Re: Combining voices in American Hymns

On Sep 8, 2016, at 8:52 AM, David Wright wrote: > There's another "feature" of American hymn books illustrated on > http://www.hymnary.org/text/amazing_grace_how_sweet_the_sound#pagescans > which I haven't seen any mention of before, and only noticed recently > when

Solved Re: Combining voices in American Hymns

On Sep 7, 2016, at 10:56 PM, David F. wrote: > Is there a way to combine two voices and print both stems (up and down) when > the voices share a note? \partcombine does not appear to do this by default. As pointed out by Phil Holmes, \partcombine has been upgraded in 2.19 and

Re: Combining voices in American Hymns

Hi Karlin, Unless you need to manipulate the voices separately under some other circumstance (e.g., you’re reusing the voices independently in some other score), I might suggest coding your snippet using chords, and then just handling the split note(s) individually e.g.: SNIPPET BEGINS

Re: BendSpanner-engraver

On Sun, Sep 11, 2016 at 4:53 AM, Thomas Morley wrote: > > Though, currently it's pretty slow in compilation. The reason for this > slugginess > is the feature not to bend open strings and to ex- or include notes to bend, > more precisley it's the definiton for

Re: BendSpanner-engraver

Hi Harm, This looks marvelous! I know nothing about the notation, but the demo file is simply beautiful to behold. On Tue, Sep 13, 2016 at 4:00 PM, Thomas Morley wrote: > 2016-09-11 20:38 GMT+02:00 Trevor Daniels : >> Hi Harm >> >> I'm not a

Re: Augmentation dot positioning

On Tue, 13 Sep 2016 at 19:55 Werner LEMBERG wrote: > It's issue 3179 > > https://sourceforge.net/p/testlilyissues/issues/3179/ > > and commit dfff5d3d1a1001f65d1f7183837f56ccd64fb15a > > >

Re: Combining voices in American Hymns

On 13/09/16 22:32, David Wright wrote: > On Tue 13 Sep 2016 at 21:56:04 (+0100), J Martin Rushton wrote: >> On 12/09/16 19:21, Karlin High wrote: >>> On 9/7/2016 11:56 PM, David F. wrote: Is there a way to combine two voices and print both stems (up and down) when the voices share a

Re: Combining voices in American Hymns

On 09/14/2016 12:18 AM, David F. wrote: On Sep 13, 2016, at 4:14 PM, Rutger Hofman wrote: On 09/13/2016 11:32 PM, David Wright wrote: On Tue 13 Sep 2016 at 21:56:04 (+0100), J Martin Rushton wrote: On 12/09/16 19:21, Karlin High wrote: On 9/7/2016 11:56 PM, David F. wrote:

Re: Combining voices in American Hymns

On Sep 13, 2016, at 4:14 PM, Rutger Hofman wrote: > On 09/13/2016 11:32 PM, David Wright wrote: >> On Tue 13 Sep 2016 at 21:56:04 (+0100), J Martin Rushton wrote: >>> On 12/09/16 19:21, Karlin High wrote: On 9/7/2016 11:56 PM, David F. wrote: > Is there a way to combine

Re: Combining voices in American Hymns

On 09/13/2016 11:32 PM, David Wright wrote: On Tue 13 Sep 2016 at 21:56:04 (+0100), J Martin Rushton wrote: On 12/09/16 19:21, Karlin High wrote: On 9/7/2016 11:56 PM, David F. wrote: Is there a way to combine two voices and print both stems (up and down) when the voices share a note?

Re: Write a custom backend?

"H. S. Teoh" writes: > On Tue, Sep 13, 2016 at 02:04:04PM +0200, David Kastrup wrote: >> Mathieu Demange writes: >> >> > Hello all, >> > >> > Could anybody help me to know if writing a custom output backend (in >> > scheme, of course) for

Re: BendSpanner-engraver

On Tue 13 Sep 2016 at 23:15:21 (+0200), David Kastrup wrote: > Thomas Morley writes: > > > In german we have: " Ich kann den Wald vor lauter Bäumen nicht mehr > > sehen." No clue if this can be translated sufficiently ... > > "Can't see the forest for the trees." It's

Re: Combining voices in American Hymns

On Tue 13 Sep 2016 at 21:56:04 (+0100), J Martin Rushton wrote: > On 12/09/16 19:21, Karlin High wrote: > > On 9/7/2016 11:56 PM, David F. wrote: > >> Is there a way to combine two voices and print both stems (up and down) > >> when the voices share a note? \partcombine does not appear to do

Re: BendSpanner-engraver

Thomas Morley writes: > In german we have: " Ich kann den Wald vor lauter Bäumen nicht mehr > sehen." No clue if this can be translated sufficiently ... "Can't see the forest for the trees." It's actually pretty much 1:1. -- David Kastrup

Re: Write a custom backend?

On Tue, Sep 13, 2016 at 02:04:04PM +0200, David Kastrup wrote: > Mathieu Demange writes: > > > Hello all, > > > > Could anybody help me to know if writing a custom output backend (in > > scheme, of course) for Lilypond is something doable? I mean without > > modifying

Re: BendSpanner-engraver

2016-09-11 22:21 GMT+02:00 Peter Crighton : > Fantastic, I will make use of this a lot! Thank you! Hi Peter, please be aware the very first release into the wild. Most likely bugs are present.. Thanks, Harm ___ lilypond-user

Re: BendSpanner-engraver

2016-09-11 20:38 GMT+02:00 Trevor Daniels : > Hi Harm > > I'm not a fretted-string player, but this looks very impressive! This will > be a tremendous addition to LP! > > Trevor Hi Trevor, currently the whole thing is more at pre-pre-alpha state ;) Though, with David

Re: Combining voices in American Hymns

On 12/09/16 19:21, Karlin High wrote: > On 9/7/2016 11:56 PM, David F. wrote: >> Is there a way to combine two voices and print both stems (up and down) when >> the voices share a note? \partcombine does not appear to do this by default. >> >> American SATB hymns are typically engraved with the

Re: use of set Timing.measurePosition is disrupting automatic beaming

> Elaine, I use repeat barlines at the start of each part because > bagpipe tunes always have them at the start and end of each part, and > repeat volta only places them at the end. > The easy way to get an initial repeat barline (an approach I prefer, too) is to use a barline that is defined to

Re: BendSpanner-engraver

Hi Marc et all, thanks for the friendly words, I'll reply more detailed one by one. Right now I was a very long time among the details of this coding, I've the feeling I sometimes overlook major points in the overall code. In german we have: " Ich kann den Wald vor lauter Bäumen nicht mehr

Re: Augmentation dot positioning

>> > The issue occurs when writing closely spaced chords with an >> > augmentation dot in the rhythm. Dots are placed only on spaces >> > (which we should expect), but in certain very easy to reproduce >> > conditions, the dot appears in an unexpected place. >> >> Cf. `regression/chord-dots.ly';

Re: Augmentation dot positioning

On Tue, 13 Sep 2016 at 18:53 Chris Yate wrote: > >> However, you have found a bug I think, since it doesn't seem to work >> correctly for your case, eliminating dots on the wrong side of the >> chord >> > This may be related (or fixed by?)

Re: Augmentation dot positioning

On Tue, 13 Sep 2016 at 06:24 Werner LEMBERG wrote: > > > The issue occurs when writing closely spaced chords with an > > augmentation dot in the rhythm. Dots are placed only on spaces > > (which we should expect), but in certain very easy to reproduce > > conditions, the dot

Re: calculation of the total duration of a score

Hi Jan-Peter, seems to do exactly what I need, so thanks for sharing ... I'll give it a try tomorrow, when I have some time to work on my project again. Cheers, Marc Am 13.09.2016 um 10:24 schrieb Jan-Peter Voigt: Hi Marc, you already received some solutions, but I stumbled across this

Re: Write a custom backend?

Mathieu Demange writes: > Hello all, > > Could anybody help me to know if writing a custom output backend (in > scheme, of course) for Lilypond is something doable? I mean without > modifying any of Lilypond's internals. > > I believe the output backend principle is a

Write a custom backend?

Hello all, Could anybody help me to know if writing a custom output backend (in scheme, of course) for Lilypond is something doable? I mean without modifying any of Lilypond's internals. I believe the output backend principle is a good sign of extensibility but is it really the case? How to

Re: use of set Timing.measurePosition is disrupting automatic beaming

> On 13 Sep 2016, at 10:17, Roderick Mackenzie > wrote: > I use repeat barlines at the start of each part because > bagpipe tunes always have them at the start and end of each part, and > repeat volta only places them at the end. You can override that with \bar,

Re: calculation of the total duration of a score

Hi Marc, you already received some solutions, but I stumbled across this thread and just want to quickly show my engraver - perhaps it also helps. It doesn't read repeats right now, but this may be solved with \unfoldRepeats and the engraver placed in the midi-block. The

Re: use of set Timing.measurePosition is disrupting automatic beaming

Hallo, many thanks for the suggestions. I am using an older version because it happens to be in the Ubuntu LTS repositories and I have not got round to upgrading yet. Elaine, I use repeat barlines at the start of each part because bagpipe tunes always have them at the start and end of each

Re: BendSpanner-engraver

Hi Harm, hi list, I did some simple tests and looked through the code in more detail: --- The customization features are great! Also, I like the dashed line of the pre-pend-hold use cases. The dashed line would also be great in cases like those: c'\3\startBend d'\3\stopBend~ d'\3 % bend