Re: Lyrics alignAboveContext

Hopefully this will get you started: https://lilypond.org/doc/v2.23/Documentation/notation/displaying-chords#customizing-chord-names -- Knute Snortum On Wed, Nov 1, 2023 at 4:38 PM Mats-Olof Liljegren wrote: > Hi! > > In this part I would like to have the lyrics above soprano 1 and Oh as >

Lyrics alignAboveContext

Hi! In this part I would like to have the lyrics above soprano 1 and Oh as lyrics to Sop 2 and Alto. Can I solve this with alignAboveContext on only that part? And I would like to print the chords like c#m7-5 f#m7-9 but have no clue. What to do?  Med vänlig hälsning / Kind regards

Re: Show TacetStaff when StaffGroup empty

Jeff Olson writes: > On 11/1/2023 6:37 AM, David Kastrup wrote: >> > > Thanks, David. Now I'm really smiling to have learned something new! > Your knowledge is more encyclopedic than Wikipedia. That claim is more of a

Re: Show TacetStaff when StaffGroup empty

Jeff Olson writes: > On 11/1/2023 6:37 AM, David Kastrup wrote: >> > > Thanks, David. Now I'm really smiling to have learned something new! > Your knowledge is more encyclopedic than Wikipedia. > > I once mail-ordered a

Re: Show TacetStaff when StaffGroup empty

On 11/1/2023 6:37 AM, David Kastrup wrote: Thanks, David. Now I'm really smiling to have learned something new! Your knowledge is more encyclopedic than Wikipedia. I once mail-ordered a fretted u-bass but exchanged

Re: Two small issues

1) Use \after. See https://lilypond.org/doc/v2.24/Documentation/notation/expressive-marks-attached-to-notes, and scroll down to Delayed Turns. I also used a tweak to move the turn up. 2) Just add notes after the key change and it should display correctly \version "2.24.2" \relative c'' {

Re: Score structure with alternate endings

On Wed, Nov 1, 2023 at 10:59 AM N. Andrew Walsh wrote: > Hi List, > Hi Andrew, > I have a client who's written a piece where he wants the last 16 bars to > have two different variations, to be freely chosen by the performer. Sort > of a choose-your-own-adventure score. It's scored for two

Score structure with alternate endings

Hi List, I have a client who's written a piece where he wants the last 16 bars to have two different variations, to be freely chosen by the performer. Sort of a choose-your-own-adventure score. It's scored for two voices and piano, but the ending(s) would only be the piano. So, grossly

Re: Show TacetStaff when StaffGroup empty

Jeff Olson writes: > The only reason I cc'd Harm was that he was one of five listed under > Documentation in http://lilypond.org/authors.html, and in previous > posts he had identified himself as a [fellow] classical guitarist.  So > I imagined he might smile, as I did, at seeing the double bass

Two small issues

I have two beginner questions about the following fragment - the end of the first movement of Cimarosa's oboe concerto - which I am trying to reproduce from the printed score, partly for learning Lilypond, and partly so I can print it enlarged on A3 paper. My coding:

Re: Show TacetStaff when StaffGroup empty

Le mardi 31 octobre 2023 à 21:31 -0600, Jeff Olson a écrit : > > > P.S. What's the best way to alert somebody whenever I see a small nit like > this in the documentation?  I don't have an account on gitlab, nor do I > subscribe to the bugs or developers lists. > The normal way to report a

Re: Automatic annotation of slide positions/fingerings for brass instruments.

Yeah, I came across one of those bass clef, Bb transposed parts a couple of months ago. Hit the whole trombone section for a six. I've spent a lot of time delving though pre-Baroque manuscripts, both handwritten and printed. One upside of this is a working familiarity with all manner of clefs.