Re: Multi-rest with automatic bar number before and after it

good morning Harm, this works very well, thanks very much. It also covers mid-piece upbeats, e.g. in my case coming from 3/4 into a 4/2-fugue, which is starting with an extra \partial. cheers Arne Peters -- View this message in context:

Re: Polymetric notation

Thanks Evan. That's perfect. All the best, Craig On 8 August 2016 at 10:25, Evan O'Dorney wrote: > It should be 4/19 (the ratio of the old and new bar lengths), and the > affected measure(s) should be enclosed in braces like so: > > \new Staff { > \time 4/4 >

Re: Polymetric notation

It should be 4/19 (the ratio of the old and new bar lengths), and the affected measure(s) should be enclosed in braces like so: \new Staff { \time 4/4 \omit Score.TimeSignature \scaleDurations 4/19 { \repeat unfold 6 { c4 c2 } c4 } R1 \fermataMarkup } Since you're

Polymetric notation

Hi Lilyponders, I have a score where there are a couple of cadenzas. I experimented with /cadenzaOn /cadenzaOff etc but couldn't get it to work to my liking, with the full measure rests in the other bars. This solution below would be great if someone could help me get the scale durations line

Re: LilyPond logo?

Actually I like No. 10 best for its simplicity, elegance and recognition value. But as I said before: I don't think this quite unordered process fit for creating and selecting a logo. In the end, those who cry out loudest might have their will, while there has been no agreement even on how the

Re: Multi-rest with automatic bar number before and after it

Hi Arne, 2016-08-07 12:54 GMT+02:00 arnepe : > hello, > > in my case, Lily throws an errror when compiling music starting with a > \partial. > Otherwise it compiles fine. > > see attached file > debug-mmr.txt >

Re: LilyPond logo?

On 06/08/16 19:38, Pierre Perol-Schneider wrote: > Tests update attached. > I'm still a fan of 6 or 9. But 9 feels better because it's simpler. Cheers, Wol ___ lilypond-user mailing list lilypond-user@gnu.org

Re: LilyPond logo?

On 07/08/16 16:17, Kieren MacMillan wrote: > Hello all, > > What about a perspective-sheared bass clef as the leaf? > Just a thought, trying to tie it all together. > +1 Cheers, Wol ___ lilypond-user mailing list lilypond-user@gnu.org

Re: LilyPond logo?

Hello all, What about a perspective-sheared bass clef as the leaf? Just a thought, trying to tie it all together. Cheers, Kieren. Kieren MacMillan, composer ‣ website: www.kierenmacmillan.info ‣ email: i...@kierenmacmillan.info

RE: LilyPond logo?

Pierre: Nix 4, 5, 10, and 11. Thank you Mark From: lilypond-user [mailto:lilypond-user-bounces+carsonmark=ca.rr@gnu.org] On Behalf Of Pierre Perol-Schneider Sent: Sunday, August 07, 2016 5:14 AM To: Noeck Cc: lilypond-user

Re: LilyPond logo?

Updates. Please select the ones that should be deleted. Cheers Pierre 2016-08-07 9:34 GMT+02:00 Noeck : > Hi, > > > I was never clear on how the LilyPond name was chosen. Note heads for > > the pads, and note stems for flowers, maybe. > > It's a little bit different (in

Re: Multi-rest with automatic bar number before and after it

hello, in my case, Lily throws an errror when compiling music starting with a \partial. Otherwise it compiles fine. see attached file debug-mmr.txt /(hope that the file uploads correctly - haven't tried it before...)/

Re: How do i set the minimum system space?

Am 07.08.2016 um 00:46 schrieb Philip Bergwerf: This is a alternative notation method called 'Piano_TAB'. Because of the special staff, lilypond does set the space between the system to 0. How can i set the minimum system spacing? I hope you guys know how to do it? It’s not really setting to

Re: LilyPond logo?

Hi, > I was never clear on how the LilyPond name was chosen. Note heads for > the pads, and note stems for flowers, maybe. It's a little bit different (in short: women): http://lilypond.org/~janneke/vc/newweb/out/site/about/name Cheers, Joram ___