On Mon, Jun 29, 2020 at 2:59 PM Thomas Morley
wrote:
> Am Sa., 20. Juni 2020 um 17:18 Uhr schrieb Ralph Palmer
> :
> >
> > On Sat, Jun 20, 2020 at 6:28 AM Karlin High
> wrote:
> >>
> >> On 6/20/2020 7:37 AM, Thomas Morley wrote:
> >> > I'd say we need more people for LSR-work.
> >> >
> >> >
David,
Thank you.
Mark
-Original Message-
From: lilypond-user
[mailto:lilypond-user-bounces+carsonmark=ca.rr@gnu.org] On Behalf Of
David Zelinsky
Sent: Tuesday, June 30, 2020 7:32 PM
To: lilypond-user@gnu.org
Subject: Re: ties between voices
"Mark Stephen Mrotek" writes:
> David
On Tue, Jun 30, 2020 at 8:32 PM David Zelinsky wrote:
>
> Here's where it says "Lyrics and spanners (such as slurs, ties,
> hairpins, etc.) cannot be created *across* voices.":
>
>
http://lilypond.org/doc/v2.20/Documentation/notation/multiple-voices#index-_005cvoices
>
> And here's where it says
"Mark Stephen Mrotek" writes:
> David Zelinsky writes:
>
>> I had seen "\voices" in the manual, but it did not say anything about
>> continuing phrasing or dynamics across voices. I fact it said it can't be
>> done. But after seeing people's responses, I looked further and found where
>> it
David,
Would you, or someone else, direct me to "\voices" in the manual.
I might be using incorrect search terms.
Thank you,
Mark
-Original Message-
From: lilypond-user
[mailto:lilypond-user-bounces+carsonmark=ca.rr@gnu.org] On Behalf Of
David Zelinsky
Sent: Tuesday, June 30, 2020
David Zelinsky writes:
> I've done some reasonably complicated things in Lilypond, but still have
> lots to learn. My current conundrum is to typeset the attached snippet.
> I can't figure out how to get the tie between the G's, without breaking
> the double stops in the first measure into two
A two-way converter would interest me a lot! As I said, my converter is quite
basic (dare I confess it’s a shell script), because it’s for a very specific
repertoire, so it makes lots of assumptions as a short-cut.
> On 30 Jun 2020, at 21:45, Urs Liska wrote:
>
> Am Dienstag, den 30.06.2020,
Hi Jacques,
Two main ways:
1. Direct entry one spine at a time, and then the assemble tool, or
2. MIDI keyboard entry via another notation programme, then conversion MIDI to
Humdrum, then run through a filter program that predicts the correct spelling
of enharmonic equivalents, then
Hi all,
I'm engraving a percussion part that has the player switch from vibraphone
to suspended cymbal. I can use the \stopStaff and \startStaff commands to
change the number of staff lines and make the layout look like what I want,
but I'm having trouble with getting the MIDI output, since it
Am Dienstag, den 30.06.2020, 17:28 +0200 schrieb Jacques Menu:
> Hello folks,
>
> I’ve been wondering : is Humdrum **kern in wide use,
I don't know the answer to that question, but I do know it is *in use*,
and I'd be interested in any integration with LilyPond. Craig Sapp has
- not that long
On Tue, 30 Jun 2020, Rutger Hofman wrote:
Would the trajectory hum2abc
http://extras.humdrum.org/man/hum2abc/ (to abc) ->
abc2xml (written by my earstwhile supervisor Wim Vree!)
https://wim.vree.org/svgParse/abc2xml.html (to xml) ->
xml2ly or musicxml2ly
Or there is also hum2xml
Would the trajectory hum2abc
http://extras.humdrum.org/man/hum2abc/ (to abc) ->
abc2xml (written by my earstwhile supervisor Wim Vree!)
https://wim.vree.org/svgParse/abc2xml.html (to xml) ->
xml2ly or musicxml2ly
be an option?
Rutger
On 6/30/20 8:09 PM, Jacques Menu wrote:
Hello Frauke,
Hello Frauke,
How do you produce the Humdrum data sets?
JM
> Le 30 juin 2020 à 19:04, Frauke Jurgensen a écrit :
>
> Hi,
>
> I use Humdrum a lot, and have written a basic hum2lily conversion tool, which
> I am using to prepare my edition of the Buxheim Organ Book. It’s quite
> specialised
Hi,
I use Humdrum a lot, and have written a basic hum2lily conversion tool, which I
am using to prepare my edition of the Buxheim Organ Book. It’s quite
specialised for my particular application, and not terribly sophisticated at
the moment.
Cheers,
Frauke
> On 30 Jun 2020, at 16:28, Jacques
Hello folks,
I’ve been wondering : is Humdrum **kern in wide use, and do you know of any
work or application involving both Humdrum **kern and LilyPond?
Thanks!
JM
On 29/06/2020 10:30, Valentin Petzel wrote:
3) Forcing a string number can be done manually easily (though this is not
good if the tuning changes at some point). But in code it is quite a bit more
effort to achieve the same result, because we then would need to read the
string tunings from the
Hi,
In Staceys example, I stumbled across the following strange thing
where \relative behaves strangely:
mus = \relative c,, { \harmonicByRatio #1/4 2. }
<<
\new TabStaff
{
\set Staff.stringTunings = \stringTuning
\tabFullNotation
\mus
}
\new Staff \mus
>>
Just to make
17 matches
Mail list logo
