Hi,
I have been working together with the SugarLabs team to create a visual
programming language for music called Music Blocks (MB). Users code with
blocks (like Scratch), and they can also export to lilypond code.
SugarLabs is participating again in Google Summer of Code (GSoC) and we
would love
I'm getting a failure all-around on a new Arch VM I'm running in my windows
machine. I'm using lyp here to make a/b version testing easier. Basically,
the gs command is failing when liilypond runs it but it works just fine
when I copy/paste it and run it manually.
2.19.17 works, but 2.19.18 fails.
On 19 January 2018 at 10:13, Travis Weller wrote:
> Hi Tim,
>
> The feature has worked wonderfully for me for many years. It uses PDF
> links that point to lilypond as a "helper app." I would guess I'm probably
> not the only one using it despite frescobaldi being popular. The change
> happened w
2018-01-18 23:32 GMT+01:00 Torsten Hämmerle :
> Thomas Morley-2 wrote
>> Meanwhile I think supporting negative string-distance is a bad idea,
>> because too many detail-problems need adjustments. And using negative
>> string-distance was not intended as I introduced it. I should have
>> always gone
On 22.01.2018 13:09, N. Andrew Walsh wrote:
What I'm trying to do is ensure that the phrasing slur extends to the
last note of the bar. Problem is, the client wants the 16th notes on
the lower voice, but the slur above. I've been using \stemDown and
\stemUp to flip the stem directions, but this
Hi Andrew,
That's right, slurs are quadratic beziers and you can adjust the control
points. If you have used Adobe Illustrator it should be clear, for the
bezier curves there are the same.
Possibly more than you need to know, but some nice illustrations:
https://en.wikipedia.org/wiki/B%C3%A9zier
Hi Ben,
On Mon, Jan 22, 2018 at 1:59 PM, Ben wrote:
>
> Hi,
>
> Personally, I would probably want the slur on the bottom as it's cleaner
> and easier to implement,
>
yes, and also notationally superior. But the client is, alas! a
hobbyist-composer who does things for "expressive" reasons and ins
On 1/22/2018 7:09 AM, N. Andrew Walsh wrote:
Hi List,
I have the following:
-
\version "2.19.80"
\relative c {
\clef bass
\time 4/8
<<
{ \stemDown d16\( f a f d a' f d\) }
\\
{ \stemUp d8. f16 d4 }
>>
}
-
What I'm trying to do is ensure t
Hi List,
I have the following:
-
\version "2.19.80"
\relative c {
\clef bass
\time 4/8
<<
{ \stemDown d16\( f a f d a' f d\) }
\\
{ \stemUp d8. f16 d4 }
>>
}
-
What I'm trying to do is ensure that the phrasing slur extends to the last
note
Hi Álvaro,
In the very likely case that you're using custom title markup anyway, I'd
like to mention the possibility of simply adding any desired non-standard
header variable to the \header section:
\header {
transcriber = "Álvaro Cáceres Muñoz"
}
...and retrieving it later in your custom
book
I just jumped into that thread and will give my 2 cent:
I know violine- and guitar- and bass-teachers that have a large mirror
in the teaching room for the leftys.
I have nothing against special coding if developers find it worth the
time. But a mirror is a cheap, fast and easy solution.
reg
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