On Sat 12 Dec 2015 at 09:47:18 (+0100), David Kastrup wrote:
> David Wright writes:
>
> > Excuse my top-posting, but is there any context for this message?
> > http://lists.gnu.org/archive/html/lilypond-user/2015-12/msg00296.html
> > is no help either. It *might* be
Actually, coverting between the ratios and semitones has alread been done,
as there's a simple set of log and mround functions that do it. Have a look
in the OLL repository under notation-tools and you should find the .ily
files.
Cheers,
A
On Sun, Dec 13, 2015 at 7:51 AM,
On Sat, 12 Dec 2015, N. Andrew Walsh wrote:
> accidentals as needed. I suppose, rather than having Lily/Scheme calculate
> prime factors on the fly at runtime, it would be easier to have a lookup
> table of the prime factorization for each integer up to a certain limit (but
> that would end up
Hello All,
In discussion with the developer and some checks we have done, it appears that
the issue lies with Adobe Acrobat rendering on Mac OS X El Capitan. Using
Preview on the Mac, everything is rendered nicely. It also renders fine on
Document Viewer in Linux. I am pleased to report
Oh, so sorry - the original message I now see was on the lilypond bug
list, not the lilypond user list to which I have incorrectly replied.
Apologies for the mistake,
Andrew
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David Wright writes:
> Excuse my top-posting, but is there any context for this message?
> http://lists.gnu.org/archive/html/lilypond-user/2015-12/msg00296.html
> is no help either. It *might* be helpful to be able to see the
> Message-ID and In-Reply-To for the
Although I quite often find myself needing to use
\override Voice.Hairpin.minimum-length = #2
or similar, I find that the results are unpredictable (to me!)
Sometimes I have a very short hairpin, perhaps starting on a quaver and
ending on the next quaver. In the output such a hairpin sometimes
Hi Paul,
thanks for getting back to me. To update the list: I'm working on making a
set of stencils (using the various svg-to-path functions that Lily and the
snippets repository have), which will then be used by the just-intonation
toolset Urs is working on to build custom accidentals from
Hi Andrew,
> On Dec 12, 2015, at 10:38 AM, N. Andrew Walsh
> wrote:
>
> I've been doing some background work on my just-intonation accidentals, and I
> was hoping you could give me some advice on the svg-to-path translation. I
> know what the stencils should look
Hi Harm,
2015-12-06 0:44 GMT+01:00 Thomas Morley :
> 2015-12-05 21:49 GMT+01:00 Pierre Perol-Schneider
> :
> > Hi Ryan,
> > The attached file seems to do the job.
> > Cheers,
> > Pierre
>
> @Pierre
> How did you create the file?
> If I
> Anyway, that’s how I’ve done this kind of thing. It’s not simple but it
> works!
If I understand the procedure correctly, wouldn't it be easier to use a
tool like fontforge add/adjust font glyphs?
-- Johan
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2015-12-13 0:16 GMT+01:00 David Kastrup :
> Thomas Morley writes:
>
>> Though, I thought about some sort of macro, doing the job like:
>>
>> %% the macro:
>> \simple-define-markup-command
>> %% the args:
>> % name:
>> bold-red
>> % body:
>> \bold
Thomas Morley writes:
> Though, I thought about some sort of macro, doing the job like:
>
> %% the macro:
> \simple-define-markup-command
> %% the args:
> % name:
> bold-red
> % body:
> \bold \with-color #red \etc
>
> I think it would prevent some confusions.
2015-12-12 17:46 GMT+01:00 David Sumbler :
> Although I quite often find myself needing to use
>
> \override Voice.Hairpin.minimum-length = #2
>
> or similar, I find that the results are unpredictable (to me!)
>
> Sometimes I have a very short hairpin, perhaps starting on a
I’m engraving a piece that ends with a D.C. al Fine. Also the key at the
beginning of the piece is different from the key at the end of the piece. So,
in order to cue the performer, a final key change is issued for the initial key:
\version "2.19.32"
{ \relative c'' {
\key g\major
Just add a "s8" after the key change.
HTH,
Abraham
On Saturday, December 12, 2015, Cynthia Karl [via Lilypond] <
ml-node+s1069038n184706...@n5.nabble.com> wrote:
> I’m engraving a piece that ends with a *D.C. al Fine*. Also the key at
> the beginning of the piece is different from the key at
Am 12. Dezember 2015 16:38:13 MEZ, schrieb "N. Andrew Walsh"
:
>Hi Paul,
>
...
>
>The system works like this:
>
>1) each accidental has a long thin vertical line: approximately 1
>staff-height,
This triggers a question: *where* do you want the accidental to be
2015-12-12 21:41 GMT+01:00 Pierre Perol-Schneider
:
> Hi Harm,
>
> 2015-12-06 0:44 GMT+01:00 Thomas Morley :
>>
>> 2015-12-05 21:49 GMT+01:00 Pierre Perol-Schneider
>> :
>> > Hi Ryan,
>> > The attached
2015-12-12 22:35 GMT+01:00 Thomas Morley :
> 2015-12-12 17:46 GMT+01:00 David Sumbler :
>> Although I quite often find myself needing to use
>>
>> \override Voice.Hairpin.minimum-length = #2
>>
>> or similar, I find that the results are unpredictable
2015-12-11 11:50 GMT+01:00 David Kastrup :
>> Having
>> \markup bold-red = <ẃhat-ever>
>> ,i.e. a definition might lead to confusions.
>
> The compiler isn't confused. The question is more about the user.
Yep, that was exactly my concern.
>> Is it possible to create a
> > From: Cynthia Karl
> > To: lilypond-user
> > Subject: Extending staff lines through key change
> > Date: Sat, 12 Dec 2015 15:41:32 -0600
> >
> > I’m engraving a piece that ends with a D.C. al Fine. Also the key
> > at the beginning of the piece is
Am 12. Dezember 2015 23:08:53 MEZ, schrieb Paul Morris :
>> On Dec 12, 2015, at 3:34 PM, Johan Vromans
>wrote:
>>
>> If I understand the procedure correctly, wouldn't it be easier to use
>a
>> tool like fontforge add/adjust font glyphs?
>
>Maybe so,
It would not, because the accidentals I use are in an open system of just
intonation (not a fixed scale) in which *any* conceivable ratio can be
represented (so long as I have the module for its respective prime
factors). This is a serious limitation of a lot of systems, in that the
moment you
> On Dec 12, 2015, at 3:34 PM, Johan Vromans wrote:
>
> If I understand the procedure correctly, wouldn't it be easier to use a
> tool like fontforge add/adjust font glyphs?
Maybe so, but the result is less portable because (if I understand correctly)
you'd have to have a
Hi,
see a recent conversation:
http://lilypond.1069038.n5.nabble.com/WAS-Staff-ends-before-clef-time-and-key-td183976.html
HTH,
~Pierre
2015-12-12 22:41 GMT+01:00 Cynthia Karl :
> I’m engraving a piece that ends with a *D.C. al Fine*. Also the key at
> the beginning of the
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