>
>
> In order to get at individual ties in a chord, you have to resort to
> desperate measures. Use the code here:
>
> https://www.mail-archive.com/lilypond-devel@gnu.org/msg47432/shape-tie-columns.ly
>
> Hope this helps,
> David
>
Thank you David,
although it does the job I still wonder if
Hi Paolo,
On Wed, Mar 25, 2020 at 9:45 AM Paolo Prete wrote:
>
> Hello.
>
> Please consider this (tested on 2.19.84):
>
> \new Voice <<
> { \shape #'((0 . 0) (0 . 0) (0 . 0) (3 . 0)) Tie c' ~ c' }
> { \shape #'((0 . 0) (0 . 0) (0 . 0) (0 . 0)) Tie c'' ~ c'' }
> >>
>
> If I modify the shape
>
> I haven't seen this construction before ( \new Voice << { } { } >>).
> You should either have two separate Voices or put a "\\" in between
> the two music expressions, so that lilypond will split it into two
> voices.
Sorry but I can't figure what is the *right* expression for solving the
On Wed, 25 Mar 2020 at 19:14, Paolo Prete wrote:
>> > Please consider this (tested on 2.19.84):
>> >
>> > \new Voice <<
>> > { \shape #'((0 . 0) (0 . 0) (0 . 0) (3 . 0)) Tie c' ~ c' }
>> > { \shape #'((0 . 0) (0 . 0) (0 . 0) (0 . 0)) Tie c'' ~ c'' }
>> >>>
I haven't seen this construction
On Wed, Mar 25, 2020 at 4:20 PM Mark Knoop wrote:
> At 14:44 on 25 Mar 2020, Paolo Prete wrote:
> > Hello.
> >
> > Please consider this (tested on 2.19.84):
> >
> > \new Voice <<
> > { \shape #'((0 . 0) (0 . 0) (0 . 0) (3 . 0)) Tie c' ~ c' }
> > { \shape #'((0 . 0) (0 . 0) (0 . 0) (0 . 0))
At 14:44 on 25 Mar 2020, Paolo Prete wrote:
> Hello.
>
> Please consider this (tested on 2.19.84):
>
> \new Voice <<
> { \shape #'((0 . 0) (0 . 0) (0 . 0) (3 . 0)) Tie c' ~ c' }
> { \shape #'((0 . 0) (0 . 0) (0 . 0) (0 . 0)) Tie c'' ~ c'' }
>>>
>
> If I modify the shape on the first tie,
Hello.
Please consider this (tested on 2.19.84):
\new Voice <<
{ \shape #'((0 . 0) (0 . 0) (0 . 0) (3 . 0)) Tie c' ~ c' }
{ \shape #'((0 . 0) (0 . 0) (0 . 0) (0 . 0)) Tie c'' ~ c'' }
>>
If I modify the shape on the first tie, changes are applied on the second
tie. Is this a bug? If so, is
Hello folks,
MusicXML allows for margins and other layout elements to be placed in so-called
‘print' element, inside measures, to change the settings for a given system:
When used in the layout element, the system-layout element
defines a default appearance for all systems in
El 25/3/20 a las 8:10, Eby Mani escribió:
Thank you all for correcting my understanding.
As Torsten explained, since in 4/4, full-measure rest is coded
internally as R1*8 and likewise for other time signatures, wouldn't it
be possible do code to treat full-measure rest as graphically and
Thank you all for correcting my understanding.
As Torsten explained, since in 4/4, full-measure rest is coded internally as
R1*8 and likewise for other time signatures, wouldn't it be possible do code to
treat full-measure rest as graphically and musically based on time signature as
the name
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