Il giorno mar 8 mar 2016 alle 23:59, Andrew Bernard
ha scritto:
Do you actually mean the thickness of the beam, or the length of the
beam? If the latter, use ragged-right = ##t to see what is happening.
I mean the width of the beam. Changing ragged-right helps in the
This looks like a bug to me. I can't find any workaround for v2.19.
With v2.18, not nice but works:
\version "2.18.2"
\paper {
left-margin = 5\mm
right-margin = 5\mm
ragged-right = ##t
}
\layout {
\context {
\Staff
\remove "Time_signature_engraver"
}
}
theLyrics = \lyricmode {
Am 09.03.2016 um 05:13 schrieb zzk:
Out of curiosity (and maybe for some possible future, more complicated
scenarios), is there a solution using \scaleDurations instead?
A tuplet 7/6 without tuplet number is the same as \scaleDurations with
factor 6/7. Or, even simpler, you can scale a
Am 09.03.2016 um 03:54 schrieb Craig Dabelstein:
Sorry gents, here is one more I can't work out.
The piece is in 9/8 but I need one instrument to play in 4/4. I have no
idea how to work out that fraction:
\set Staff.timeSignatureFraction = 4/4
\scaleDurations 8/9 because (4/4)/(9/8) = 8/9
Hi Kieren,
Why? Because such a simple, elegant solution simply did not occur to me :)
Thanks a lot, works very well.
Out of curiosity (and maybe for some possible future, more complicated
scenarios), is there a solution using \scaleDurations instead?
Thanks,
Zoran
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Hi Zoran,
Any reason you don’t just use the built-in tuplet function, e.g.,
\tuplet 7/6 { d[ g b d \rh \stemDown g b d] }
or, if you don’t want to see the tuplet number,
\once \omit TupletNumber \tuplet 7/6 { d[ g b d \rh \stemDown g b d] }
??
Hope this helps!
Kieren.
Hi lilyponders,
Please consider the following code which is supposed to match the attached
excerpt from Debussy's 'Images'.
I am getting a bar check warning, as I am having a bit of a struggle with
fitting seven 32nd notes under the second 'quarter' note in the tuplet.
Any help would be highly
Sorry gents, here is one more I can't work out.
The piece is in 9/8 but I need one instrument to play in 4/4. I have no
idea how to work out that fraction:
\set Staff.timeSignatureFraction = 4/4
\scaleDurations ???/???
Craig
On 8 March 2016 at 08:47, Simon Albrecht
> \
> Message: 2
> Date: Wed, 9 Mar 2016 01:20:47 +0100
> From: Gianmaria Lari
> To: Thomas Morley
> Cc: lilypond-user
> Subject: Re: music patterns and octave
>
> Do you know if does exist something to set
> the
After an extremely long syllable in the lyrics, the next measure's spacing is
quite wide, even with ragged-right.
In the tiny example below, the problematic measure (of two eighth notes)
comprises the word, "shine".
Before each of its eighth notes, I tried the following commands, but they
didn't
On 3/8/16 5:20 PM, "Gianmaria Lari" wrote:
>Ciao Thomas,
>thank you for your suggestion about inline-images etc.
>
>"changePitch" is an external function. This is a link to it:
>http://gillesth.free.fr/Lilypond/changePitch/
>
>Regarding you function setOtherPitchOctave,
Hi all,
I want to write a wrapper function to "install" an engraver in a number
of contexts. It works pretty well, but I want to make it better.
This is what I have so far.
\version "2.19.38"
install =
#(define-scheme-function (contexts)(symbol-list?)
(if (member 'Score contexts)
Ciao Thomas,
thank you for your suggestion about inline-images etc.
"changePitch" is an external function. This is a link to it:
http://gillesth.free.fr/Lilypond/changePitch/
Regarding you function setOtherPitchOctave, this is similar to what I was
thinking except that the parameter is not the
Ciao David,
let's put it in another way. Have a look to the attached image and please
suggest me how you would write the code to generate it.
Then please have a look to the code I *would* like to write to obtain it.
Do you know if does exist anything similar to "\setOctave"? Do you see any
Hi Federico,
Do you actually mean the thickness of the beam, or the length of the beam? If
the latter, use ragged-right = ##t to see what is happening.
Andrew
On 9/03/2016, 08:37, "Federico Bruni"
> somewhere near 0.5
By the help of this nice function [1]: The default beam-thickness is 0.48.
[1]: http://permalink.gmane.org/gmane.comp.gnu.lilypond.general/109563
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Hi Federico,
> How can I (slightly) reduce the beam width in the attached example?
I guess what you are looking for is the beam thickness:
\override Beam.beam-thickness = 0.3 % default is somewhere near 0.5
In your example:
\version "2.19.37"
myMusic = \relative {
cis'8\3\glissando
Hi Heikki,
Heikki Tauriainen wrote
> You may be interested to know that there was an attempt to improve this
> behavior just a few months ago, see https://sourceforge.net/p/testlily
> issues/issues/4730/. The fix has been included in the unstable
> releases since 2.19.36.
I just tested it and
Do not understand the signification to break the rules as you
immediately get an error response of lilypond. But for education
purposes ...
I hope Michael Rivers and the list will accept my apology.
Am 08.03.2016 21:41, schrieb Simon Albrecht:
On 08.03.2016 21:19, Blöchl Bernhard wrote:
On 08.03.2016 22:06, Michael Rivers wrote:
Thanks for the solutions. I'm OK with an error message!
Or you can insert
#(ly:expect-warning "strange")
in your source.
Best, Simon
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Hi all
How can I (slightly) reduce the beam width in the attached example?
\version "2.19.37"
myMusic = \relative {
cis'8\3\glissando \hideNotes \grace a \unHideNotes e'
s1*3
}
\score {
\new StaffGroup <<
\new Staff { \clef "treble_8" \myMusic }
\new TabStaff { \clef "moderntab"
2016-03-08 17:45 GMT+01:00 Gianmaria Lari :
> Suppose you have this:
>
> [image: Inline image 2]
>
> This is something like
>
> \fragment d d
> \fragment c e
> \fragment e c
>
>
> So, more precisely I would write:
>
> \version "2.19.35"
>
> pattern =
> {
>c16 d e f g
Thanks for the solutions. I'm OK with an error message!
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On 08.03.2016 21:19, Blöchl Bernhard wrote:
May be you need some private coaching in waltz math ?
Here it is:
\relative c' { \time 3/4
c4 c c | c c c
}
Bernhard, what the heck do you think you’re up to?
Please _read_ others’ posts before sneering at them, or better just quit
May be you need some private coaching in waltz math ?
Here iot is:
\relative c' { \time 3/4
c4 c c | c c c
}
Am 08.03.2016 21:00, schrieb Michael Rivers:
I'm trying to make a snippet for students with intentional mistakes for
them
to correct. I want the time signature to say
Michael Rivers writes:
> I'm trying to make a snippet for students with intentional mistakes for them
> to correct. I want the time signature to say 4/3, but for the music to
> actually be in 3/4. Should I use "scaleDurations", and what should the ratio
> be? Or is
> On 08 Mar 2016, at 22:00, Michael Rivers wrote:
>
> I'm trying to make a snippet for students with intentional mistakes for them
> to correct. I want the time signature to say 4/3, but for the music to
> actually be in 3/4. Should I use "scaleDurations", and what
Hi Michael,
> I want the time signature to say 4/3, but for the music to actually be in 3/4.
In this case, you can simply override the fraction and ignore the error:
\version "2.19.24"
\relative c' {
\time 3/4
\set Staff.timeSignatureFraction = 4/3
c4 c c | c c c
}
Hope that helps!
I'm trying to make a snippet for students with intentional mistakes for them
to correct. I want the time signature to say 4/3, but for the music to
actually be in 3/4. Should I use "scaleDurations", and what should the ratio
be? Or is there a better way to do this?
\version "2.19.24"
\relative
On Tue 08 Mar 2016 at 17:45:35 (+0100), Gianmaria Lari wrote:
>[...]
>So, more precisely I would write:
>
> \version "2.19.35"
> pattern =
> {
> c16 d e f g a b c
> }
> \relative c'
> {
> \pattern d4 d4
> \pattern c4 e4
>
Hi Jacques,
> I have to assign the instrument name to « poet », and the piece name to «
> instrumentName ».
> That’s what seems not too clean to me…
You don’t HAVE to assign those that way… You can simply redefine
bookTitleMarkup (or scoreTitleMarkup, as you wish) to reflect exactly what you
pattern =
\relative c' {
{
c16 d e f g a b c
}
}
\relative c'
{
\pattern d'4 d4
\pattern c4 e4
\pattern e4 c4
}
On 08.03.2016 17:45, Gianmaria Lari wrote:
Suppose you have this:
Inline image 2
This is something like
\fragment d d
Hello Simon,
Thanks for pinpointing the use of bookTitleMarkup, which I had overlooked.
The main problem though is that I have to assign the instrument name to « poet
», and the piece name to « instrumentName ».
That’s what seems not too clean to me…
JM
> Le 7 mars 2016 à 14:46, Simon
Suppose you have this:
[image: Inline image 2]
This is something like
\fragment d d
\fragment c e
\fragment e c
So, more precisely I would write:
\version "2.19.35"
pattern =
{
c16 d e f g a b c
}
\relative c'
{
\pattern d4 d4
\pattern c4 e4
\pattern e4 c4
}
But the previous
that said i don't even have icons so.
Stephen
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This assumes one has a file manager that is a GUI (it's hard to do
this in say midnight commander or xterm)
for those without you can cd to your lilypond directory and put the fonts
there.
I use
cd /usr/local/lilypond-current/lilypond/usr/share/lilypond/current/fonts/
ls
otf svg
HTH
Thank you, works!
On 08.03.2016 14:03, Malte Meyn wrote:
Am 08.03.2016 um 13:53 schrieb BB:
How can I restrict the scope of \layout{} to only one \score{}?
Just put the \layout block into the \score block. Same for \midi:
\score {
[MUSIC]
\layout { […] }
\midi { […] }
}
Hi all,
Heikki Tauriainen wrote
> I've observed that LilyPond actually emits CC#7 events to a generated
> MIDI file on dynamic (MIDI velocity) changes created by the
> Dynamic_performer, but these CC#7 changes seem to always just set the
> MIDI volume to 100 (in the range from 0 to 127). To me
Hi BB,
Section 4.2.1 on the \layout block in the NR explains this.
Andrew
On 8/03/2016, 23:53, "BB"
wrote:
How can I restrict the scope of \layout{} to only one \score{}?
Am 08.03.2016 um 13:53 schrieb BB:
How can I restrict the scope of \layout{} to only one \score{}?
Just put the \layout block into the \score block. Same for \midi:
\score {
[MUSIC]
\layout { […] }
\midi { […] }
}
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Forwarded Message
Subject:layout scope
Date: Tue, 8 Mar 2016 13:53:30 +0100
From: BB
To: lilypond-user Mailinglist
In the added example I want to have one noteline with bar lines the
second noteline
In the added example I want to have one noteline with bar lines the
second noteline without bar lines.
How can I restrict the scope of \layout{} to only one \score{}?
\version "2.18.0"
#(set-global-staff-size 30)
a-pent = {
\relative c {
\clef bass
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