Order of process-music between Contexts

Hi all, I'm trying to figure out the workings of engravers and contexts. Can anyone point me to the relevant code, or better yet explain the order in which the process-music step happens between engravers in child vs. parent contexts? Is this set in stone, or can it be modified? Like, suppose I

Re: Emacs lilypond mode formatting and indenting

Hi Caio, For 2.19.82 refer to Section 4.1.1 Configuruing the system. It explains what to do to enable point and click from the PDF viewer program, and how to set the EDITOR variable to make emacs go to the right line and column. I don't think it says it there and assumes you know what you are

Re: The lyrics under the dynamics.

It's magnificent! Thank you very much!29.01.2019, 02:03, "Valentin Villenave" :On 1/28/19, Павел Буданов wrote: Hello everybody! I want to put the lyrics under the dynamics. What is the best way to do this?Greetings,you probably need to add a Dynamics context above your

Re: The lyrics under the dynamics.

On 1/28/19, Павел Буданов wrote: > Hello everybody! I want to put the lyrics under the dynamics. What is the > best way to do this? Greetings, you probably need to add a Dynamics context above your staff and your lyrics. You can fill this context by typing all your dynamics in it, with spacer

The lyrics under the dynamics.

Hello everybody! I want to put the lyrics under the dynamics. What is the best way to do this? ___ lilypond-user mailing list lilypond-user@gnu.org https://lists.gnu.org/mailman/listinfo/lilypond-user

Re: postscript printers for lilypond

Carl Sorensen: ... > I have a Minolta-QMS PagePro 9100 which I like wery much. > It would need a new network card: art.nr 4128-6055-01, > and a "paper take-up roller of the multi-purpose paper tray" (1710502-001 > CRU). Thanks Carl Sorensen and Karlin High for the links, I'll will

Re: select a note in a chord

On 1/28/19, Davide Bonetti wrote: > It reminds me something that happens when a variable in lilypond is > called with $ instead of # , but in scheme I don't see this difference. > Could it be something like that? Nope, it turned out to be a lot more idiotic: I was modifying the 'octavation

Re: Rotated StaffGroup InstrumentName?

PS- d'oh, nevermind that last. I discovered "\override Staff.InstrumentName.X-offset" -A ___ lilypond-user mailing list lilypond-user@gnu.org https://lists.gnu.org/mailman/listinfo/lilypond-user

Invisible notes changing how width a staff is printed

-BEGIN PGP SIGNED MESSAGE- Hash: SHA512 Hi, Currently I have the problem that I set a partitur with guitar cords only visible as ChordNames and FretBoards. I use `\set chordChanges = ##t` to only set the name and fret board when the cord changes. For the begin I use the full takt size

Re: Rotated StaffGroup InstrumentName?

Hi Jan-Peter, On Mon, Jan 28, 2019 at 4:39 PM Jan-Peter Voigt wrote: [stuff] Yes, that is exactly what I was looking for, thanks very much! My next problem is that this now overlaps the staff instrument names. I could fix this with a bigger indent in the \paper block, but changing the

Re: Rotated StaffGroup InstrumentName?

Hi Andrew, you might try something like this: \new StaffGroup = "Staff_soloists" \with { \consists "Instrument_name_engraver" instrumentName = \markup \rotate #90 "Solo" } << ... >> HTH Jan-Peter Am 28.01.19 um 15:38 schrieb N. Andrew Walsh: > Hi List, > > quick general question: > > if

Re: Rotated StaffGroup InstrumentName?

"N. Andrew Walsh" writes: > Hi List, > > quick general question: > > if I have a StaffGroup, like this in my score: > -- > \new StaffGroup = "Staff_soloists" > << > \new Staff = "Staff_oboe_solo" << > \global \exTwoOboeMusic > >> >

Rotated StaffGroup InstrumentName?

Hi List, quick general question: if I have a StaffGroup, like this in my score: -- \new StaffGroup = "Staff_soloists" << \new Staff = "Staff_oboe_solo" << \global \exTwoOboeMusic >> \new Staff = "Staff_guitar_solo" <<

Re: postscript printers for lilypond

On 1/28/19, 5:48 AM, "k...@aspodata.se" wrote: Karlin: ... > Karl, what make and model was your surge-damaged printer? It will be > easier to recommend another printer if we know what product families > worked well in the past. There's even a slim chance that replacing a

Re: postscript printers for lilypond

On 1/28/2019 6:48 AM, k...@aspodata.se wrote: I have a Minolta-QMS PagePro 9100 which I like wery much. It would need a new network card: art.nr 4128-6055-01, and a "paper take-up roller of the multi-purpose paper tray" (1710502-001 CRU). Servicemanual is [1], do anyone know how to get hold of

Re: postscript printers for lilypond

Andrew Bernard: > That was in response to David's point about inkjet images not being > waterproof or durable under handling, that's all. I thought you may be > preparing pages for pre-press work perhaps, in which case the paper is > handled with great care, or even being careful not to touch.

Re: postscript printers for lilypond

Hi Karl, That was in response to David's point about inkjet images not being waterproof or durable under handling, that's all. I thought you may be preparing pages for pre-press work perhaps, in which case the paper is handled with great care, or even being careful not to touch. Though nowadays

Re: postscript printers for lilypond

Andrew Bernard: > Are the prints for repro. or for handling? Aren't all prints "handled" ? And I do want high quality printouts, regardless if they are for my own choir or for sale or for whatever reason. Would a photographer be satisfied with printouts from a run of the mill colour laser ?

Re: postscript printers for lilypond

Karlin: ... > Karl, what make and model was your surge-damaged printer? It will be > easier to recommend another printer if we know what product families > worked well in the past. There's even a slim chance that replacing a > circuit board could get the old one going again. I have a Minolta-QMS

Re: postscript printers for lilypond

Andrew: > Spaeking as a former IT Consultant, the first thing one generally needs to > know before being able to help a client is your projected budget. Otherwise > it's hard to know if you want a Heidelberg press or a desktop inkjet. Let > us know. I'd be fine for a printer in the 1000-2000 EUR

Re: postscript printers for lilypond

David Kastrup: > Uh, the resolution is where it aims, not where it hits and the ink > spreads out. And of course the result is a lot less resistant against > eventual smearing than toner (which is basically molten plastic). As I wrote before, the HP pagewide and the Epson WF-C8190DTW do give my

Re: postscript printers for lilypond

Andrew: > The Epson P800 has nine tanks (oneupmanship!) including a _matte black_ ink > tank, and an eight channel printhead. Resolution is up to 2880 x 1400 dpi, > so I can't see how there could be a problem printing sharp lines. > > Not double sided, but unless the OP tells us more about his

Re: postscript printers for lilypond

Andrew: > Can I ask why you don't use matte paper? I try to, is there some you works good for lasers and that you can recommend? Regards, /Karl Hammar --- Aspö Data Lilla Aspö 148 S-742 94 Östhammar Sweden

Re: postscript printers for lilypond

David: > k...@aspodata.se writes: > > > I'm looking for a new printer since the old one was fried by the > > lighting (i.e. the thunder thing, not light in the room). > > That doesn't help at all regarding your question, but the thunder thing > is called "lightning" unlike the light in the

Re: postscript printers for lilypond

Karlin: ... > A printer requirement for A3 size, 240 gsm (sizes like Tabloid, > Ledger, 11x17 and ~90 lb basis weight) AND duplex-print is going to > narrow the field rather sharply. Many models can't duplex heavier > weights of paper. Add the matte-finish, sharpness, and PostScript >

Re: postscript printers for lilypond

Carl Sorensen: > I am fortunate to work at a university that regularly puts > high-volume office copiers on surplus. It’s relatively easy > to find a high-quality, high-volume printer with postscript that > handles A3 duplexing for less than $500. Is the printer new? > No. But it’s rated for

Re: Frescobaldi slowed down [WAS: Re: Emacs lilypond mode formatting and indenting]

Am 28.01.19 um 13:06 schrieb Andrew Bernard: HI Vaughan, I'm using a pristine clean new Debian 9, Frescobaldi 3, and whatever Python that currently uses of course. This effect hit all of a sudden. The string quartet I have to write in blocks of ten pages to keep Frescobaldi snappy in

Re: Frescobaldi slowed down [WAS: Re: Emacs lilypond mode formatting and indenting]

HI Vaughan, I'm using a pristine clean new Debian 9, Frescobaldi 3, and whatever Python that currently uses of course. This effect hit all of a sudden. The string quartet I have to write in blocks of ten pages to keep Frescobaldi snappy in response, but it just hit the wall. Perhaps a coincidence

Re: postscript printers for lilypond

Let's hear more from the OP. Are the prints for repro. or for handling? Andrew On Mon, 28 Jan 2019 at 21:45, David Kastrup wrote: > > Uh, the resolution is where it aims, not where it hits and the ink > spreads out. And of course the result is a lot less resistant against > eventual

Re: Frescobaldi slowed down [WAS: Re: Emacs lilypond mode formatting and indenting]

Andrew Bernard writes: > Hello Federico, > > Thanks for the input. Current score is only ten pages of string quartet > music. Complex yes, but not vast. It suddenly stated after a Debian 9 > update. > > I love Frescobaldi, but the very sluggish response now of the text editor > is unusable, and

Re: Frescobaldi slowed down [WAS: Re: Emacs lilypond mode formatting and indenting]

On Mon, 28 Jan 2019, 18:18 Andrew Bernard Hello Federico, > > Thanks for the input. Current score is only ten pages of string quartet > music. Complex yes, but not vast. It suddenly stated after a Debian 9 > update. > > I love Frescobaldi, but the very sluggish response now of the text editor >

Re: postscript printers for lilypond

Andrew Bernard writes: > Hi Folks, > > The Epson P800 has nine tanks (oneupmanship!) including a _matte black_ ink > tank, and an eight channel printhead. Resolution is up to 2880 x 1400 dpi, > so I can't see how there could be a problem printing sharp lines. Uh, the resolution is where it

Re: select a note in a chord

Hi Valentin and everybody. So, now the chord name is preserved when \dropNote or \raiseNote is applied once, but not when is applied twice or more. It reminds me something that happens when a variable in lilypond is called with $ instead of # , but in scheme I don't see this difference.

Re: Frescobaldi slowed down [WAS: Re: Emacs lilypond mode formatting and indenting]

Am 28.01.19 um 08:18 schrieb Andrew Bernard: Hi Urs, I split my score into files only ten pages long to avoid the issue to begin with, but it suddenly started happening. Perhaps some Debian 9 Python change? Other than with LilyPond the issue is not the complexity of the *score* but that