On Jan 20, 2019, at 7:43 AM, Kieren MacMillan
wrote:
> Hi David,
>
>> I want to increase the space inside the lyric tie. So if I have
>> “some~word”, I’d like to have a little more space between “some” and “word”.
>> LyricHyphen.minimum-distance doesn’t do that.
>
> Ah, yes. Glad you fou
On 1/20/19, Trevor wrote:
> You're right; because \markup can be used in so many different places
> and ways a new unnumberedsubsection devoted to it is probably the
> best way to give an overview. Specific examples can then appear anywhere
> else in the manual, like it does in the snippet in "Sep
Hi Harm,
thank you for pointing me to that (and actually now I recall having seen
this hack some day).
Am 18.01.19 um 21:14 schrieb Thomas Morley:
Am Fr., 18. Jan. 2019 um 19:14 Uhr schrieb Urs Liska :
Is there any convenient and semantically acceptable way of engraving an
appoggiatura (or o
Valentin, you wrote 20/01/2019 18:12:07
On 1/20/19, Trevor wrote:
"Text markup introduction" in Section 1.8.2 looks like the obvious
place.
Well, not exactly. As the introduction to "Formatting text", it
describes what markup mode is, but not _where_ or _why_ markup blocks
exist. (Hence
On 1/20/19, Andrew Bernard wrote:
> although an experienced user, I just lack something fundamental
> understanding lilypond internals that leaves me permanently flummoxed. For
> example, when to use extra-spacing-width, which always eludes me until I
> post to the list.
I can relate. But I’m gen
On 1/20/19, Trevor wrote:
> "Text markup introduction" in Section 1.8.2 looks like the obvious
> place.
Well, not exactly. As the introduction to "Formatting text", it
describes what markup mode is, but not _where_ or _why_ markup blocks
exist. (Hence the OP’s question.)
That separate question sh
Hi David,
> I want to increase the space inside the lyric tie. So if I have “some~word”,
> I’d like to have a little more space between “some” and “word”.
> LyricHyphen.minimum-distance doesn’t do that.
Ah, yes. Glad you found the answer!
In your example, I suppose you really need all three
On 2019-01-20 5:16 am, Andrew Bernard wrote:
Hi Aaron,
What we really want is a lovely curved bezier spline! I appreciate your
suggestion, but I personally would rather code PostScript than hack
hairpins to be pedal dynamics. I went through all that when I tried to
do
this by hijacking text sp
Hi Valentin,
I was led to muse just today that almost all the recent questions on
lilypond are about spacing and tweaking positions of some sort or other.
[Well, I suppose you could argie that engraving is only about spacing
objects and nothing else anyway!] With no disrespect to any documentation
On 2019-01-20 4:28 am, Aaron Hill wrote:
One option would be to exploit a Hairpin:
sustainGradualRelease =
-\tweak shorten-pair #'(0 . 1.35)
-\tweak height #1
-\tweak style #'dashed-line
-\tweak self-alignment-Y #DOWN
-\tweak to-barline ##f
-\tweak stencil #(elbowed-hairpin '((0
Hi Aaron,
What we really want is a lovely curved bezier spline! I appreciate your
suggestion, but I personally would rather code PostScript than hack
hairpins to be pedal dynamics. I went through all that when I tried to do
this by hijacking text spanners, and it was never satisfactory.
The desir
Hi Valentin, you wrote
Well put! I’ve added a few additional objects and turned it into a snippet:
http://lsr.di.unimi.it/LSR/Item?id=1084
This could be a nice addition to the NR itself (not sure exactly
where, but I’ll have to look into it)
"Text markup introduction" in Section 1.8.2 looks li
On 2019-01-20 3:04 am, Andrew Bernard wrote:
I use a wedge type symbol to indicate gradual release of a piano
pedal. Since this is not built in to lilypond, I developed code like
the following to do the job, using PostScript. I don't mind using
PostScript as I am fluent in it, but objectively, th
On 1/20/19, Andrew Bernard wrote:
> generalise this and make it more user friendly
I assume you know about this example:
http://lsr.di.unimi.it/LSR/Item?id=698
My instinct would be to print the sustainPedal brackets normally, and
then hack the Sostenuto pedal stencil (in bracket mode as well so
On 1/20/19, Aaron Hill wrote:
> \markup may additionally be used for lyrics, in chord names, and as
> dynamics. In fact, it is possible to use \markup to customize the
> appearance of virtually any object:
Well put! I’ve added a few additional objects and turned it into a snippet:
http://lsr.di.
I use a wedge type symbol to indicate gradual release of a piano pedal.
Since this is not built in to lilypond, I developed code like the following
to do the job, using PostScript. I don't mind using PostScript as I am
fluent in it, but objectively, this is terribly special case code. Is there
anyb
Hi Andrew,
Am 20.01.19 um 07:52 schrieb Andrew Bernard:
OK. This is the magic to make space after the barline.
\override BarLine.space-alist.next-note = #'(semi-fixed-space . 5)
But how does one get space between the last note in a bar and the
barline? There's a large number of combinatio
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