Unwanted barline. How to get rid of it?

Dear all, In one of the pieces that I'm presently typesetting there appears, near the end, after a repeat, a barline that should not be there. (See the MWE below) How can I either get rid of it or else hide it? _ \version "2.18.2" {\relative c { \clef bass

Re: Unwanted barline. How to get rid of it?

Your 3rd full bar has only 5 quavers. It should be a partial, if that's what you want. On 23 December 2015 at 11:47, Robert Blackstone wrote: > Dear all, > > In one of the pieces that I'm presently typesetting there appears, near > the end, after a repeat, a

Re: Unwanted barline. How to get rid of it?

On 23 December 2015 at 12:03, Chris Yate wrote: > Your 3rd full bar has only 5 quavers. It should be a partial, if that's > what you want. > Erm. I may be wrong... ___ lilypond-user mailing list lilypond-user@gnu.org

Re: Unwanted barline. How to get rid of it?

Hello, Did I notice warning: barcheck failed at: 5/8 c r4 | ? Yes, I did. Should the r4 be r4. ? No, I don't think so, for if there is, in this repeated section, a partial 8 at the beginning it is logical that the last bar of that section has one eighth note or rest less. More

Re: How to write chords for a rhythm section part from a blind user

\version "2.18.2" chordNames = \chordmode { \repeat percent 2 { c1:7 } \repeat percent 4 { f4 } } melody = \relative c'' { \repeat percent 2 { c1 } \repeat percent 4 { c4 } } \score { << \new ChordNames \chordNames \new

Re: How to transpose an entire piece of music?

Hi Bernhard, > When I searched for Lilypond transponieren (transpose) I was not at all > clear that this could be done on an entire piece. There is no example > where score is mentioned. While it doesn’t explicitly say “score”, it does [at least on the English site] say: “Consider a piece

Re: frame engraver & box repeats: what's the current state-of-the-art?

Hi Kieren, On Wed, Dec 23, 2015 at 9:54 AM, Kieren MacMillan < kieren_macmil...@sympatico.ca> wrote: > Hello all, > > In my current engraving, I’m trying to include aleatoric repeats, exactly > as seen in the example given at: >

Re: How to transpose an entire piece of music?

Hi Kieren, > >> I looked in the docu, but could not find it. >> Maybe I should be added. > > Does > > not document this feature fully and/or well enough? If not, please explain > how to improve

Re: Unwanted barline. How to get rid of it?

Am 2015-12-23 13:59, schrieb Chris Yate: I think using a partial bar is more intuitive than "/set Timing.measurePosition = #(ly:make-moment 6/8)". But there may be situations where the latter is necessary. This depends on whether you really have an upbeat (f.e. Scherzo ends with full

frame engraver & box repeats: what's the current state-of-the-art?

Hello all, In my current engraving, I’m trying to include aleatoric repeats, exactly as seen in the example given at: I spent about an hour following the various threads around, but can’t seem to figure out the current

Re: frame engraver & box repeats: what's the current state-of-the-art?

Hi David, > Maybe there is something more up-to-date than found at the link you cite. > Unfortunately, this all comes from before the days I had the wisdom to use > version control with my own stuff, so I'll have to hunt around. Thanks. > I think that problems have crept into the engravers as

Percent repeat counter in Staff with ChordNames

Dear Lilyponders, I have the following problem: Within a staff of "normal" written music, I include chord names to indicate improvised/soloing passages. If a chord is repeated over a large-ish number of bars, I'd like to use percent repeats and possibly the counter, too. But I can't get the

Re: Percent repeat counter in Staff with ChordNames

Robert Schmaus writes: > Dear Lilyponders, > > I have the following problem: Within a staff of "normal" written > music, I include chord names to indicate improvised/soloing > passages. If a chord is repeated over a large-ish number of bars, I'd > like to use percent

Re: Percent repeat counter in Staff with ChordNames

That works just perfectly - thanks very much! Best, Robert > On 23 Dec 2015, at 21:03, David Kastrup wrote: > > Robert Schmaus writes: > >> Dear Lilyponders, >> >> I have the following problem: Within a staff of "normal" written >> music, I include

Re: How to transpose an entire piece of music?

On 23/12/15 15:02, Kieren MacMillan wrote: > Hi Bernhard, > >> > When I searched for Lilypond transponieren (transpose) I was not at all >> > clear that this could be done on an entire piece. There is no example >> > where score is mentioned. > While it doesn’t explicitly say “score”, it does [at

Re: How to transpose an entire piece of music?

Am 23.12.2015 um 16:02 schrieb Kieren MacMillan: > Hi Bernhard, > >> When I searched for Lilypond transponieren (transpose) I was not at all >> clear that this could be done on an entire piece. There is no example >> where score is mentioned. > > While it doesn’t explicitly say “score”, it

Re: 7dim symbol in chord names

On Fri, 16 Oct 2015 20:10:14 +0200 Yann wrote: > Hello all ! > > Is there a way to modify 7dim (e.g. print "C#7dim" instead of default > "C#07") notation in chord names, like what can be done for maj7 with > majorSevenSymbol property ? Do you mean a C#dim7 or C#m7(b5)? There

Re: Unwanted barline. How to get rid of it?

On 23/12/15 12:21, Robert Blackstone wrote: > Yes, it should be a partial. > But I do not know how to code that, 5 instead of 6 eighth notes, at the > end of a section. I've not tried it, but would an s8 work? If you just need to pad the bar out, that seems obvious to me. I was just thinking

Re: Unwanted barline. How to get rid of it?

Yes, it should be a partial. But I do not know how to code that, 5 instead of 6 eighth notes, at the end of a section. Regards, Robert On 23 Dec 2015, at 13:03 , Chris Yate wrote: > Your 3rd full bar has only 5 quavers. It should be a partial, if that's what > you

Re: Unwanted barline. How to get rid of it?

2015-12-23 13:18 GMT+01:00 Robert Blackstone : > Hello, > > Did I notice warning: barcheck failed at: 5/8 > c r4 > | ? > Yes, I did. > Should the r4 be r4. ? > No, I don't think so, for if there is, in this repeated section, a partial 8 > at the beginning it is

Re: Unwanted barline. How to get rid of it?

Hi Robert, do you mean something like this? { \relative c { \clef bass \key c \major \time 6/8 \partial 8 \repeat volta 2 { c'8 c4. c | c c | c r4 } r8 | c4.~ c \bar "|." } } Cheers, Joram ___

Re: Unwanted barline. How to get rid of it?

On 23 Dec 2015, at 13:23 , Thomas Morley wrote: >> > > No. If you spell out the repeat you'll see it directly: > > \relative c { > \time 6/8 > \partial 8 c'8 c4. c | c c | c r4 c8 | c4. c | c c | c r4 | %% <- missing 8 > c4.~ c \bar "|." > } > >> More

Re: How to transpose an entire piece of music?

Hi Bernhard, > I looked in the docu, but could not find it. > Maybe I should be added. Does not document this feature fully and/or well enough? If not, please explain how to improve this

Re: Unwanted barline. How to get rid of it?

Just checked. As I said -- you may want another partial bar \relative c { \clef bass \key c \major \time 6/8 \repeat volta 2 {\partial 8 c'8 c4. c | c c | * \partial 8*5* c r4| } c4.~ c \bar "|."

Re: Unwanted barline. How to get rid of it?

On 23 Dec 2015, at 13:44 , Chris Yate wrote: > Just checked. As I said -- you may want another partial bar > >\relative c { >\clef bass >\key c \major >\time 6/8 > > \repeat volta 2 {\partial 8 > c'8 > c4. c | >

Re: Unwanted barline. How to get rid of it?

On 23 December 2015 at 12:55, Robert Blackstone wrote: > > On 23 Dec 2015, at 13:44 , Chris Yate wrote: > > Just checked. As I said -- you may want another partial bar > >\relative c { >\clef bass >\key c \major >