Hi again,
please always reply to all ;)
2015-03-15 14:19 GMT+01:00 Amelie Zapf a...@ameliezapf.com:
Hi Thomas,
Though, I can easily imagine situations where c e g d is dominant or
subdominant or tonic, depends on the surrounding circumstances.
True. But the reverse doesn't hold.
So
Hi Nick,
2015-03-15 2:55 GMT+01:00 Nick Payne nick.pa...@internode.on.net:
Not to answer your question, but why not do it like this, which seems a
lot simpler. If you want to preface the Roman numeral fret number with C,
just add C as the first thing after the opening brace for the markup.
Dear lilypond-user team,
starting with LilyPond 2.16, and on into 2.18, the chord naming
algorithm does not distinguish between a chord c e g bes d and c e g
d' in relative notation. Both are named C9. This is wrong, since
functionally, the former is a dominant, the latter a tonic, so there
must
On Wed, 2015-03-04 at 12:53 +, Kevin Barry wrote:
On Wed, Mar 4, 2015 at 12:39 PM, David Sumbler da...@aeolia.co.uk
wrote:
What I want is for the individual instruments' dynamics to
remain with
and apply to them, but simultaneously to allow any dynamics in
Hi,
is there a way to avoid page breaks when creating a new \bookpart?
I am writing a book of exercises, and each book part consists of
multiple exercises, each exercise is rendered within a \score. I am
not sure this is the optimal subdivision for a book of exercises, does
anybody have
Hello,
Am , schrieb Amelie Zapf:
problem solved: \set Score.additionalPitchPrefix = add does the
trick.
However, this should be default behavior, because C9 and Cadd9 are just
not the same thing, but describe chords with vastly different harmonic
function.
seems we all stumble about that
Am 15.03.2015 um 14:23 schrieb Francesco Petrogalli:
Hi,
is there a way to avoid page breaks when creating a new \bookpart?
No, there isn’t. Actually, having a page break inbetween is most of the
point of having multiple bookparts. What’s more, each bookpart may have
its own \paper block,
Hi Amelie,
2015-03-15 10:57 GMT+01:00 Amelie Zapf a...@ameliezapf.com:
Dear lilypond-user team,
starting with LilyPond 2.16, and on into 2.18, the chord naming
algorithm does not distinguish between a chord c e g bes d and c e g
d' in relative notation. Both are named C9.
Yep.
The
Dear lilypond-user team,
problem solved: \set Score.additionalPitchPrefix = add does the trick.
However, this should be default behavior, because C9 and Cadd9 are just
not the same thing, but describe chords with vastly different harmonic
function.
Regards,
Amy
--
Dr. Amelie Zapf
Hi Stephen, Hi Kevin,
Kevin's right, it's an easy way to get a curved line:
\version 2.18.2
\markup {
%% your example:
\draw-line #'(1 . 1)
%% your example in path mode:
\path #0.1 #'((moveto 0 0)(curveto 0 0 0 0 1 1))
%% concave example:
\path #0.1 #'((moveto 0 0)(curveto 0 0 1 0 1
Thanks everybody for the kind help. I opted for Samuel's solution.
Now I have only 1 book part, with many scores inside of it. Placing
the header command inside the first score of a group of scores plus
some scoreTitleMarkup customization give me the result I want.
Bart, you might have missed
Hi LilyPond experts,
I'm trying to make a function that will draw a curved line given only a
destination point (with some math I'll add later), but I've hit an early
stumbling block: I can't seem to substitute variables for values in the
path/curveto command list. The following code produces a
Francesco,
when I started with lilypond it was confusing for me too. You can however
have multiple score blocks in one file. Then they don't end up on one
system.
My workflow on large amounts of exercises is as such:
- create a file for each exercise
- create a new file, in which you include
Francesco Petrogalli wrote
As I said, I'd like to avoid the page break between 'sections'.
Francesco,
Have you considered modifying the \header format for scores? If I were in
your situation, I might try modifying scoreTitleMarkup to look the way I
wanted. There are some examples at
On Sun, 15 Mar 2015 14:39:23 +0100
Thomas Morley thomasmorle...@gmail.com wrote:
And that's the reason why 'additionalPitchPrefix' was changed.
Sounds fair.
But the bottom line is that two different ordinary chords c e g bes d and
c e g d' are both named C9 and hence loose the distinction.
Hi,
I have attached a set of .ly file that illustrate what I am doing.
I would like to have multiple exercise under the same section, which
I am now rendering as \bookpart. As I said, I'd like to avoid the page
break between 'sections'. I tried to use the \header command inside
the \score
Have you considered modifying the \header format for scores? If I were in
your situation, I might try modifying scoreTitleMarkup to look the way I
wanted. There are some examples at
http://lilypond.org/doc/v2.18/Documentation/notation/custom-titles-headers-and-footers#custom-layout-for-titles
Am 15.03.2015 um 18:15 schrieb Francesco Petrogalli:
Hi,
I have attached a set of .ly file that illustrate what I am doing.
I would like to have multiple exercise under the same section, which
I am now rendering as \bookpart.
Which logically makes sense.
As I said, I'd like to avoid the
Francesco Petrogalli wrote
Well, the problem with such modification is that I don't know how to
place multiple exercises in the same score.
If I place multiple staves in a score, they get rendered together in
the same system.
You could put the title on just the first score of each section
Am , schrieb Thomas Morley:
2015-03-15 14:19 GMT+01:00 Amelie Zapf a...@ameliezapf.com:
Though, I can easily imagine situations where c e g d is
dominant or
subdominant or tonic, depends on the surrounding circumstances.
True. But the reverse doesn't hold.
So far, I'd agree
Again, I
Hi Thomas,
Thank you the solution, and for explaining how. I learned a lot from this!
Kevin
On Sun, Mar 15, 2015 at 9:27 PM, Thomas Morley thomasmorle...@gmail.com
wrote:
2015-03-15 22:07 GMT+01:00 Thomas Morley thomasmorle...@gmail.com:
2015-03-15 21:48 GMT+01:00 Kevin Barry
Date: Fri, 06 Mar 2015 16:00:10 -0600
From: Cynthia Karl pck...@mac.com
Subject: Re: Quoted music and midi
I wouldn?t consider that a problem... if I quote the violin part in a
trumpet part, I wouldn?t expect to hear the brass honking away in the
MIDI rendition. Quoting, IMO, is best for
2015-03-15 21:48 GMT+01:00 Kevin Barry barr...@gmail.com:
Hi LilyPond experts,
I'm trying to make a function that will draw a curved line given only a
destination point (with some math I'll add later), but I've hit an early
stumbling block: I can't seem to substitute variables for values in
2015-03-15 22:07 GMT+01:00 Thomas Morley thomasmorle...@gmail.com:
2015-03-15 21:48 GMT+01:00 Kevin Barry barr...@gmail.com:
Hi LilyPond experts,
I'm trying to make a function that will draw a curved line given only a
destination point (with some math I'll add later), but I've hit an
I want to be able to highlight sections (just a few measures).
Some past work:
- http://lsr.di.unimi.it/LSR/Snippet?id=699 - manual markup
- http://lists.gnu.org/archive/html/lilypond-user/2008-09/msg00083.html
- http://lsr.di.unimi.it/LSR/Snippet?id=726 - colors whole staff
Has there been any
Greetings folks,
I’m using a Dynamics context for pedals. I would like to be able to replace the
vertical up bracket at the end of certain sustainOff events with an arrowhead
or other glyph or indeed some postscript. How could this be done?
What are pedal line markings exactly? Are they
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