It was that simple!
Thanks!
On Fri, Jan 12, 2024 at 7:17 PM Aaron Hill wrote:
>
> You need to do your mods in separate \context sections. See above.
On 2024-01-12 5:00 pm, Ivan Kuznetsov wrote:
\layout {
\context {
\Score
\override BarLine.transparent = ##t
\override SpacingSpanner.base-shortest-duration =
#(ly:make-moment 1 8)
\override Stem.transparent = ##t
}
\context {
\Voice
Have you actually tried this? LilyPond appends ".pdf" to the output
filename (and ".midi"). If you try to make the fifo ending in ".pdf",
you find lilypond removes the fifo before writing a new file. For the
same reasons, the output file cannot be /dev/stdout. Maybe you could
write something
In my short snippet below, even though my
final output is as expected, a C major scale
with some brackets underneath some pairs of note,
I get the error:
> Parsing...
> test_post01.ly:25:8: error: not a context mod
>
>\Voice
Note that I am using "Analysis brackets".
The lilypond parser
Hi Raphael,
Am 12.01.24 um 13:32 schrieb Raphael Mankin:
I agree that 0 as a denominator would seem to indicate an infinite
duration, and allow the rest of your argument. However <> still seems
unintuitive.
I agree that <> isn't obvious. But in a complex language like LilyPond,
there's
Hi Matthew,
Am 12.01.24 um 00:29 schrieb msk...@ansuz.sooke.bc.ca:
You need to remember lilypond thinks in terms of pitch, not note names. Unlike
some (most?) other music software. So "\transpose g e" says "transpose EVERY
note up A TONE".
I'm not sure it's quite right to say that Lilypond
Hi Stanton,
I’m setting various short organ pieces from an old Peters edition,
mostly to prevent my aging brain from forgetting…
One piece is in 8/4 time -the first measure has a whole note and 2
half notes. However, the time signature as printed is the cut time
symbol. How can I reproduce
On 2024-01-12 15:58, Knute Snortum
wrote:
At
least section 1.2.2 of the reference manual ought to be updated
to
include <> in the discussion of invisible rests.
Can you share how you would want that
On Fri, Jan 12, 2024 at 6:21 AM Raphael Mankin wrote:
>
>
> On 10/01/2024 10:35, msk...@ansuz.sooke.bc.ca wrote:
> > On Wed, 10 Jan 2024, Raphael Mankin wrote:
> >
> >> That strikes me as being a programmer's response, and I speak as a
> programmer
> >> for over 50 years. Using <> works, but it
> So my choosing the number as “0” (or any other). I can use that
> number instead of the original to have it surpressed.
> Good to know. For pratical reasons (not getting lost in my scores ☺ )
> I will set this everytime to “5” or what number needed (in figured
> bass, I know about the 5 not
Raphael Mankin writes:
> On 10/01/2024 10:35, msk...@ansuz.sooke.bc.ca wrote:
>> On Wed, 10 Jan 2024, Raphael Mankin wrote:
>>
>>> That strikes me as being a programmer's response, and I speak as a
>>> programmer
>>> for over 50 years. Using <> works, but it is unintuitive. If s0 is more
>>>
On 10/01/2024 10:35, msk...@ansuz.sooke.bc.ca wrote:
On Wed, 10 Jan 2024, Raphael Mankin wrote:
That strikes me as being a programmer's response, and I speak as a programmer
for over 50 years. Using <> works, but it is unintuitive. If s0 is more
intuitive then that should be considered for
On Thu, 2024-01-11 at 12:40 +, Eef Weenink wrote:
> Thank you Richard
>
> You say: “
> You don't have to use 5 as the implicit figure:”
>
> Try:
> -
>
> \new FiguredBass \with { implicitBassFigures = #'(0) }
> \figuremode {
> \set figuredBassAlterationDirection = #RIGHT
>
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