-Original Message-
From: Thomas Morley [mailto:thomasmorle...@gmail.com]
Sent: Tuesday, May 26, 2015 5:33 PM
To: Peter Gentry
Cc: lilypond-user
Subject: Re: Subject: Re: Notehead color on programmed pitch change
2015-05-26 18:09 GMT+02:00 Peter Gentry peter.gen...@sunscales.co.uk:
Marc Hohl marc at hohlart.de writes:
Am 27.05.2015 um 00:12 schrieb Sébastien Besnier:
Hello,
... Is it a way to specify the rhythm, and then
gives the notes ? For example, my snippet could rewrite:
\repeatRythm{8. 16}{c, c f e d d e f}
Have a look at
-Original Message-
From: Peter Gentry [mailto:peter.gen...@sunscales.co.uk]
Sent: Wednesday, May 27, 2015 10:16 AM
To: 'lilypond-user@gnu.org'
Cc: 'Thomas Morley'
Subject: Re: Notehead color on programmed pitch change
-Original Message-
From: Thomas Morley
Hi Joram,
2015-05-26 14:46 GMT+02:00 Noeck noeck.marb...@gmx.de:
Dear Pierre,
thanks for looking into this. However, I don't understand what you tell
me here. If I run your code, I see that it does *not* automatically
scale the brace but it is rather odd: too small or too big.
Cheers,
Op Tue, 26 May 2015 05:52:29 +0200
Helge Kruse helge.kr...@gmx.net schreef:
many thanks for this excellent program and the installer. I had never
any problem with the installation as it runs out of the box. The
components in the installer are assembled by you with intention and I
have the
-Original Message-
From: Phil Holmes [mailto:m...@philholmes.net]
Sent: Wednesday, May 27, 2015 11:49 AM
To: Peter Gentry; lilypond-user@gnu.org
Cc: 'Thomas Morley'
Subject: Re: Notehead color on programmed pitch change (now \tweak)
- Original Message -
From: Peter Gentry
Hello all,
For many of the markup items in my scores, I use Lilypond’s built-in
\abs-fontsize function, and Mike Solomon’s useful \absFontsize extension
(designed for grobs that don’t respond to \abs-fontsize).
In general, this is (for me) superior to using relative font sizes, since I
have
Hi Werner,
I use a solution as below.
This is great! Thanks.
1. Any thought about submitting a patch for inclusion in the main distro?
2. Maybe along with Mike Solomon’s \absFontSize function (which has proven
invaluable to me):
%%
allowGrobCallback =
#(define-scheme-function
I use a solution as below.
Oops! Here the complete e-mail.
Werner
==
#(define-public (pt-to-ss size)
Convert from points to staff space units.
;; The value `output-scale' gives the size (in mm) of the staff
Is there any way to set baseline-skip in absolute measurements?
I use a solution as below.
Werner
==
#(define-public (pt-to-ss size)
Convert from points to staff space units.
;; The value `output-scale' gives the
On Wed, May 27, 2015 at 4:15 AM, Peter Gentry peter.gen...@sunscales.co.uk
wrote:
[...]
(make-music
'SequentialMusic
'elements
(list (make-music
'NoteEvent
'duration
(ly:make-duration 0)
'pitch
(ly:make-pitch 0 0))
On Tue, 2015-05-26 at 12:47 -0500, David Nalesnik wrote:
Hi David,
On Tue, May 26, 2015 at 10:32 AM, David Sumbler da...@aeolia.co.uk
wrote:
I often use 's1*0\!' to end a hairpin just before a barline.
But how can a get a dynamic mark (e.g. 'ff') to appear at the
- Original Message -
From: David Sumbler da...@aeolia.co.uk
But both of these are work-arounds for something which is actually
fairly normal musical notation. They are work-arounds because one
method implies that a note is not really the length that it appears to
be, and the other
Hi david
I think the hairpin alignment is with the DynamicText which aligns under
the note. So by moving the text the hairpin follows.
\once \override DynamicText.X-offset = #'x
So you could do
{
c''4\ \once \override DynamicText.X-offset = #'1.1 c''2.\ff |
R1 |
}
However in the first
On 26/05/2015 20:17, Jacques Menu wrote:
Hello David,
Maybe this snippet can help you :
http://lsr.di.unimi.it/LSR/Item?id=562
JM
Le 26 mai 2015 à 08:53, David G castle.cub...@gmail.com
mailto:castle.cub...@gmail.com a écrit :
Hello all,
Does anyone have any tips for achieving the effect
Am 27.05.2015 um 00:12 schrieb Sébastien Besnier:
Hello,
In a lot a pieces, there are often a rhythmic motif which is repeated.
For example, something like:
c,8. c16 f8. e16 d8. d16 e8. f16
is quite annoying to write. Is it a way to specify the rhythm, and then
gives the notes ? For example,
On 26/05/2015 17:31, Colin Jesse Kinlund wrote:
\version 2.18.2
firstVoice = \lyricmode {
I -- av -- na -- na, }
pirveliEkhma = \lyricmode {
ი -- ავ -- ნა -- ნა, }
melody = \relative c'' {
\time 5/4 c4 d e e8( d4.)}
\score {
\new ChoirStaff
\new Voice = pirveli
{ \melody }
\new Lyrics
Hi Pierre,
now it makes sense to me. Thanks for the explanation. Once I know how to
use it correctly, I see that this is perfectly what I was looking for.
Thanks,
Joram
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On Wed, May 27, 2015 at 5:19 PM, Mats Bengtsson mats.bengts...@ee.kth.se
wrote:
As has already been discussed, the question is what the musical meaning of
such a notation would be. Certainly, I can think of printed music, not to
mention hand-written manuscripts, where dynamic marks are placed
Am 27.05.2015 um 22:03 schrieb David Sumbler:
But both of these are work-arounds for something which is actually
fairly normal musical notation. They are work-arounds because one
method implies that a note is not really the length that it appears to
be, and the other method implies that the
On Wed, 2015-05-27 at 16:52 -0500, David Nalesnik wrote:
Hi David,
On Wed, May 27, 2015 at 3:03 PM, David Sumbler da...@aeolia.co.uk
wrote:
But both of these are work-arounds for something which is
actually
fairly normal musical notation. They are
Hi David,
On Wed, May 27, 2015 at 3:03 PM, David Sumbler da...@aeolia.co.uk wrote:
But both of these are work-arounds for something which is actually
fairly normal musical notation. They are work-arounds because one
method implies that a note is not really the length that it appears to
On Wed, 2015-05-27 at 22:14 +0100, Phil Holmes wrote:
- Original Message -
From: David Sumbler da...@aeolia.co.uk
But both of these are work-arounds for something which is actually
fairly normal musical notation. They are work-arounds because one
method implies that a note is
David Sumbler david at aeolia.co.uk writes:
I often use 's1*0\!' to end a hairpin just before a barline.
Is that needed? If you end it on the first note of the next bar, it should
be typeset to end just before the barline, see
On 26.05.2015, at 23:58, Carl Sorensen c_soren...@byu.edu wrote:
Let's try again. I have checked this version; it has the warning code.
Yes, it does. Looks very good to me!
Thanks a lot,
patrick
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