com writes:
I'm ashamed I couldn't figure how to use a function with an optional
argument for it.
Best I found is:
#(define* (parenthesized-arpeggio #:optional (ctx Bottom))
#{
\override #ctx . Arpeggio.stencil = #ly:arpeggio::brew-chord-slur
Hi again,
How about :
\version 2.19.15
myOssia = \relative c' {
R1*2
\new Staff
\with { alignAboveContext = #essai \magnifyStaff #5/7 }
{ c4 c c c }
R1
R1*5
}
myMusic = \relative c' {
c1 c c c c c c c
}
myDynamics = {
s1\f s s\p s\f s
\break
s s\p s\pp
}
Phil Holmes wrote Sunday, January 18, 2015 8:29 PM
- Original Message -
From: Phil Holmes m...@philholmes.net
To: lilypond-user@gnu.org
Sent: Sunday, January 18, 2015 3:11 PM
Subject: Order of contexts over staves
I'm setting some music with temporary staves, and ensuring the
2015-01-18 22:38 GMT+01:00 David Sumbler da...@aeolia.co.uk:
On Sun, 2015-01-18 at 12:40 -0500, Kieren MacMillan wrote:
Hi David,
I am getting a bizarre result: the titles
in the score are as specified in my version of bookTitleMarkup; but
although the parts have the correct font-sizes,
2015-01-18 23:11 GMT+01:00 David Kastrup d...@gnu.org:
Thomas Morley thomasmorle...@gmail.com writes:
I'm ashamed I couldn't figure how to use a function with an optional
argument for it.
Best I found is:
#(define* (parenthesized-arpeggio #:optional (ctx Bottom))
#{
\override #ctx
- Original Message -
From: Phil Holmes m...@philholmes.net
To: lilypond-user@gnu.org
Sent: Sunday, January 18, 2015 3:11 PM
Subject: Order of contexts over staves
I'm setting some music with temporary staves, and ensuring the the
temporary staff is above the main staff using
\new
Hi Phil, Hi Trevor,
If that helps here are other trials I was working on.
Noting found yet though.
\version 2.19.15
myOssia = \relative c' { c4 c c c }
myMusic = \relative c' {
c1 c
\new Staff \with {
\magnifyStaff #5/7
alignAboveContext = #label
}
\new Voice =
On Tue, 13 Jan 2015 05:54:48 -0800, Kieren MacMillan
kieren_macmil...@sympatico.ca wrote:
I understand that in realistic cases you probably have the notes in one
variable and options for arrangements in another parallel sequence
flute_notes = {c'2 c'' }
arrangementB = {s1*4
On Sun, 2015-01-18 at 12:40 -0500, Kieren MacMillan wrote:
Hi David,
I am getting a bizarre result: the titles
in the score are as specified in my version of bookTitleMarkup; but
although the parts have the correct font-sizes, both vertical spacing of
the lines and horizontal spacing of
42 matches
Mail list logo
