Am 31.12.18 um 06:00 schrieb Andrew Bernard:
I need some special flat, flared ended hairpins to indicate pulsing in a
string quartet I am setting for a friend. So far, I managed to adapt a
textspanner to do the job. It's fiddly but OK. However, because I use a
custom graphic path markup for
On Mon, 31 Dec 2018, 04:29 Yakir Arbib Dear list,
>
>
> First of all, happy New Year to everybody!
>
> I wanted to ask you a more general question related to composition and
> LilyPond:
>
> Can anyone here who is a composer and uses LilyPond to compose give me
> some little insight about the
I need some special flat, flared ended hairpins to indicate pulsing in a
string quartet I am setting for a friend. So far, I managed to adapt a
textspanner to do the job. It's fiddly but OK. However, because I use a
custom graphic path markup for the spanner, the code does not deal with
line
Updating this with cleaned up code and a clearer example in four parts.
Realized a few things:
1) The context property changes are working as I expected and staves are
correctly hiding or showing. There is no need to use remove-layers here.
2) When keepAliveInterfaces is set to '() in the first
Hi Davide,
You could play with this:
\override TextSpanner.bound-details.right.padding = 1
Have a look at the internals reference.
Andrew
On Mon, 31 Dec 2018 at 09:47, Davide Liessi wrote:
> Is it possible to automatically shorten the dashed line in
> TextSpanners so that the line of the
Hi all.
Is it possible to automatically shorten the dashed line in
TextSpanners so that the line of the first TextSpanner ends before the
left text of the second TextSpanner (and thus the two TextSpanners can
align vertically)?
\version "2.19.82"
{
\override TextSpanner.bound-details.left.text
On 2018-12-30 10:04 am, Malte Meyn wrote:
Am 30.12.18 um 18:28 schrieb Yakir Arbib:
I mean if you are composing for more than one stave (I.E. piano and
cello or string quartet) how do you keep track of the music if each
stave has to be coded separately?
Many people write exactly one measure
Hi Yakir,
Am 30.12.18 um 18:28 schrieb Yakir Arbib:
Can anyone here who is a composer and uses LilyPond to compose give me
some little insight about the process?
I’m not a professional composer but I use LilyPond to do my composing
homework for university ;)
I mean if you are composing
Dear list,
First of all, happy New Year to everybody!
I wanted to ask you a more general question related to composition and LilyPond:
Can anyone here who is a composer and uses LilyPond to compose give me
some little insight about the process?
I mean if you are composing for more than one
Hi List,
I'm working on a realization of Stockhausen's "Plus Minus", and one of its
frequent features is the instruction to play a group of notes "as fast as
possible". In contemporary music notation there is a common practice of
notating rapid passages with a single slashed beam and irregular
On 2018-12-30 1:21 am, Andrew Bernard wrote:
Hi David,
What does usable-duration-logs mean? The NR internals section says:
usable-duration-logs (list):
'(-3 -2 -1 0)
List of duration-logs that can be used in typesetting the grob.
If I am not mistaken, the value refers to the base-two
Am 30.12.18 um 10:21 schrieb Andrew Bernard:
Hi David,
What does usable-duration-logs mean? The NR internals section says:
usable-duration-logs (list):
'(-3 -2 -1 0)
List of duration-logs that can be used in typesetting the grob.
This says which rests can be used for a whole measure
Hi David,
What does usable-duration-logs mean? The NR internals section says:
usable-duration-logs (list):
'(-3 -2 -1 0)
List of duration-logs that can be used in typesetting the grob.
I am aware the NR is reference not tutorial, but this entry has very little
explanatory value. What do the
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