Op Thu, 9 Sep 2021 17:46:13 -0400
Kira Garvie schreef:
> Hello all,
> I am typing the lyrics to a hymn, and it has the line: The cry “To
> arms!” is heard afar and near. How do I do those quotations without
> Frescobaldi thinking it’s a string of code? Also I am the newbie-est
> of newbies with
From: lilypond-user
on behalf of Gary Brookman
Date: Saturday, October 2, 2021 at 9:30 PM
To: "lilypond-user@gnu.org"
Subject: fret diagram number position
The position of the fret diagram number is confusing and I'd like to move it,
but I'm not seeing a way. I looked at
The position of the fret diagram number is confusing and I'd like to move it,
but I'm not seeing a way. I looked at fret-diagram-interface but nothing is
obvious for moving it towards the middle of a fret. Like this:
[cid:952f67fd-477d-41c4-949f-a859abaddc69]
Lilypond looks like this:
On 10/2/2021 4:47 PM, Kira Garvie wrote:
I added the repeat voltas to the response, but now I have extra barlines!
You can try entering the TenorResponse lyrics just like I gave it. The
lyrics will follow the volta/alternative structure defined in StanzaTwo.
--
Karlin High
Missouri, USA
On 10/2/2021 4:55 PM, Kira Garvie wrote:
some of the features of FlexScores only work with 2.16.2, so that is why
Hymnary still uses it.
Understandable and unfortunate. It will be harder to get good help for
older versions. Especially from me. Effectively all of my LilyPond
experience comes
Sorry! I am still new, I havent made a tiny example yet... some of the
features of FlexScores only work with 2.16.2, so that is why Hymnary still
uses it.
On Sat, Oct 2, 2021 at 5:50 PM Carl Sorensen wrote:
> Hi, Kira
>
>
>
> *From: *lilypond-user gmail@gnu.org> on behalf of Kira Garvie
>
Hi, Kira
From: lilypond-user
on behalf of Kira Garvie
Date: Saturday, October 2, 2021 at 3:19 PM
To: Lilypond-User Mailing List
Subject: responses in hymn tunes?
Hello all,
I have a very specific problem I am running into of how to add a tenor response
within the repeat of a hymn tune when
On 10/2/2021 4:18 PM, Kira Garvie wrote:
how to add a tenor response within the repeat of a hymn tune when there
is also a response in the verses.
You are doing work for or from hymnary.org? Nice!
The song you have there is one I learned around age 6 in school, from
this thing:
David Zelinsky writes:
> David Kastrup writes:
>
>> David Zelinsky writes:
>>
>>> I'm trying get some facility with Scheme in Lilypond. One thing I
>>> haven't found in the manual is an explanation of naming conventions for
>>> built-in scheme functions. Specifically, why do some of them
David Kastrup writes:
> David Zelinsky writes:
>
>> I'm trying get some facility with Scheme in Lilypond. One thing I
>> haven't found in the manual is an explanation of naming conventions for
>> built-in scheme functions. Specifically, why do some of them have names
>> starting with "ly:"
David Zelinsky writes:
> I'm trying get some facility with Scheme in Lilypond. One thing I
> haven't found in the manual is an explanation of naming conventions for
> built-in scheme functions. Specifically, why do some of them have names
> starting with "ly:" and others don't? Can someone
Hi Andy,
> Optionally, it would be nice to follow it with something like:
> Ped. __/\ con ped.
Below, I’ve attached what I use.
Notes:
1. It’s pretty old code, so there’s probably a better way nowadays…
2. It could (and should) be abstracted so that the “sim” is a parameter,
Hello,
I'm trying to accomplish something similar to attached image where the
sustain pedal ends without showing the line. In ASCII:
Ped. __/\
Optionally, it would be nice to follow it with something like:
Ped. __/\ con ped.
I've been able to eliminate the
I'm trying get some facility with Scheme in Lilypond. One thing I
haven't found in the manual is an explanation of naming conventions for
built-in scheme functions. Specifically, why do some of them have names
starting with "ly:" and others don't? Can someone explain this, and/or
point me to
Ah! Now I get it! Thank you very much!
On Sat, Oct 2, 2021 at 6:39 PM David Kastrup wrote:
> "Omid Mo'menzadeh" writes:
>
> > I'm just re-stating this to make sure I'm getting it right: Definitions
> are
> > lazy, and the expression in front of # is lazy too, so it gets a chance
> to
> > see
"Omid Mo'menzadeh" writes:
> I'm just re-stating this to make sure I'm getting it right: Definitions are
> lazy, and the expression in front of # is lazy too, so it gets a chance to
> see the definition once it's done? Am I right?
It's not a definition but an assignment, and the assignment is
I'm just re-stating this to make sure I'm getting it right: Definitions are
lazy, and the expression in front of # is lazy too, so it gets a chance to
see the definition once it's done? Am I right?
That's good to know!
On Sat, Oct 2, 2021 at 4:00 PM David Kastrup wrote:
> "Omid Mo'menzadeh"
Hi,
[Please keep the replies on-list, so everybody can follow.]
what if the note is not one but many?
See the very last word "jago" in the attached music score.
This requires no change in the lyrics you enter:
ja -- go
will do fine. But you have to tell LilyPond to create a melisma: For
Thank you. That’s a first for me. And of course is one of the things I love
from Likypond. It is versatile and I don’t think ever going to stop learning
new things there. Lol. Thank you!!
Carlos R Martinez
279.850.5650
essentialmusic.org
> On Oct 2, 2021, at 03:19, Xavier Scheuer wrote:
>
Jean and others on this list, thank you so much for your help. It was so
supportive! I was really surprised and pleased with how supportive this
community was.
It was certainly challenging to learn so much so quickly but I have
accomplished a score for general use, and also a specific viola
"Omid Mo'menzadeh" writes:
> Of course!I just attached two files that demonstrate the difference.
>
> On Sat, Oct 2, 2021 at 3:30 PM David Kastrup wrote:
>
>> "Omid Mo'menzadeh" writes:
>>
>> > I didn't know about $ at all! Where in the documentation can I find more
>> > about it? It was hard
Of course!I just attached two files that demonstrate the difference.
On Sat, Oct 2, 2021 at 3:30 PM David Kastrup wrote:
> "Omid Mo'menzadeh" writes:
>
> > I didn't know about $ at all! Where in the documentation can I find more
> > about it? It was hard to search for!
> >
> > I tried it, but
"Omid Mo'menzadeh" writes:
> I didn't know about $ at all! Where in the documentation can I find more
> about it? It was hard to search for!
>
> I tried it, but it doesn't seem to find my variable "vocal" defined in the
> same .ily file. I tried using #(top-repl) and $(top-repl) too, in the #
>
I didn't know about $ at all! Where in the documentation can I find more
about it? It was hard to search for!
I tried it, but it doesn't seem to find my variable "vocal" defined in the
same .ily file. I tried using #(top-repl) and $(top-repl) too, in the #
version it knows what \vocal is, but in
On Sat, 2 Oct 2021 at 06:53, Carlos Martinez
wrote:
>
> Thank you! That work! Although I am still having one part that need to
figure out one space…. But the score looks great now! Thanks!
Hello,
You can also use an extra voice for breaks, as documented in NR 4.3.1 Line
breaking
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