Re: Key Signature name in Markup

Hi Harm, I hadn't really thought about no key signature as being an issue, but I can certainly see how it can cause confusion. I think you are correct in suggesting "no key signature present" would be the appropriate output, although I'll admit I'm unlikely to ever come across such a case in my

Re: Upline articulation

Hi Malte and Thomas, This is all really great and appreciated. But where are these functions located, or, dare I ask, documented? Andrew On 2 April 2018 at 04:54, Thomas Morley wrote: > 2018-04-01 18:11 GMT+02:00 Malte Meyn : > > > > > > Am

Re: Key Signature name in Markup

2018-04-01 22:25 GMT+02:00 brob2684 : > Thomas Morley-2 wrote >> 2018-03-31 22:55 GMT+02:00 brob2684 < > >> bennrobertson@ > >> >: >>> >>> Is it possible to extract the name of the first key signature in a piece >>> (single staff) after adjusting for any transposition to

Re: Key Signature name in Markup

Thomas Morley-2 wrote > 2018-03-31 22:55 GMT+02:00 brob2684 > bennrobertson@ > : >> >> Is it possible to extract the name of the first key signature in a piece >> (single staff) after adjusting for any transposition to use in text >> markup? >> (e.g. looking to get the phrase "C major" if there

Edition Engraver, TieColums and line breaks

Hi all! I currently have a function that accesses some grobs through their "containers"(NoteHeads/Accidentals in NoteColumns, Ties in TieColumns) and lets me tweak properties (individually if needed) of each. This is done in a single override so it works with the Edition Engraver. But I've come

Re: Upline articulation

2018-04-01 18:11 GMT+02:00 Malte Meyn : > > > Am 01.04.2018 um 17:00 schrieb Andrew Bernard: >> >> I cannot recall where I obtained this code from. But I want to have the >> line thicker. I don't know how to modify this. Grepping the lilypond >> installation I am unable to

Re: Haydn Symphony No. 13 - Lilypond sources

Mark, thanks for checking! I'm sorry, the link I gave was to the symphony's main page (where you found the full score), not the tab containing the Lilypond-made parts (I didn't know one could give this as a direct link):

RE: Haydn Symphony No. 13 - Lilypond sources

Lukas-Fabian, Looking at the site I saw that the PDF had been scanned. The score does not appear, at least to me, to have been set with Lilypond. Mark From: lilypond-user [mailto:lilypond-user-bounces+carsonmark=ca.rr@gnu.org] On Behalf Of Lukas-Fabian Moser Sent: Sunday, April

Haydn Symphony No. 13 - Lilypond sources

Hello everybody, probably this is a very stupid question (the answer being "obviously not"), but I'll try my luck nevertheless: Petrucci library holds complete parts for Haydn's 13th symphony, typeset by user ViolonisteAmateur using Lilypond 2.10.33 back in 2009, under CC BY 3.0.

Re: Bruhns "big" e-minor prelude

Hello to all, yes, this archive.org is great. Many thanks. I just discovered a pdf from Harald Vogel that explains why this Prelude is so contrasting (Orfeo in music - according to the theory of affects). This makes it even more interesting. Actually I am wirting much more than publishing, since

Re: OpenLilyLib with Windows

Am 01.04.2018 um 15:48 schrieb foxfanfare: When I applied your settings with #(set-global-staff-size 17) and later #:factor (/ staff-height pt 20), I find the result a bit strange as all the music seems to be smaller. Is it the same to put something like : #(set-global-staff-size 20) /

Re: Links to version 2.19.81-1 binaries

Am 01.04.2018 um 17:22 schrieb David Sumbler: Is this a temporary blip, or should I use the earlier version? I think it’s a known problem but you can download it from here: http://lilypond.org/downloads/ http://lilypond.org/downloads/binaries/linux-64/lilypond-2.19.81-1.linux-64.sh

Re: Upline articulation

Am 01.04.2018 um 17:00 schrieb Andrew Bernard: I cannot recall where I obtained this code from. But I want to have the line thicker. I don't know how to modify this. Grepping the lilypond installation I am unable to find the function make-draw-line-markup. Where does that come from? Can I

Re: OpenLilyLib with Windows

Hi @foxfanfare, I feel sure somebody on the list has made a Henle piano music style sheet. Kieran? Amusingly, the thing I like most about lilypond is that out of the box with no tweaking it looks nothing like Henle Verlag editions. :-) But I understand people are fond of Henle - it's what they

Links to version 2.19.81-1 binaries

As a preliminary to getting back to Lilypond and embarking on a large new project, I thought I would install the latest version.  (My current version is 2.19.48). I visited http://lilypond.org/development.html only to find that none of the links to binaries function as expected, e.g.

Re: OpenLilyLib with Windows

Thank you for your answer! It is also wonderful to see such an active community! I guess I'll have to learn a lot more by reading all the notation guide before bothering everybody! -- Sent from: http://lilypond.1069038.n5.nabble.com/User-f3.html ___

Upline articulation

I need a custom articulation common in 18 c scores which is a short vertical line above the note. I have the following code which works just fine: upline = #(let ((m (make-articulation "stopped"))) (set! (ly:music-property m 'tweaks) (acons 'font-size 3 (acons 'stencil

Re: OpenLilyLib with Windows

Hi foxfanfare, First of all welcome to the Lilypond world! AFAIK you would create a style-sheet by creating a file with a layout block that contains the settings for your house-style, and then you include that file in all the projects where that house-style is needed. That's the easy part.

Re: Problem with \ottava #-1

Hi Andrew, Hi Malte, Many thanks for your quick reply and for the help. First of all my apologies for my "not-minimai"-example. I just copied and pasted a bar from the real work, for sometimes my ME's do not show my problem. A bit of laziness too, I confess. But here my

Re: OpenLilyLib with Windows

Thank you for your quick answer! I allready read this notation reference page, but I was confused with other articles wich refered to this openLilyLib stuff... When I applied your settings with #(set-global-staff-size 17) and later #:factor (/ staff-height pt 20), I find the result a bit

Re: Problem with \ottava #-1

Hi Robert, By tradition, an ottava mark affects all the voices. If you only want to affect one - perfectly reasonable actually - Malte has show how to do it. But it's well known and LSR has a snippet. http://lsr.di.unimi.it/LSR/Item?id=875 I use that technique often. But it is a very good

Re: Problem with \ottava #-1

Am 01.04.2018 um 12:54 schrieb Malte Meyn: I would strongly suggest either to look for another possible notation (f. e. use a third staff, put the upper voice in the upper staff, or don’t use an ottava here because three ledger lines aren’t that much for piano) or to add a “loco” sign at

Re: Problem with \ottava #-1

Am 01.04.2018 um 12:17 schrieb Robert Blackstone: But something strange happened. This \ottava #-1 also changed the notes of voice 4, the upper voice of the lower staff. That’s not so strange … see my explanation below. I have not been able to reproduce this effect in a ME, which works

Problem with \ottava #-1

Dear all, I have been transcribing some piano pieces, with two voices in each staff. In the lower staff some of the notes reach down very far, and have many auxiliary lines. For easier readability I have made a version with \ottava #-1 for the lowest notes in the lowest voice, voice 5. But

Re: Key Signature name in Markup

2018-03-31 22:55 GMT+02:00 brob2684 : > Hi, > > Just wondering if the following is possible or not, and am happy to be told > it's way too complex and not to bother. > > Is it possible to extract the name of the first key signature in a piece > (single staff) after

Re: Exited with return code -1073741819

2018-03-31 23:13 GMT+02:00 Bruce Daniel : > Just a bit more information. > The problem only occurs when I have two volta sections back to back. > Cheers, Bruce > > On 31 March 2018 at 20:41, Bruce Daniel wrote: >> >> Hi Lilypond users, >> >> I've come

Re: 2.19.81 pitchedTrill ending on rest

Am 01.04.2018 um 06:37 schrieb Mark Stephen Mrotek: I compiled \version "2.19.80" \relative c'' { g2 (\pitchedTrill a) \startTrillSpan bes r4\stopTrillSpan } No warning! Check the version you are using. I get the warning both with 2.19.80 and 2.19.81 (and with 2.18.2 and current

Re: OpenLilyLib with Windows

Am 31.03.2018 um 19:14 schrieb foxfanfare: - Could someone please make a quick tutorial on how include the bravura font? Have a look at section 3.4.4 of the Notation Reference: http://lilypond.org/doc/v2.19/Documentation/notation/replacing-the-notation-font.html (this is the english

Key Signature name in Markup

Hi, Just wondering if the following is possible or not, and am happy to be told it's way too complex and not to bother. Is it possible to extract the name of the first key signature in a piece (single staff) after adjusting for any transposition to use in text markup? (e.g. looking to get the

Re: OpenLilyLib with Windows

Hi! I'm a new user of Lilypond and I'm trying to figure out if this software could answer my needs in term of score engraving! I'd like now to include the font bravura but I fear that I'm also stuck with the same problems I read in this topic! I also work with Windows 10, Lilypond 2.19.80 and

Re: Exited with return code -1073741819

Just a bit more information. The problem only occurs when I have two volta sections back to back. Cheers, Bruce On 31 March 2018 at 20:41, Bruce Daniel wrote: > Hi Lilypond users, > > I've come across a recurring problem with strophic songs I'm working on. > It seems that

Re: Storing movement titles as a variable

Thanks Brian. Much appreciated. Craig On 1 April 2018 at 14:52, Brian Barker wrote: > At 14:35 01/04/2018 +1000, Craig Dabelstein wrote: > >> Is it possible to store movement titles as a variable? e.g., >> >> movtI = { \markup{I. Allegro} } >> movtII = { \markup{II.